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Showing results for tags 'black and white'.
Found 186 results
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Ich erlaube mir mal einen Thread für das Format 6x6 zu eröffnen und beginne mit ein paar Bildern. Rolleiflex Automat K4b, TMY 400, D76.
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Hello! I'm trying to lock in a scanning workflow for B/W 35mm and I've had such a love/hate relationship with my Coolscan 5000 and Vuescan. The detail extracted is second to none, but I'm seeing EVERY flaw as well. There are hairline surface scratches that explode on the screen from these scans that are nowhere to be found on a mirrorless camera scan or a darkroom print. Is this just inherent to the scanning physics? Is it scanning the surface and therefore every film base scratch is seen? Again, if you backlight the negative, all of these tiny scratches are invisible. Hence why they don't show up in camera scans or darkroom prints. Any ideas?
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This was taken before the coronavirus problems we now all have. Leica M7 + Fuji Neopan T400CN film commercially processed and home scanned. Gerry
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Because of the covid-19 lockdown I am unable to go out on to the streets to photograph, not that there are any people around. I am therefore still working through my archives, and came across this image from Paris in 2002. Taken with a Leica M6, 50mm Summicron f2 and using Kodak T400CN film (which I used to love!). I hope you like it. I have also been revamping my web site using Adobe Portfolio, which is part of the Lightroom/Photoshop package, and like the results so far, although it is a work in progress. Take a look here Gerry
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Continuing my trawl through my archives, I found this from Chinese New Year in London 1998. I had been shooting with my first Leica (a M3) for less than a year at this stage. Film was Fuji Neopan 400 and the lens was an old Summicron 50mm f2. Gerry
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M8 Monochrom, Voigtlander 35mm 1.4 @ 1/125 at f5.7 ISO 400 at the Dunkin on the corner of 97th and Madison in Manhattan's Upper East Side.
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I haven't posted for quite some time because being a street photographer when there is virtually nobody on the streets during these crazy times is difficult. This was taken prior to the time when we knew the term COVID-19 in 2017. Leica M7 + 35mm Summarit-MM f2.5. Fuji Neopan 400CN (C-41) film commercially processed and then scanned by me. Gerry
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I am so pleased that another step towards normality has happened, and I can again sit and drink coffee at my favourite cafe Mettricks Guildhall in the centre of Southampton. Leica M240 + 35mm Summarit-M f2.5 Gerry
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Paris has always been a special place for street photography for me and, although I haven't been there for far too long, I try and emulate the work of its' great photographers such as HC-B, Robert Doisneau and (dare I say) Peter Turnley. For me it is like fishing on a great trout stream in that you are always bound to have a good catch. This was taken in 2000 using my M6 and Kodak T-Max 400 film home processed. I think it was with the 50mm Summicron lens, although I can't be 100% sure. Gerry
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From todays walkabout in the centre of Southampton. Leica M240 + 35mm Summarit-M f2.5 Gerry
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Taken in my hometown of Southampton with the Leica M9 + 35mm Summarit-M f2.5 in 2016. Just processed into b&w from the original .dng file using Lightroom Classic. 1/500th f4.8 @ 200iso. Gerry
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From the album: Street
© Rob Shum
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Oil pipeline
© Rudi Poppes
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Westgate Bridge in Melbourne Australia
© Rudi Poppes
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From the album: October 2018
© Rudi Poppes
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Leica M4P, 50mm Summicron, Ilford HP5.
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© Rudi Poppes
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CL with Voigtländer 50mm. Taken outside with natural light.
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