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Showing results for tags 'black and white'.
Found 169 results
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Ich erlaube mir mal einen Thread für das Format 6x6 zu eröffnen und beginne mit ein paar Bildern. Rolleiflex Automat K4b, TMY 400, D76.
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While we suffer an interminable wait for the (alleged soon to be) M10 Monochrom, I have to ask: Why not a Q2 Monochrom?? Think of the possibilities that a full frame, 47 MP, ISO 50,000 Monochrom with a 28mm f/1.7 lens and a silent leaf shutter would have to offer! To the gents in Wetzlar, I have to ask: Are you listening? To everyone else, I ask: What are your thoughts on a Q2 Monochrom?
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It was in 1997 when my wife and I first visited New England. I wanted to attend the annual Star Island ‘escape’ of the New Hampshire Society of Photographic Artists, and it was to celebrate our 28th wedding anniversary. Both of us had always wanted to visit the area for the fall colours, so we scraped the money together and did the trip. One of our days was spent travelling the road which was the old route of i95 before it became a multi-lane highway, to discover a little of rural America north of Boston. It turned out to be a fascinating drive with abandoned wood-built hotels, and large empty barns, both of which had died when the traffic deserted the road for the new superhighway. During our travels we came across a car lot selling rusty old heaps of autos which I did not understand why anybody would pay the price, but which I enjoyed enjoyed photographing. Today there is a programme here on cable TV in the UK called “American Pickers” and I understand the American restoration market more, and therefore the old-time autos sat by the roadside. As it was, I was just fascinated to see them and photograph some of them.I was new to Leica having bought my M3 double-stroke about 6 months earlier, and was using Kodak T400CN film so I could get it processed as I went to avoid x-ray problems at the airport. The lens was a beat-up 50mm Summicron f2 because it was what I could afford. I have just been going through the archives, and I particularly like this image. I may be wrong but I reckon the price would now be about 4 times what is shown here.If anybody knows the make and model of the auto, or the location of the car lot I would like to know.Hope you like the image!Gerry
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Here's an interesting article about the "new and improved" Acros II black and white film from Fuji: Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What's the difference? https://emulsive.org/articles/comparing-fujifilm-neopan-100-acros-ii-to-original-acros-whats-the-difference
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Two small Berber childen, one shoeless, and wearing dirty dresses sit outside their cave home in Tunisia. This is from 2002 when North Africa was a safer place to visit. I wonder where they are now? I used a Leica M6 and I think this was taken using the 50mm Summicron f2. Gerry
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For those who use the Q2 to create black and white images, what have you found is the way to get the best results in terms of image quality? Do you shoot in color then convert to B&W in post processing? If so, which software program do you prefer? I know we already have a Q2 image thread, but if we could see some examples of B&W images made with the Q2 in this thread by way of example, that would be great. My Q2 is on the way and I want to learn about how to maximize it for black and white imagery, particularly for making exhibit quality B&W prints. I'm sure many others will be interest in this, too.
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Paris 1997 Leica M3 + 50mm Summicron f2 and Fuji Neopan 400PR © Gerry Walden/gwpics.com When, oh when, are we going to get Fuji Neopan 400PR back! Gerry
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It was the annual Gay pride event in my home town of Southampton, and there was the usual plethora of street vendors including the balloon sellers. This guy only sold unicorn belloons, and made an interesting subject. This is a very colourful event and it would have been easy to be overwhelmed by the colour, but I made the decision to shoot it b&w: Leica M240 + 50mm Summicron-M f2 Gerry
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I have just acquired a 50mm Summicron-M f2 IV so I took it for a test run (which consisted of one shot) today. This was at 1250 iso 1/125 and f6.8 - Gerry
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As the saying goes "Birds of a feather flock together". I spotted these gulls taking advantage of a pontoon to have a rest after a hard rainstorm. I found it fascinating that they were all facing exactly the same way. Leica M240 + 35mm Summarit f2.5. Shot as .dng and converted to black and white in Lightroom Classic. Hope you like it Gerry
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I was just leaving the waterside park area when I spotted this guy. I was already driving so I drove back around the park and parked up so that I could catch him. It had just been pouring with rain so I think he stopped under the tree to take shelter, but he then sat on the wet grass. Leica M240 + 35mm Summarit f2.5. Shot as .dng and converted to black and white in Lightroom Classic. Hope you like it Gerry
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Low Rider parked in front of local hotel in Santa Fe NM SHOT with M8_35MM Sumicron f2 ...
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New to my street photography gallery: June 2019Leica M7 + 35mm Summarit f2.5 lens. Kodak Tri-X.
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Children look at each other out in the city with their parents. Leica M240 with Zeiss 50mm Sonnar f1.5. 1/180 f8 at 320iso. Gerry
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We never grow up, we just get older. People with balloons. Southampton, England. Leica M240 with Zeiss 50mm Sonnar f1.5. 1/180 f8 @ 320iso. Gerry
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© Rudi Poppes
