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PLZ

  1. I am slowly managing to get out more now, ands back in my usual coffee shop yesterday. I couldn't resist taking a candid image of this young lady at the counter because of her height. She must have been about 1.8 metres. Leica M240 + 35mm Summarit f2.5 @ 1250 iso. 1/250 @ f2.8 and post-processed in Lightroom Classic. Gerry
  2. gwpics

    The Drag Queen

    Just selected by LFI for their gallery. Leica M7 with 35mm Summarit f2.5 and using Kodak Tri-X lab processed. Permission given by drag artist to photograph. Gerry
  3. It was great to finally be able to get out to my favourite cafe yesterday and drink coffee with a friend I haven't seen since Christmas. I have been having problems with my knee and have found walking almost impossible but thankfully I am just using one stick now. This is one image I grabbed whilst sat outside the cafe in the beautiful sunshine Leica M240 + 35mm Summarit f2.5 Gerry
  4. Ich erlaube mir mal einen Thread für das Format 6x6 zu eröffnen und beginne mit ein paar Bildern. Rolleiflex Automat K4b, TMY 400, D76.
  5. When I was a young child my summers were spent walking the 600 or so metres from my home to the nearby river to play in its clear waters. Now close on 70 years later this image reminds me so much of those happy days. That is the power of photography. Leica M6 + 50mm Summicron f2 - Kodak T400CN film - ©1997 Gerry
  6. Hello! I'm trying to lock in a scanning workflow for B/W 35mm and I've had such a love/hate relationship with my Coolscan 5000 and Vuescan. The detail extracted is second to none, but I'm seeing EVERY flaw as well. There are hairline surface scratches that explode on the screen from these scans that are nowhere to be found on a mirrorless camera scan or a darkroom print. Is this just inherent to the scanning physics? Is it scanning the surface and therefore every film base scratch is seen? Again, if you backlight the negative, all of these tiny scratches are invisible.
  7. After five months using the Leica M10, 20,000+ pictures and through 12 countries I finally made my first part of the Leica M10 review. I go over the SD-cards, Lightroom profiles for M10, EVF use and design, and more in this article. Enjoy, next article and video coming up real soon :-) http://www.overgaard.dk/Leica-M10-digital-rangefinder-camera-page-00-Expect-Simplicity.html
  8. gwpics

    The Copiest

    I took this in the Louvre in Paris in 2002. I have just scanned it to add it to my archive. The camera was certainly the M6 and probably the lens was the 35mm Summicron I had back then. It was taken on Agfa Vista 800 colour film, which I have no rational explanation for now because I can't imagine me ever using it. The grain is pretty big, but through judicious use of LRCC I think I have gotten away with it at this size, or at least I hope so! I do like the result. Gerry
  9. "Be sure to call me Mister Flowers, I am famous you know!" he said - Barcelona, Spain. Leica M9 and 35mm Summarit f2.5. Gerry
  10. Taken during the Southampton Pride event using my Leica M9 and 35mm Summarit f2.5. processing from .dng in Lightroom. Gerry
  11. Taken at the Southampton Pride celebrations today using the Leica M9 and 35mm Summarit f2.5. Thanks for looking, Gerry
  12. Another from my first visit to Italy in March 1999. This was taken in Montepulciano (Tuscany/Toscana) using a Leica M6 with Tri-X film but I have no other details recorded. Looking at the image I would assume 50mm Summicron f2. Gerry
  13. Wink and a Smoke taken wtih a M Monochorm and 35mm 1.4 Sumilux @ 1.4
  14. gwpics

    Berber Children

    Two small Berber childen, one shoeless, and wearing dirty dresses sit outside their cave home in Tunisia. This is from 2002 when North Africa was a safer place to visit. I wonder where they are now? I used a Leica M6 and I think this was taken using the 50mm Summicron f2. Gerry
  15. Here is an interesting story of how one man's photographic journey went full circle, bringing him back to his roots in film photography. He shows some interesting images along with the essay : http://emulsive.org/articles/return-to-film/my-return-to-film-adib-mufty
  16. futura

    Margaux

    From the latest shoot in and around London. SL + 50mm 1.4
  17. gwpics

    Ali

    Guarding the local convenience store in the heart of a multi-ethnic community Ali, an immigrant from the Middle East, is proud to be working and contributing to society. Taken with a M9 and 35mm Summarit-M f2.5. Hope you like it! Gerry
  18. More black and white girls on streets can be found at BigBigLens.com - Summicron-c.
  19. I took this in my home town of Southampton using the Leica M7 and Zeiss 50mm Sonnar f1.5. The film was Ilford Delta 400. I hope you like it. Gerry
  20. The photo was taken at Sham Shui Po of Hong Kong. It's the district of low incomes. People were selling used stuff along the street. An old man was carrying a baby while fixing a laptop on the floor. Other photos of the poor district can be found at BigBigLens.com - Sham Shui Po.
  21. Taken by my Sony A7 and Leica Summicron M 50mm f2. My other black and white photos taken by the lens are at BigBigLens.com - Summicron 50mm.
  22. Taken with M (T240) and Zeiss 25/2.8 Biogon
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