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Showing results for tags 'available light'.
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An available light portrait of Brianna in an abandoned theater in Biddeford, Maine made with a Leica M240 and 50mm Summicron lens.
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I am slowly managing to get out more now, ands back in my usual coffee shop yesterday. I couldn't resist taking a candid image of this young lady at the counter because of her height. She must have been about 1.8 metres. Leica M240 + 35mm Summarit f2.5 @ 1250 iso. 1/250 @ f2.8 and post-processed in Lightroom Classic. Gerry
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I am so pleased that another step towards normality has happened, and I can again sit and drink coffee at my favourite cafe Mettricks Guildhall in the centre of Southampton. Leica M240 + 35mm Summarit-M f2.5 Gerry
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While I was sat having coffee in my favourite spot this morning this young lady came and stood immediately in front of me. To her I must have been invisible because I simply raised my camera to my eye, focused, and pressed the button. She was probably only about a meter away from me but her thoughts were obviously somewhere else. I used available light. Leica M240 + 50mm Summicron-M f2. 1/180 f2.8 @ 320iso. This is full frame and processed in Lightroom Classic. Gerry
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I have shot very little this past year for various health and Covid reasons. Here is one that I was pleased with from my favourite café. It is a grab shot as I just had the camera resting on the table and didn't look through the viewfinder. Leica M7 + 35mm Summarit-M f2.5. Kodak T-Max 400 at 400. No exposure values recorded. Commercially processed and scanned at home. Gerry
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While I was having coffee at my favourite place this guy was sat running his office over his cup of coffee. "Hi, it's Mike the Magician" he said down the telephone. Sadly the guy at the other end didn't seem to know who he was. I took this candid shot of him with the M240 + 50mm lens at 1600iso. I then processed it through Lightroom Classic. Hope you like it! Gerry
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An available light portrait of Maya in the dance studio adjoining my photography studio. Leica M240, 50mm Summicron at f2.8.
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I took my regular visit to my favourite city-centre coffee shop and when he served me the guy behind the counter said "Have you taken any good snaps yet today?". I hadn't, but whilst I sat there with my coffee and Danish this scenario appeared in front of me. It is a candid image, and they did not notice me at any time. I used my M240 fitted with the 50mm Zeiss Sonnar f1.5 and I was working at 1,000iso. Exposure was 1/60th @ f6.8. post-processing was in Lightroom Classic. Hope you like it! Gerry
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Taken whilst having my morning coffee in my favourite coffee house in my home town of Southampton, England.
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Another portrait of Brianna made by available light. Leica M240, 50mm Summicron lens, f2.8
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Hi, I have a question to all those who use the Q2 alongside with their Sony camera: How far can you go with those Q2 RAW files? [Taking the photos shakefree, deliberately underexpose the photos, increasing the exposure in post-processing etc. just to get the shot.] I would like to read your input in that regard. I own the Sony RX100V (RX100 MK5) & A7RIII (A7R MK3) with a bunch of Sony GM (85mm f/1.4), Sony Zeiss (35mm f/2.8 & 55mm f/1.8), Zeiss (Batis 85mm, Loxia 25mm, Loxia 50mm, Loxia 85mm) and adapted Contax Zeiss (28mm f/2.8, 50mm f/1.4, 50mm f/1.7, 85mm f/2.8, 135mm f/2.8) lenses. Currently I love using the Zeiss Loxia lenses and so far I like the Q2's lens rendering. I would like to replace most of those lenses and the RX100V, keep the Loxia & 85mm GM lenses and purchase the Q2. The intention is to simplify my gear and at least have only a few autofocus lenses in my repertoire. The 85mm GM can't go because of portrait photography where autofocus is critical (Sony Eye-AF huray!). For fun projects I like using the Loxia 85mm (that glas is ridiculous sharp and contrasty!). The Q2's purpose is for covering the the focal length 28mm[, 35mm and 50mm] with its autofocus lens. I often see myself using my Sony cameras (I had the A6000 & A7II [A7 MK2] before) on my travels in low light situations (www.instagram.com/ryan.lam.888) and I don't carry a full sized tripod with me. Sometimes I have a tabletop tripod and a clamp with me traveling to the destination just in case I need them. However after one or two outings I am able to evaluate whether or not I need them. Oftentimes many locations don't allow you to deploy a tripod on-location (Hello London & Italy! xD ). It is amazing how much I can get out of those Sony RAW files without much noise and banding issues. Can anyone provide RAW files from a Q2 and a Sony camera both shot at the same location with the same low light condition? Thank you!
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I haven't been getting out much for the past few weeks, but I ventured out yesterday for a coffee at my favourite coffee shop and grabbed this whilst I was there. Leica M240 + 35mm Summarit-M f2.5 @ 1250iso. Gerry
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Savanna in the afternoon spring sun. Leica M240, Voigtlander 75mm f1.8 at f2.
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Taken candid handheld using available light only from roughly waist level. Leica M6 + 35mm Summarit-M f2.5. Ilford HP5+ developed in Adox FX39 II. Gerry
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I haven't posted for a while for various personal reasons, but this came back from the lab today. Hope you like it Leica M7 + 35mm Summarit-M f2.5 - Kodak TMY Gerry
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I took this charming image candidly at my favourite café. It is not my normal practice to talk to my subjects, but if there are children involved I normally introduce myself and explain what I have done and ask for permission to use the image. I don't recall ever having been refused, although it is slightly more awkward shooting film as opposed to digital because you cannot show the parent the image. This young mother was quite happy with what I had done. Leica M7 + 35mm Summarit-M f2.5 using Kodak T-Max 400 and only available light. 1/125 @ f2.8
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Another from my latest film back from the lab. This was taken on the M7 prior to getting rid of it (big mistake!) using the 35mm Summarit-M f2.5. Film is Kodak T-Max400 processed by Harman Labs who do a pretty good job. No idea of exposure (sorry) but was available light only. I particularly love the face of the little child in the background. Gerry
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Another from my favourite cafe. This is a candid shot taken handheld at 1/30th @ f2.5 by available light. Leica M6 + 35mm Summarit-M f2.5. Agfa APX400 film processed in Adox FX39. Gerry
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A candid available light image taken in my favourite coffee shop. About 50% crop from original. Leica M240 + 35mm Summarit-M f2.5. 1/500 f4.8 @320iso - b&w conversion from original .dng file using Lightroom Classic. Gerry
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I thought I would try colour for a change. It constantly amazes me that I (1.8m tall and 104kg) can stand there and photograph without being noticed! Leica M240 - 1/30th f6.8 @ 320iso handheld. Gerry
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Student life is returning to my favourite café. I took this image about a metre from the young lady without being noticed, she was so deep in thought. this image is uncropped. Leica M240 + 35mm Summarit-M f2.5 - 1/60 f4 @ 800iso. Gerry
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I was in two minds over this - I nearly dumped it but I liked its 'filmic' qualities so much I decided to keep it, and I now think it is one of the best images I have taken for a long time. To me it has the wonderful atmosphere of uprated Tri-X. Agree or don't agree, I don't really care, I just LOVE it - and wasn't it HC-B who said “Sharpness is a bourgeois concept". Leica M240 + 35mm Summarit-M f2.5 @ 1250 iso using available light only. 1/15th @ f5.6. Gerry
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I have struggled with his image for a long time (I actually took it in 1997) mainly because I shot it on Agfa Vista 800 colour films nd the train after scanning was horrendous. I have now had another go using Dfine 2 to try and calm the grain down, and have produced this which I am reasonably pleased with. Taken with a Leica M6 using available light only in the Louvre in Paris. Sorry, no other details are available. Gerry
