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Showing results for tags 'available light'.
Found 21 results
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Hi, I have a question to all those who use the Q2 alongside with their Sony camera: How far can you go with those Q2 RAW files? [Taking the photos shakefree, deliberately underexpose the photos, increasing the exposure in post-processing etc. just to get the shot.] I would like to read your input in that regard. I own the Sony RX100V (RX100 MK5) & A7RIII (A7R MK3) with a bunch of Sony GM (85mm f/1.4), Sony Zeiss (35mm f/2.8 & 55mm f/1.8), Zeiss (Batis 85mm, Loxia 25mm, Loxia 50mm, Loxia 85mm) and adapted Contax Zeiss (28mm f/2.8, 50mm f/1.4, 50mm f/1.7, 85mm f/2.8, 135mm f/2.8) lenses. Currently I love using the Zeiss Loxia lenses and so far I like the Q2's lens rendering. I would like to replace most of those lenses and the RX100V, keep the Loxia & 85mm GM lenses and purchase the Q2. The intention is to simplify my gear and at least have only a few autofocus lenses in my repertoire. The 85mm GM can't go because of portrait photography where autofocus is critical (Sony Eye-AF huray!). For fun projects I like using the Loxia 85mm (that glas is ridiculous sharp and contrasty!). The Q2's purpose is for covering the the focal length 28mm[, 35mm and 50mm] with its autofocus lens. I often see myself using my Sony cameras (I had the A6000 & A7II [A7 MK2] before) on my travels in low light situations (www.instagram.com/ryan.lam.888) and I don't carry a full sized tripod with me. Sometimes I have a tabletop tripod and a clamp with me traveling to the destination just in case I need them. However after one or two outings I am able to evaluate whether or not I need them. Oftentimes many locations don't allow you to deploy a tripod on-location (Hello London & Italy! xD ). It is amazing how much I can get out of those Sony RAW files without much noise and banding issues. Can anyone provide RAW files from a Q2 and a Sony camera both shot at the same location with the same low light condition? Thank you!
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Taken whilst having my morning coffee in my favourite coffee house in my home town of Southampton, England.
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Another portrait of Brianna made by available light. Leica M240, 50mm Summicron lens, f2.8
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A portrait of Brianna on my birthday. Leica M240, 50mm Summicron lens at f2.8, window light.
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Savanna in the afternoon spring sun. Leica M240, Voigtlander 75mm f1.8 at f2.
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From the album: My posts
Lazy Sunday Afternoon at High West Distillery in Park City, Utah Summicron 50 (IV) on Leica M9© yes
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I took this portrait of English jazz pianist Julian Joseph in 2016 using my M9 and Zeiss 50mm f1.5 lens @ 1250iso. Shutter was 1/125 and aperture f5.7. It was shot as .dng for use by the theatre, and I have only just converted it to mono using LRCC. Lighting was stage lighting (i.e. no flash). Hope you like it! Gerry
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An available light portrait of Brianna in an abandoned theater in Biddeford, Maine made with a Leica M240 and 50mm Summicron lens.
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Three Asian tourists sample the delights of one of the many stalls selling a variety of freshly cooked food within the main market which can be found just off La Rambla in Barcelona. The Mercat de Sant Josep de la Boqueria, often simply referred to as La Boqueria, dates back to 1217, although the preset structure dates to 1853. Now firmly on the international tourist trail, the market is still popular with locals and visitors alike. Leica M9 and Zeiss 50mm Sonnar f1.5. 1/30 - f4 - 800iso. Gerry
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Leica T + 50mm f/1.4 Summilux-M ASPH ISO 400, f1.4, 1/200 "Tired"
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Leica T + 50mm f/1.4 Summilux-M ASPH ISO 400, f1.4, 1/160 "Illuminated Humans"
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"An animal for sale is paraded in front of prospective bidders whils the auction takes place. Taken at the Southern Counties Auctioneers ring near Salisbury, Wiltshire." Taken on my Leica M7 using the 35mm Summarit f2.5 and Fuji Neopan 400CN film. Post processed in Lightroom. I hope you like it! Gerry
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Was out shooting yesterday evening with my friend Trond. He usually shoots the streets of Oslo with his Oly-kit, but this night we also brought out our Land cameras. The picture is taken in the backyard of Teddys Softbar, where it was a concert last night. Leica SL / 80 lux-R
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Last rays from the sun falling in sideways from the window. Leica SL / 80 Lux-R.
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From Teddys Softbar in Oslo, this guy suddenly sat down at the table right in front of me with his headset on, seemed to be in his own world Leica SL / 80 Lux-R
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Same setting, and old pub in Oslo. Picture taken with available light inside the pub, only used a small reflector to brighten her face. B/W conversion in Silver Efex, Tri-X preset with some adjustments. Leica SL / 80 Summilux-R.
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I took this in 2002 in Notre Dame cathedral using available light with the M6 and T-Max400CN, but have only just got round to scanning it. I hope you like it! Gerry
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Hier ein Foto von letztem Sommer: Irgendwie find ich´s cool. Aber ein paar Tips wären auch hilfreich. Der Geist ist meine Ex-Freundin... Viele Grüße Christian
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Auch wenn es von Beginn der M9 immer wieder viele Diskussionen um die Probleme bei Available Light gab, möchte ich gerne nochmals in die Runde fragen, ob es für die Farbsäume am Bild im Anhang vielleicht schon eine Lösung gibt. Aufgenommen mit einem 50er Summilux der neuesten Bauart bei 1600 ISO und 1.4 Blende - also durchaus wofür man ein 1.4er hat. Keinerlei Bearbeitung, nur Beschneidung (ohne Vergrößerung) und Entwicklung zu JPG in LR4. Vielen Dank!
