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Found 159 results

  1. Nach der fruchtbaren Diskussion um die 50mm Objektive hätte ich gerne Eure Meinungen über die 35mm Objektive gewusst. In einem anderen Faden (Vergleich 28mm zu 35mm Summicrone) geht es schon um das Thema, aber im wesentlichen beschränken wir uns auf die Summicrone. Ich persönlich habe noch keinen richtigen Zugang zu den 35mm Objektiven gefunden. Entweder ziehe ich mit 28mm los (Q), oder ich bin mit 50mm unterwegs. Ich habe ein Summicron ASPH, mittlerweile über 25 Jahre alt von einem guten Freund geerbt, ein Summaron 2,8 mit Brille für meine M3 von meiner Mutter übernommen, schön scharf im Zentrum und die Farben gefallen mir auch, aber mit der Brille nicht wirklich schön und recht klobig und ein Schraub-Summaron 3,5 für meine Schraub-Leicas, dessen Schärfe zu wünschen übrig lässt. Um mich mit der Brennweite etwas mehr anzufreunden, habe ich das Summicron jetzt häufiger dabei und versuche, damit auch Portraits bzw. Menschen aufzunehmen. Wie sind Eure Erfahrungen? Ich weiß, dass viele die 35mm Brennweite am liebsten auf ihre Touren mitnehmen. Ich habe aber noch keine Begründung dafür gehört. Und dann die Summilux-Baureihe, die nochmal besondere Eigenschaften mitbringen, ist ein ganz eigenes Thema... Ich freue mich auf Eure Beiträge!
  2. Hello everyone, I have a question about the dimensions of the Leica 11310 lens with the (square) hood mounted, I think the model is 12524 and/or 12526. Currently, I use a Biogon 2/35 which I love but sometimes I find the lens protrusion from camera body quite long. The lens alone protrudes 1.75" from the camera body; with the UV filter and hood mounted, it protrudes to 2.4375" (7/16) from the camera body which is fine in some situations but unwieldy in others. The hood and UV filter are used to protect from bumps. I had the chance to mount an 11310 to my camera which seems to protrude about an inch from the body but at the time the vendor did not have the hood so I had no way of even guesstimating where it would end up. Can anyone who has this lens + hood combo provide a measurement?
  3. frame-it

    Metropolis

    Got this new film..images on the lomo site looked quite interesting
  4. SOS HELP!!! I dropped my Leica M4 and according to the NYC Camera Doctor repair team, the prism that creates the ghost image in the rangefinder is dislocated and needs to be replaced. They suggested that I send it directly into Leica for repairs, becuase the rangefinder is a complicated mechanism they wern't equipt to fix. They also let me know that Leica, located in New Jersey, dosen't do specific repairs and will want to do a full tune-up. Money is a concern, and I'm not prepared to pay $1000-ish if I can at all avoid it. I just want my range-finder to be functional. Has anyone had rangefinder work done, espeically on an M4? Would you advise having this work done by Leica or an outside repair person, such as DAG? Any experience or suggestions would be greatly appreciated. E
  5. The focus post is a pain. It unscrews for removal which means one should be able to screw in a focus tab. I asked Gandy at Cameraquest who suggested someone could 3D print one. Does anyone here have expertise with doing so?
  6. Hi everybody, I'm texting cause I need your help and wisdom. I've noticed that on my Summicron 35mm f2 (made Canada) when I turn the focus ring to the closest distance possible the ring doesn't stop exactly at 0,7m but goes beyond, while instead when turned to the farther distance possible it perfectly stops at infinte symbol. I wonder if this could affect the focusing. Is it normal and common on every Cron? Thanks to all of those who will help me )
  7. Here's some truly outstanding news for B&W film lovers - Fujifilm NEOPAN 100 ACROS II shipping November 22nd in 35mm and 120 formats https://emulsive.org/articles/fujifilm-neopan-100-acros-ii-shipping-november-22nd-in-35mm-and-120-formats
  8. THIS ADVERT HAS EXPIRED!

    • For Sale
    • Used

    Used Leica Summarit-M 35mm f/2.4 ASPH., black anodized finish (11671) Less than a year old, very clean and in excellent working condition with only a few small scratches on the lens hood, see pictures. Glass is perfect, clear and free of scratches, haze, fungus or dust. Buyer pays shipping. Product Description Compact and extremely lightweight Close focus distance 0.8m Floating lens elements 46mm filter mount 6-bit coding Weight: 197 g Made in Germany Items included Leica Summarit-M 35mm f/2.4 ASPH., black anodized finish Full box 1 year international warranty remaining Lens hood Rear and front lens cap Leather pouch

    NO VALUE SPECIFIED

  9. Hello my fellow Leica shooters..... I am looking for advice from the peanut gallery on a lens purchase. In short, I am going to be spending three weeks traveling Thailand soon, and need to travel light, so I'll be carrying my M240 during the trip. At one point in the trip, I will also be taking a 4 day kayak trip and will be doing a bit of shooting from the kayak. I have two options: 1) Buy a used version of the 28-35-50 Tri-Elmer MATE lens - which I've never used before. I've read extensively about it, but dont have hands-on with the lens. 2) Take my existing 50mm Summicron and 21mm lenses and buy a 35mm Summicron and carry a set of three lenses. Each of these options has pros and cons - the only neutral is the price, with the MATE being just a tad cheaper. Obviously option #1 means I don't have to deal with lens changes, but I'm limited to f/4 for nighttime and low-light shooting. Anyone been to Thailand have experience with the night scenes in cities like Bangkok - will I be handicapped with an f/4 lens? Option 2 has the benefit of being f/2 lenses and each lens is smaller than the MATE, but I'd have to conduct lens changes more often. I welcome any thoughts - I realize this is a personal opinion and decision, but am curious what you'd do in the situation? Thanks Kristen
  10. Hi all, As the title says, has anyone used a 35mm lens on an IIIG without a separate viewfinder? Is it possible? I have read in two places vague comments about it being possible using the edges of the cameras VF without needing a dedicated 35mm VF. Both times, there were no responses to those specific comments so... Has anyone tried it?
  11. Hey guys! I spent 6 weeks in NYC basically just taking pictures ... mostly street, but also Landscape and People ... I mostly used my M9 and 35mm Summilux ASPH (pre FLE) wide open and sometimes my S (006) and 70mm Summarit. If I don't comment which combo I used, it'll be the M9 35Lux combo... Feel free to comment and critique I'm not a pro and I just do stuff the way I like it .. so not everything is perfect... Here are a couple of shots from the End of July .. some of the best sunsets I have ever seen.
  12. Zabriskie Point is one of Death Valley's most famous spots; here's Manley Beacon's ridge just after sunrise under a stormy sky. With the Leica M-P (Typ 240) and the 35mm Summilux FLE. Best, Vieri
  13. Playa de Ballota, Asturias, at sunrise Leica S, Summarit-S 35mm, 8 seconds @ f/16. Thanks for viewing, best Vieri
  14. After digitizing for quite a while all my 35 mm negatives via photographing them with 1:1 macro lens, tripod, and LED light table, I decided now to get the plustek 8200i Ai scanner with SilverFast 8 software. Main reason for it was correct color calibration of color negatives. To do the color calibration manually in PS or LR is not always easy. Posting here to hear from others who use a plustek scanner with SilverFast software. So far I am very impressed by the scanner and the software. I updated to the SilverFast 8.8 version which has a lot of options - tricky part is to figure out what is mainly needed for a good color calibration of a scan and what is more optional. I prefer to use the internal settings for films to choose from - the color calibration of the scanned color negative appears fairly correct afterwards that only minimal adjustment is needed. I also like the infrared dust scan and automatic subtraction from the photo - it works really well and leaves other image parts intact. One thing I struggle with is the archive mode of the negative - the only option to save the file in RAW as DNG. I didn't find yet a way to get an automated color calibration after the negative was scanned with the archive mode. I would prefer to have the scan saved as DNG but would like to have it processed like it is offered for all the other image file modes as JPG, TIFF etc. Is there a way to do this easily? What is your best / most proficient workflow using plustek scanners and this software? Did you encounter any drawbacks?
  15. The 4th Plinth in Trafalgar Square, London, has a regularly changing piece on display - this one is based on the skeleton of a horse. M2, Skopar, Lomochrome film.
  16. Eine kleine Auswahl von Bildern aus einer relativ großen Serie die während eines kurzen Trips in die Türkei entstanden ist. Die ganze Serie gibts hier: http://www.philippwortmann.com/istanbul 35mm Kodak Portra 400 - Leica M6 & 35mm Summicron IV lens - gescannt mit Kodak Pakon 135+
  17. This is a small selection of photographs from a series I shot in Istanbul and Bursa during short trip to Turkey. You can check the full series out on my site: http://www.philippwortmann.com/istanbul Or follow me on one of my social media things, down below. All shot on 35mm Kodak Portra 400 with a Leica M6 & 35mm Summicron IV lens. Scanned by myself with a Pakon 135+
  18. Hi Guys, Am fairly new to Leica (6 months in) and I would like to seek your advice on which 35mm lens to get. I currently use a M240 body with a 60mm F1.2 Konica Hexanon and a 50mm Summicron APO. I am looking to add a 35mm lens to compliment my existing collection (and will be looking at add a 28mm Elmarit when the new one releases end of the month). I am considering the follow: 35 Summilux Pre-ASPH 35 Summicron Pre-ASPH Version 1 35 Summicron Pre-ASPH Version 4 35 Summicron ASPH (2016 edition) After doing some extensive research, I feel like the 3 Pre-ASPH lens may be a better compliment as it is softer / has more of a leica glow (since my 50mm APO and the 28mm Elmarit are both bitingly sharp)? I was originally going to just get a 28 and 50 and NOT the 35 since it seems to be too close to the other 2 focal lengths, so I am now thinking maybe getting something with more of a unique characteristic). Just wondering what all your thoughts are and why you think so? Your kind assistance is very much appreciated. Thank you. Best Regards, J
  19. Lange keine Gelegenheit mehr gehabt auf Reisen spazieren zu gehen. Letztes Wochenende hatte ich dann endlich mal wieder die Mögleichkeit dazu. Nachfolgend ein paar Eindrücke aus Amsterdam. Alle Bilder mit M240 und 35mm Summilux FLE: -1- -2-
  20. Some photos I took in Joshua Tree NP while on a trip through the southwestern US with my trusty M6, 35 Summicron and a whole bunch of Kodak TriX. If I remeber correctly I think I also used an orange or yellow filter on these shots .... More here: http://www.philippwortmann.com/southwestbw or on flickr: https://www.flickr.com/photos/derphilipppp/albums/72157651692347201
  21. A couple photographs of Point Reyes Lighthouse on Kodak Tri-X 400. Leica M6 & 35mm Summicron IV plus yellow filter
  22. I have a real-world hands on review of the new Leica Summilux-TL 35mm f/1.4 with some samples. Let me know what you think! https://fstoppers.com/originals/hands-new-leica-summilux-tl-35mm-f14-lens-121465
  23. I've been into photography from August 2008: relatively speaking, I am an FNG* (just look it up!) I would be interested to know peoples' history of camera models and what they were used for. Here's mine: Nikon D40 - perfect newbie camera with both auto and manual functioning, and in-camera editing. Nikon P100 - megazoom and nothing else to recommend it. Canon PowerShot SX110 IS - decent point and shoot. Canon PowerShot SX30 IS - huge zoom, lots of bells and whistles. Nikon Coolpix S9100 - point and shoot, pocket size, decent zoom. Minolta Dynax 5 - my first 35mm camera, very steep learning curve. Zenit ET - manual 35mm SLR, starting to learning old analogue skills. Casio EX-H15 - although low end by current standards, Casio seemed to produce some decent models at the time. Minolta Dynax 7 - an upgrade on the Dynax 5. Sony A500 - excellent dSLR with advanced features, compatible with Minolta lenses. Canon G9 - advanced compact, small sensor, yet surprising image quality. Fuji HS10 - excellent bridge camera which had a habit of freezing! Leica V-LUX - one of the best bridge cameras, thank God for LeicaSonic! Fuji X-E1 - much heralded compact system camera, used it for a while, but it's not that good once you start putting it through it's paces. Minolta Dynax 9 - incredibly advanced 35mm SLR, a joy to use. Sony A900 - a great dSLR, stunning film-like images. Leica M6 - a classic, end of story. Leica M9 - great model, had to send back as I couldn't get to grips with it! Voigtlander Bessa R2 - aside from build quality (still better than most), just as good as any Leica 35mm RF. Leica M4 - the beginning of my darkroom obsession! Pentax 645n - a great introduction to medium format, still holding its well-deserved value. Hasselblad 500c - another all-time classic, ideal way to learn all the core skills. Nikon F - the original and, some would say, still the best! Over the years, all the cameras have been exchanged, sold used, or put on commission sale at varios dealers. I have learned how to spot a bargain, then sell it for a decent price or do a good trade-in. .....and my current line-up Leica X2 - stunning images, KISS-Keep It Simple Stupid! Leica X-Vario - stunning lens, simple to use (like me!) Nikon F2 - back to using 35mm after a break! For the record, I have certain problems of a psychiatric nature, including obsessive tendencies, as you can see! Thank you and have a nice day!
  24. I shot a little photo series while in Vietnam this summer All Kodak Portra 160/400, Leica M6, 35mm Summicron Full series here: http://www.philippwortmann.com/lounging-in-viet-nam Teaser:
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