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  1. I heard a rumor in January that Leica was making a 35mm Noctilux lens. Was curious if anyone had heard anything more about this? Although I’m happy with my 35mm Summicron I think a Noctilux would be super cool to add to my bag. The size of it would be my only concern, as the bigger lenses aren’t appealing to me.
  2. Anyone tried it yet ? looks quite nice in some of the images online https://bluemooncameracodex.com/film-fridays/ffcinestillbwxx https://cinestillfilm.com/collections/bwxx-dou
  3. I got a Light Lens Lab v2LC 35mm f2 Summicron Copy last week Overall, the Lenses share similar tone to Leica Summicrion 35/2, with good enough micro contrast, sharp in a relative cheap price level. I like using color pic more than BW pic when using v2LC. For me, the main difference between Leica Summicron , which can provide a more rich image texture and 3D rendering. But Light lens Labs 35/2 did a good job at this price level. Light lens Labs 35mm F2, Leica M10D, TCP Vision3 500T film Preset Light lens Labs 35mm F2, Leica M10D, TCP K64 Film Preset
  4. Hello everyone, here's my review of the new Carl Zeiss Contax G Planar 35mm f/2 FUNLEADER conversion to Leica M. This is my first review here so I am not used to the technicalities of posting, please forgive me if I readjust things after I post. FUNLEADER Contax G35 to Leica M Conversions I have included the 7artisans 35mm f/1.4 M and the Voigtlander VM 40mm f/1.2, the only lenses in the 35mm zone I own. Disclaimers: 1. none of the lens makers / converters have been involved in these tests and I have personally purchased all 3 lenses, none of them have been pro
  5. Hello everyone. I'm so happy 🙂 Finally, my 🙌 TT Artisan 35/1.4 has arrived on Friday. And I love it. Everything started in this thread I made, asking for recommendations for a new fast partner for my ZM 35/2.8 Biogon. Here a micro resume: my decision a few weeks ago was to get a brand new CV 35/1.2 V3 ... But because of the current pandemic situation, I decided not to travel. Shopping online was not the case because the import taxes are super high in Mexico, so the best option was to wait. Eventually, I figured out how to buy a TT lens on Amazon Prime Mexico for the same BH price
  6. Hi Guys, Am fairly new to Leica (6 months in) and I would like to seek your advice on which 35mm lens to get. I currently use a M240 body with a 60mm F1.2 Konica Hexanon and a 50mm Summicron APO. I am looking to add a 35mm lens to compliment my existing collection (and will be looking at add a 28mm Elmarit when the new one releases end of the month). I am considering the follow: 35 Summilux Pre-ASPH 35 Summicron Pre-ASPH Version 1 35 Summicron Pre-ASPH Version 4 35 Summicron ASPH (2016 edition) After doing some extensive research, I feel like the 3 Pre-ASPH lens may be a better
  7. Something I consider to be a glaring omission from Leica's current M-lens line-up is a light, compact, 35mm lens. Or am I missing something? F2.8 would be quite adequate considering the high ISOs available on the M10. The target market would be those for whom minimum size and weight is a major actor, plus those seeking a lower cost entry into the world of Leica M. As it is, Voigtlander offer just such a lens, though the reviews are mixed. I assume such a lens would be called an Elmarit, as the code seems to be Elmar -f4.0 Elmarit f2.8 -chron f2.0 -lux f1.4 or fast
  8. Got my first ever Leica M body last year. It's a M2. It came bundled with a Summicron 50mm F2 Collapsible. I'm really enjoying this combo, but I'm a 35mm shooter. I've found a Summaron 35mm 3.5 for sale in my country, for a decent price. It's serial number is the following: 1176436. However, I know that users have trouble defining their lens models, because they were produced in a large numbers. I've checked this one's number on a lot of different sources and foruns, but I failed on identifying it. The weird part is that checking through this website: https://reddotcamera.n
  9. Hi there, I purchased the Voigtlander 35mm f2 Ultron about 6 months ago at my local Leica store. I have a problem regarding the focus ring; it's a bit loose in a way where I can move the focus ring horizontally and vertically (about a mm or so). Its not a big movement or anything but I can feel the loose when I'm trying to accurately focus an image. I've never seen anyone mentioning this problem from this lens., or any Voigtlander lens in this matter. I wonder if any user had such an issue or if I'm getting crazy about small stuff. Thanks in advance for the answers, Renaud
  10. Here is an interesting discussion on the 28mm vis-à-vis 35mm lens for documentary photography: Focal Length Feud: 28mm vs 35mm for Telling a story – by David Babaian and Simon King https://emulsive.org/articles/focal-length-feud-28-35 I have used both and at the end of the day it seems to me that either will work well, if you are willing to fine tune your shooting technique for each lens. Thoughts?
  11. Hi all, I recently purchased an M3 with a goggled 35mm f/3.5 Summaron. Unlike many other Summarons I've been able to find online, however, the paint job on the goggles is a glossy black paint, rather than the crackled paint that's ubiquitous online. I've been told this is a relatively uncommon version of this lens - the question is, how uncommon? Is this something that is collectible or significantly adds to the lens value? I haven't been able to find any copies of the glossy paint version that have sold online, so I would love your perspectives on whether this is a collector's item of any
  12. Hello all, I recently purchased an M3 with a goggled 35mm f/3.5 Summaron. Unlike many other Summarons I've been able to find online, however, the paint job on the goggles is a glossy black paint, rather than the crackled paint that's ubiquitous online. I've been told this is a relatively uncommon version of this lens - the question is, how uncommon? Is this something that adds to the value of the lens significantly/is it collectible? I haven't been able to find any copies of the glossy paint version that have sold recently, so I would love your perspectives on whether this is a collector's
  13. Ich erlaube mir mal hier auf meinen Blog zu verweisen wo ich einen kleinen Bericht zu dem Zeiss Distagon 35mm f1.4 zm veröffentlicht habe. Einfach den link hier anklicken: https://www.qimago.de/das-zeiss-distagon-35mm-f1-4-fuer-leica-m/ Da sind dann solche Bilder und noch ein paar mehr plus eben Gedanken zu dem Glas zu sehen.
  14. hi all! I have 35 and 75, both lux. but some times I would like to get picture quality as at my 35 lux. 75 bit different. looking at 90/2.8, 90/2, 90/2AA... I shoot landscapes, portraits. not sure but maybe 180/2.8 or 180/2.8 APO as I also wanted something longer than short tele. use these at typ 240 and Sony a7II. any ideas?
  15. Sunrise at the Cinque Terre, Italy. Leica S (007), Leica Summarit-S 35mm. Thanks for viewing, best Vieri
  16. I would like to purchase some filters for the M10 + Summilux 35 FLE, and I am not sure which are the best in terms of ease of use (screw on with hood, stacking, vignetting). I am about to order these: UV: http://www.leicashop.com/brandnew_de/filter/leica-filter/leica-filter-uva-ii-46mm-schwarz-skul13033.html ND: http://www.leicashop.com/brandnew_de/filter/leica-nd-filter/leica-filter-nd-16x-46mm-schwarz-skul13055.html Polarizer: http://www.leicashop.com/brandnew_de/filter/b-w-pol-filter/b-w-circular-polfilter-ksm-e46mm-mrc-f-pro-skubw82658.html
  17. Playa de Ballota, Asturias, at sunrise Leica S, Summarit-S 35mm, 8 seconds @ f/16. Thanks for viewing, best Vieri
  18. Hi all, As the title says, has anyone used a 35mm lens on an IIIG without a separate viewfinder? Is it possible? I have read in two places vague comments about it being possible using the edges of the cameras VF without needing a dedicated 35mm VF. Both times, there were no responses to those specific comments so... Has anyone tried it?
  19. After digitizing for quite a while all my 35 mm negatives via photographing them with 1:1 macro lens, tripod, and LED light table, I decided now to get the plustek 8200i Ai scanner with SilverFast 8 software. Main reason for it was correct color calibration of color negatives. To do the color calibration manually in PS or LR is not always easy. Posting here to hear from others who use a plustek scanner with SilverFast software. So far I am very impressed by the scanner and the software. I updated to the SilverFast 8.8 version which has a lot of options - tricky part is to figure out what i
  20. Hey guys! I spent 6 weeks in NYC basically just taking pictures ... mostly street, but also Landscape and People ... I mostly used my M9 and 35mm Summilux ASPH (pre FLE) wide open and sometimes my S (006) and 70mm Summarit. If I don't comment which combo I used, it'll be the M9 35Lux combo... Feel free to comment and critique I'm not a pro and I just do stuff the way I like it .. so not everything is perfect... Here are a couple of shots from the End of July .. some of the best sunsets I have ever seen.
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