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Found 6 results

  1. Hello! I'm trying to lock in a scanning workflow for B/W 35mm and I've had such a love/hate relationship with my Coolscan 5000 and Vuescan. The detail extracted is second to none, but I'm seeing EVERY flaw as well. There are hairline surface scratches that explode on the screen from these scans that are nowhere to be found on a mirrorless camera scan or a darkroom print. Is this just inherent to the scanning physics? Is it scanning the surface and therefore every film base scratch is seen? Again, if you backlight the negative, all of these tiny scratches are invisible.
  2. This from a film received back from the lab this week. Leica M7 with 50mm Zeiss Sonnar f1.5 and taken on Kodak Tri-X at 320iso. Lab processed and then processed using Lightroom Classic.
  3. I am in the middle of scanning some old Fuji Neopan 1600 negatives, and that was a film I really liked but sadly is no longer available. Has anybody any experience of working with fast colour films from Fuji or Kodak (800 or 1600 iso) and then scanning them as black and white? Thanks! Gerry
  4. Here's some truly outstanding news for B&W film lovers - Fujifilm NEOPAN 100 ACROS II shipping November 22nd in 35mm and 120 formats https://emulsive.org/articles/fujifilm-neopan-100-acros-ii-shipping-november-22nd-in-35mm-and-120-formats
  5. Here's "the book" on Ferrania's P30 Alpha B&W film: I still need to order a batch of P30 and give this film a try; from the P30 based images I have seen posted online, it looks like an outstanding film. I like the author's comment on film photography as a process: "Film photography is a process from pre-visualization to hanging that final print."
  6. From my 'Paris' portfolio. Taken on an M6 using Kodak T400CN film commercially processed. I am sorry but all lens details have been lost, but probably a 50mm Summicron f2. Gerry
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