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Showing results for tags 'M7'.
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M7 w/50mm Summicron on FP4+ HC110B
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On my lunchtime walks I frequently stop and chat with Mike. He has been selling "Real Change", the Seattle Homeless newspaper on the same corner for 16 years. M7 w/50mm Summicron on Ilford FP4+ developed in HC110B
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Hi, I'm a newbie (to Leicas and this forum) from Scotland. In the last 6 months I've traded-in all my Canon DSLR gear for a M7 and 50mm Summicron, and just last week I've picked up a M3. Apart from being a bit dirty inside, which I wasn't expecting seeing as I'd bought it from an authorised Leica dealer, it is in great condition with no obvious issues with patch alignment, shutter speeds etc. I put my Summicron on it today and noticed that the patches don't move through the full range of lens focusing distances; the infinity end seems ok but at the close focusing end the patches won't -
'Alices Adventures in Wonderland' based on the wonderful children's books by Lewis Carroll (Taken in Southampton, England), this was taken on a Leica M7 with 35mm Summarit lens. Film was Fuji Neopan 400CN commercially processed and scanned using Silverfast. Gerry
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So, as you do, I was still on the quest for a perfect day bag for my 2 cameras: The Q and and M7. I have neoprene protectors, but was only taking one or the other out with me at a time and sometimes I still wanted something to put them into (one or both) when not shooting. I want to take both, but am very fussy about the amount I carry. Confused, yup! I had the Domke F803 but found the lack of padding and the width of the inserts all wrong for the Q and also got sick of adjusting the strap and the bag just generally getting in the way. I couldn't see a review for this one on the forum
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Road and lake near Reykjavik M7 w/35mm Summicron on Tri-X Cafe Paris, Reykjavik
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M7 with 35mm Summicron on Tri-X 400 dev HC 110B Epson V500 scanner
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M7 with 35mm Summicron on Arista Premium 400 dev. in HC110 B 5.5 min. at 20C
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M7 w/35mm Summicron on Ilford FP4+ souped in HC110 B, Epson V500
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A new small project: Kodak 5222 Double-X in my M7. http://motion.kodak.com/motion/uploadedFiles/Kodak/motion/Products/Camera_Films/BW_Negative/Technical_Data/5222_ti0299.pdf Kodak 5222: Daylight: iso 250 Tungsten light: iso 200 Finer grain compared with Tri-X 400 Higher resolution then Tri-X 400 Available in 122m/400ft or S/E. The coming week I will play around a bit with this (cine) film.
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Hallo, folgendes Problem: meine M7 erkennt fälschlicherweise die Beschriftung vom Adox CSM 20 II als ISO-Code 3200 (obwohl der Film nicht kodiert ist). Manuelles Einstellen auf den korrekten ISO-Wert bringt keine Veränderung, der Wert bleibt bei 3200. Der kamerainterne Belichtungsmesser kann daher nicht verwendet werden. Der Vergleich mit einer anderen M7 eines Forum-Kollegen brachte das gleiche Resultat. Was also tun? Die Beschriftung der Filmdose entfernen und abkleben (Adox verwendet mit 100-ISO kodierte Dosen)? Beste Grüsse Jakob
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Arista 400 Premium in HC110 dil. B for 5 minutes at 70F M7 with 35mm Summicron Scanned on Epson V 500
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M7, 35mm 'cron.
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In Italy, but in particular in Rome, the local police man is called "Pizzardone". This one was actually standing outside the Place of the Major of Turin. M7, Summicron-M 35/2 ASPH, Tri-x 400 cheers, Massimo
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Yesterday I was making a photographic walking with some friend in downtown Torino, when from a park suddenly hundreds of birds started to fly. It was to fast to make a perfect focus, but over all I like the result, given the location and the background it seems a photo taken several decades ago. I wasn't sure that this has to be in the street photography. M7, Summicron-M 35/2 ASPH, Tri-X 400, Semi stand development in Rodinal 1+100 cheers Massimo
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M7 w/50mm Summicron on Arista 400 Premium developed in HC 110B for 4.5 minutes at 75F
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M7 w/50mm Summicron on Arista 400 Premium developed in HC 110B for 4.5 minutes at 75F
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M7 with 50mm Summicron. Arista 400 Premium HC 110B 4.5 minutes at 75F
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Taken on the streets of Southampton last week using a Leica M7 with 35mm Summarit f2.5 and Fuji Neopan 400CN. Gerry
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It just shows how slowly I have been working because of what has happened, but this was on the latest roll of film back from the lab. Taken using my M7 and Fuji neopan 400CN film. Out of the box maybe for me, but I hope you like it: Gerry
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I was able to put a few rolls of CineStill film through my new (to me) M7 last weekend. If you haven't tried CineStill, you should give a shot! It's Hollywood movie stock that has been re-purposed for 35mm stills and normal C-41 processing. It comes in 800T (low light Tunsgten balanced) and 50D (bright Daylight). It's a really nice alternative to "regular" film. Forgiving and super easy to scan without a lot of fiddling around in post. There are some color casts for sure, but that's all part of the look. And the 800T has no anti-halation layer, so highlights get beautifully soft! Love it.
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From the album: Venice with Leica M7
© abboretti Massimiliano ©
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From the album: www.pierre-Bykol.com
© Pierre Bykol
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From the album: Leica
