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Found 5 results

  1. I am just working through some transparency work and scanning it on to the computer. I was particularly pleased with this one which was taken in 1999 on Kodachrome 64 using a Leica M6. Scanning was with a Plustek 8200i, and post was with LT Classic. I think it is amazing how the work we have just put away into a filing cabinet etc. has stood the test of time, and before there is "ah, well it is Kodachrome" some Fuji Provia RDP is just as good. Gerry
  2. Apologies if this is preaching to the converted and has been covered before but may be new to some... That old saying - that there are two types of computer user, those who have lost data and those who will - came to mind when I saw a statistic that 95% of computer users do not back up their data. I back everything up - server, laptops - every night but a recent trip with just a D3x (the M8s being in for upgrade) which churns out more than 100Mb per image by the time you have processed them is putting strain on my storage. I know there are some here who overflow their images onto a suc
  3. Hi Leicalings! We have had the DLUX5 for a very long time, and DLUX4 before. Both amazingly good cameras. Shooting pictures is a breeze, the raw is rich and we have sorted out a good workflow. We have a small problem: we have started shooting videos in AVCHD. Technically and qualitatively, the results are good. On the other hand, we cannot make sense of the way the camera archives the videos on the card, and apparently the numbering resets when you change or format the card which is a problem for people who use archiving software, like us. Anyone w
  4. Because of the covid-19 lockdown I am unable to go out on to the streets to photograph, not that there are any people around. I am therefore still working through my archives, and came across this image from Paris in 2002. Taken with a Leica M6, 50mm Summicron f2 and using Kodak T400CN film (which I used to love!). I hope you like it. I have also been revamping my web site using Adobe Portfolio, which is part of the Lightroom/Photoshop package, and like the results so far, although it is a work in progress. Take a look here Gerry
  5. Paris has always been a special place for street photography for me and, although I haven't been there for far too long, I try and emulate the work of its' great photographers such as HC-B, Robert Doisneau and (dare I say) Peter Turnley. For me it is like fishing on a great trout stream in that you are always bound to have a good catch. This was taken in 2000 using my M6 and Kodak T-Max 400 film home processed. I think it was with the 50mm Summicron lens, although I can't be 100% sure. Gerry
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