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Found 40 results

  1. From the album: Paris I remember

    © garyvaneijk2011

  2. From the album: Paris I remember

    © garyvaneijk2011

  3. From the album: Paris I remember

    © garyvaneijk2011

  4. From the album: color

  5. Festival Times - Hindu Temple Leica M6TTL 35Lux FLE
  6. I purchased a new Leica MP some time ago, and I've been seeing bright stripes on my scans frequently ever since. I assumed it was the scanner - dust on the glass or the sensor or something similar. Recently my wife started scanning her negatives however, and she has a Leica MP too, albeit a n older one. She did not get the same bright stripes in the scans as I do. Our development process is the same. The same gear is used. A lot of our film are even developed together at the same time in the same tank, and for our color films the same lab has developed them. It happens with all the film I've tried: TX400, HP5+, Silvermax 100, Acros 100, Portra 400, Superia 200, Fuji Pro 400h, etc. So I recently started to inspect my negatives, and to my surprise there is a dark stripe on them, that matches what I'm seeing in the scans. I've checked the back plate of the camera, and it's clean without any sharp edges as far as I can see or feel. I've attached a few images that clearly shows the stripes on the negatives and how the scans looks. Does anyone have any idea what this could be caused by? Negative: Scans:
  7. I took this on a trip to Beijing in 1998 using my M6, and I have just scanned it to give it a new life. I am sorry but I have no details stored with the original, but can say that it was taken on Fuji RDP 100iso film. I hope you like it! Gerry
  8. Hallo allerseits, vielleicht ist die Frage weit hergeholt, aber wenn ich Sie nicht stelle, kann ich auch keine Antwort bekommen. Nach meiner letzten Fototour mit meiner M4-P stellte ich mir folgende Frage: Gibt es Objektiv-Film Kombinationen, die Ihr/wir bevorzugen bzw. die besser oder schlechter funtionieren? Beim Durchstöbern des Analog-Forums habe ich nichts adäquates gefunden. Sicherlich ist es subjektiv, aber bei den vielen möglichkeiten an Objektiven bei gleicher Brennweite in der Historie von Leica, wäre es interessant zu erfahren, wer mit der einen oder anderen Objektiv-Film Kombination welche Erfahrungen gemacht hat. Es wäre toll, wenn ihr mit Bildbeweis antworten könntet um eure Argumentation pro/con eurer Objektiv-Film Kombinationen bildlich zu untermauern. Freue mich auf eure Inspirationen. Und nun allzeit gut Licht und Korn! Gruß Michael
  9. I am scanning some T-Max400CN taken back in the year 2000 using my M6, and I am working through some work I did in Paris that year. I am pretty sure this was taken with the 50mm Summicron f2. I hope you like it. Gerry
  10. I took this in 2002 in Notre Dame cathedral using available light with the M6 and T-Max400CN, but have only just got round to scanning it. I hope you like it! Gerry
  11. This was just a lucky capture whilst planning to photograph just the building - sometimes luck is on your side. Taken in Paris in 2002 using an M6 with 50mm Summicron f2 and T400CN film.
  12. Various flowers in the city park a couple of weeks ago M7 Summicron-M 50/2 Fujifilm Superia 200
  13. At a museum a couple of weeks ago This jet looks small in the front view here, there's more info in the Wikipedia: Saab JAS 39 Gripen M7 Summicron-M 50/2 Ilford XP2
  14. I am looking for recommendations on on good photo labs in Germany. I need C-41 development and scan, mostly 35mm but also medium format. I don't need some exclusive high end labs, but also don't want to send my film to the corner drugstore photo lab. Any recommendations please. Thank you!
  15. An der Werse bei Münster in Westfalen. An der Werse #2 by Herr Sharif, auf Flickr An der Werse #1 by Herr Sharif, auf Flickr Leica M2, Zeiss C-Biogon 2.8/35, Adox CHS 100 II, 12 min in Rodinal, Scan mit Plustek Opticfilm 7600 und Vuescan Sharif
  16. Offenbach, Bismarckstraße #1 by Herr Sharif, auf Flickr Leica Standard, Elmar 3.5/50, Trix! Sharif
  17. 'Alices Adventures in Wonderland' based on the wonderful children's books by Lewis Carroll (Taken in Southampton, England), this was taken on a Leica M7 with 35mm Summarit lens. Film was Fuji Neopan 400CN commercially processed and scanned using Silverfast. Gerry
  18. After owning the MP for about a year I decided to write some of my experiences with this camera, and with film cameras and the film process as a whole. Check it out: http://indergaard.net/2016/02/26/leica-mp-review/
  19. Hi all, I have been reading on this forum for a long time, but never posted before, so first let me introduce myself. My name is Ole, I am from Norway, and I have been into photography for nearly a decade. Hence, I am still a junior:) A month ago I both my first Leica film camera, a nearly mint M3 from 1966. I love shooting with 50mm, so when deciding between an M2, M3 and M6 the choice was easy. I also have an M246 which I couldn't be more happy with. In addition, I have a Sony A7 for convenience, and because my wife forbids me from selling it ("we need a camera that can take colour photos of our future kids"). Yes, we are expecting one later this year:) Moving on. When I bought the M246 I quickly opted for the Zeiss C Biogon 21/4.5 as my UWA. My rationale was that this lens would give me what I needed for the least amount of $$$. The colour issues are not a problem on the M246, and the lens have plenty of qualities. In fact, in many ways its a real gem - small, nearly zero distortion, and plenty of sharpness in central and midfield areas. Towards the edges the sharpness drops rather quickly though. And, as many of you know, the lens vignettes A LOT. On a digital camera with a histogram I can overcome this. But what about on a film camera? Have any of you used this lens on a film camera, and how do you usually expose? Does it vignette as much on film as it does on a digital camera? I know, the best way to find out is to go out and test, which I will do as soon as I get 21mm viewfinder. But until then it would be very nice to hear your experiences with this little gem:) Thanks for reading. All the best, Ole
  20. It just shows how slowly I have been working because of what has happened, but this was on the latest roll of film back from the lab. Taken using my M7 and Fuji neopan 400CN film. Out of the box maybe for me, but I hope you like it: Gerry
  21. Taken back in 1998 using a Leica M6 with 50mm Summicron-M f2 and Fuji Provia film. Recently scanned and post-processed in LRCC Gerry
  22. I spent my last two weeks in Sri Lanka taking pictures of the locals and the stunning landscape/ culture. In the first half of the trip, which I travelled alone, I rented a motorbike and travelled from the west coast up north, across the continent to the east coast and back to Negumbo in 8 days. It was a 1100 km ride and a very pleasant journey. It was a very impulsive trip, in which I have no solid plan of where to go. I just acted freely according to the advises of people and my mood ))) I interacted with the friendly Sri Lankans, found a home for a lost puppy and enjoyed lots of beautiful scene. 174041m3l7kcru6kbiohle.jpg.thumb by Terence Yam, on Flickr Just to share some snapshots in Colombo before I went on my MotorBike trip. Leica M6M + Fuji RVP film. #1 - When the sun goes down @ Colombo Main Street SriLanka - RVP02 -02_s by Terence Yam, on Flickr #2 - Magic hour SriLanka - RVP02 -05_s by Terence Yam, on Flickr #3 - Christmas lighting SriLanka - RVP02 -07_s by Terence Yam, on Flickr #4 - Local market SriLanka - RVP01 -31_s by Terence Yam, on Flickr #5 - What an angry hawker lol SriLanka - RVP01 -30_s by Terence Yam, on Flickr #6 - Motorbike riders still wear their helmet in market SriLanka - RVP01 -27_s by Terence Yam, on Flickr #7 - Lottery tickets SriLanka - RVP01 -25_s by Terence Yam, on Flickr #8 - The colorful bus in Sri Lanka SriLanka - RVP01 -13_s by Terence Yam, on Flickr #9 - Kite time! SriLanka - RVP01 -07_s by Terence Yam, on Flickr Happy new year everyone! More to come! Best, Terence from Hong Kong
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