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Showing results for tags 'monochrom'.
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Hello, dear Leica forum users. A brief introduction and a question about the D-Lux 8 post-processing within Lightroom. Introduction: I have also been using a D-Lux 8 for a few days now. It is a really nice camera, and the handling is really simple and convincing. Coming from the world of the SONY A7, I appreciate the easy and good handling of the D-Lux 8. The first pictures have turned out great, and I think I've found the right camera to accompany me every day and everywhere. It will certainly be a good companion for street photography too, as it is not as big as an A7 IV with a 35 GM or 50 mm GM - and not as heavy. Nevertheless, I'm still struggling with the DNG files. The import into Lightroom Classic works wonderfully. However, the monochrome images are displayed in RGB mode, which is initially based on the DNG format. For years, the majority of my images have been taken in monochrome and come very close to the “high contrast” monochrome of the D-Lux 8. I created a special sensor profile for my SONY A7 IV, which later displays the RAW files as desired. Here, I convert the RAW files into TIFFs using the SONY software and then just crop them slightly in LR. Thats all. Since there is no explicit software from Leica that can take over the monochrome "settings", the only way is probably via Lightroom. Now to my question: Are there any pre-sets for Lightroom that change the DNG so that they come very close to the appearance of the JPG image? - The JPGs are wonderful, but I would like to keep the DNGs and delete the JPGs, assuming that the DNGs can be displayed in this way. Maybe there is a software that can handle the monochrome "settings" of the DNG. Thank you very much in advance for your support and tips. Best regards -
Did you need the yellow filter for the clouds? Could similar or same be achieved post? Having specified a Q2M I wonder whether I should be looking out to fit yellow or orange glass in front of all that nice Q2M design?
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1/8
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- brutalismus
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M8 Monochrom, Voigtlander 35mm 1.4 @ 1/125 at f5.7 ISO 400 at the Dunkin on the corner of 97th and Madison in Manhattan's Upper East Side.
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But with winter coming up, it might be of interest to owners of newer Monochroms.. https://the.me/die-leica-in-der-hand-the-monochrom-goes-into-the-snow/
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I was excited to get a pre-owned M9 Monochrom in excellent condition with very few shots and a new sensor. Good looking camera, I have to admit. Coming from a Q2, honestly, the control/settings layout is a bit dated. But the pics show promise (I have to go out and shoot more). And the mechanical shutter sound and the file write delay...whoah. The settings offer two modes: soft and discreet. Both are so loud, forget about using this camera for wildlife shooting - it would scare away a bear. And the slow file write is...interesting. But if the pics live up to expectations, I can accept the annoying and tinny shutter sound. Cheers! CJ
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I just now happened to stumble upon this essay on the M10 Monochrom which is accompanied by a nice set of sample images. In thinking about the concept of a black and white only digital camera in general and about the M10 Monochrom in particular, I was smitten with a thought that I cannot shake free of: The M 10 Monochrom may well be the pinnacle of the digital M camera. It is going to be an awfully hard act to follow. If anyone can best the M10 Monochrom, it would have to be the gents and ladies of Werzlar. https://www.popphoto.com/story/gear/hands-on-leica-m10-monochrome/ -
I happened to discover this online essay today - the author offers some interesting insights into the M246 Monochrom and why it is still a viable choice: Why I bought a Leica M246 Monochrom https://mwwphotography.co.uk/blog/leicam246monochrom
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Erfahrung und Meinung gefragt zu meiner Ausrüstung Hallo, mein Name ist Chris, habe mich an anderer Stelle bereits vorgestellt. Zu Leica gekommen bin ich über die Leica Q, vorher hatte ich eine Fuji und davor eine Canon-Ausrüstung. Mittlerweile hat sich hier folgende Ausrüstung angesammelt, die ich nun gerne auf das Nötigste zusammen streichen möchte. Da ich mich überhaupt nicht entscheiden kann, suche ich neue Impulse. Was fotografiere ich? - Natur, auch mal Makro (mit Q2 oder M-Zwischenring), Menschen, auch mal Street, Reise, Hunde, Autos, auch mal Portrait-Serien, Familien-Portraits. Selten Stativ aber gerne low light, nie Blitz Kameras in der Reihenfolge der häufigsten Verwendung: - SL mit M auf L-Adapter - M9 Monochrom (behalte ich auf jeden Fall, M10 brauche ich nicht, hatte ich bis vor Kurzem) - Q2 Objektive in der Reihenfolge der häufigsten Verwendung: - 50 mm Summilux Version I, 1966 - 35 mm Summilux Version I, 1967 (Verwendung an der SL eingeschränkt... verstärkte Vignettierung) - 21 mm Voigtländer F1,4 - 50 mm Summicron, 2000 - 35 mm asph. Summicron 2002 - 90 mm Elmarit F2,8 (gerne gezielt bei Portrait) Welche Begehrlichkeiten gibt es? - SL2-S aber brauchen tue ich die nicht zwingend. Glaube nicht, das ich damit bessere Bilder mache. Es reizt gegenüber der SL der IBIS und das noch bessere Rauschverhalten sowie das viiiiel bessere Fokus-Peaking.... Da ich die Sl für 1500,- Euro gekauft habe, würde ich seeehr viel für diese Reize zahlen. Hat jemand spontan einen Impuls, Ideen, die mit weniger Objektiven. Eine Überlegung war schon mal auf neuere Summiluxe umzustellen und dafür aller 35er und 50 er zu veräußern. Sind die neueren Summiluxe bei F2 oder F2,8 so scharf wie die Summicrone? Die älteren sind das erst bei F4 und dass ist mir dann schon zu wenig Licht und/oder Freistellung. Danke für Eure Impulse ich bin gespannt. Viele Grüße Chris
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Hey guys. Actually I still don't know which is better. Mono246 or m10m. I know 40mp is better, more detail, smaller, but i have mono246 + sl2. I have more details with SL2, and i can shoot with mono246. Actually i have both, details and really b&w. Do you consider having a m10m a necessity? If money doesn't matter what choice you make! Why? Thanks 🙏
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from the rumor site 近日中に発表される「ライカM10モノクローム」の画像。(M10-Pとの主な外観の違いはレンズ着脱ボタンの色と上面の筆記体ロゴの有無)
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Dear all, I am wondering how to optimize my workflow since I got the M10M. Right now, I have a - not so satisfactory - workflow with my SL / CL : I download some pictures (JPG) via Leica Fotos to my iPad Pro to share the best shots quickly after quick tweaking, and then (sometimes a very looong time later) download the whole SD card content (DNG) to my iMac and process them through LR 6 (and Tonality CK for B&W). I like the results, but it is long and somewhat tiresome, all the more so LR is a bit slow on my Mac. And work is done almost twice for the best pictures. I find my processing is easier with the M10M, than my former M(240), as (my opinion after a short time using it) I get BW results I like quite quickly on LR, and even with Photos on the iPad. So I am thinking about rationalising and getting complementary workflows with my Mac and my iPad, ie not doing things twice : downloading DNG pictures on the iPad and downloading the rest later through the computer, and join everything in the same catalogue. I could use a HDD/SSD with the iPad to copy the pictures : I don't really need/want to stock pictures on the cloud. It seems the paying iPad Fotos app is designed for such things, and I am thinking about it as results with the M10M seem to be easier to get (though I find abnormal Leica dare to ask for a paying app...) Has anybody tried the solution, and tell if he is satisfied with the results ? Or do you have another / better workflow ? thanks for your inputs on your optimal workflow on your M10M ! Didier
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Hi friends, I’m not usually very active on the forum but I remember years ago being very curious about how a modern digital M camera would behave under real working scenarios, even more an M Monochrom considering how much limited is the choice of these tools. I felt that this recent example of a collaboration I had with a music band could be potentially useful for anyone interested in seeing real life results, especially under these challenging conditions. Hope you like it or that it’s somehow useful, best regards to all, Sergio. All photographs made with M10M, Nokton 35mm f1.4 v2 and 50mm Summilux Asph. Belter Souls Band - Leica M10M -
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It has been ages since I have posted on this forum, or caught up with some of my good friends on a Leica day out. I hope to again soon - and although I haven't been posed I do lurk and read, especially recently. This March I decided to turn over a new leaf with my photography, to return to using my digital Leicas and to be a little more disciplined about it. A number of things made me think about, and ultimately finally buy, a Leica M Monochrom (typ 246). I thought about the M10, or the M10 Monochrom, but apart from the big price difference (I found a very good used M246 at a great price from Ivor at Red Dot) I wasn't sure I wanted the additional resolution of the M10 M, or that the M10 was going to be a significant improvement on my M (typ 240) which I have been neglecting using. I decided the 246 was the one for me, and I am delighted I did. I have really enjoyed using it so far. I wrote a short photo essay about my new leaf, and included the first photos I have taken with the 246 during March: https://rangefinderchronicles.blogspot.com/2021/04/march-2021-new-leaf.html I hope to use it a lot more, over the next months and years. So far I am a very happy user. Nick
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When the sun comes out, so do the parasols. A small project I have set myself this month. M10M + 28mm Elmarit-M ASPH
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Has anyone else had any problems connecting the GPS to the M10 Monochrom? Most of the time, I see in the rear screen that the GPS icon has an "x" through it...obviously not connected. I have the Visoflex connected to the camera and the GPS turned on in the menu. I realize there are areas that pose a problem for GPS connections, but I have tried various types of environments. Am I missing something? I've only had it connect sporadically over the past few weeks. Thanks.
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M240 35 2.0 ZM
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Der erste Fotoausflug in diesem Jahr führte mich mal wieder in den Westpark in Bochum... Diesmal mit M9 und Elmarit-M 28mm
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1914 fertig gestellt
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