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Friends, I find that I have more cameras than I actually use. As I've reported elsewhere on this forum, I'm in love with my little CL for long distance walking. I carry it with the 18mm attached on a Capture Clip on my daypack, with the 18-56 in the pack. https://www.l-camera-forum.com/topic/397555-cl-on-the-southwest-coast-path/#comment-5402269 I had already sold a Q2 and purchased an M10, and eventually a Summilux 35mm FLE along with a Voigtlander APO-Lanthar 50mm and a Voigtlander 21mm Color Skopar. I've derived enormous pleasure from the M10; and, despite my age (I'm 74) I took to rangefinder focussing rather easily. In the course of time, though, I found that I missed having autofocus, IBIS, and weather sealing in too many situations. Which led to the purchase of an SL2, to which I've now added two Sigma lenses: the 24-70 ii and the 35mm f/2 dg dn. I find that I'm reaching for the SL2 for most of my non-walking photography, while the lovely M10 languishes in the cupboard. I have tentatively decided to sell the M10 and the FLE, keeping the two Voigtlanders for use on the SL2. If I do that, I'll be able to expand my SL2 kit; I'm tempted by the Leica 14-24 f/2.8, but would lean toward adding another first class prime. So, two questions: 1) does the sale make sense given my usage profile? 2) what should I get if I do sell. Thanks so much for your consideration!

Hi Guys, I currently shoot Portra 160 & 400 on a Leica M7 with 35mm Summilux ASPH pre FLE and 50 cron. I love the look of film and the overall experience, but as I live in a small town I need to ship my film off to a decent lab, which makes it quite time consuming, as well as expensive. I am not interested in processing film myself or scanning negatives, so am considering getting an M10 to supplement my M7. Basically I would use both, M10 in lower light or when I didn't want to wait for images. I do not expect to ever sell the M7. What I am wondering is if the M10 files can be easily tweaked to look similar to images shot on Portra 160/400. In the few direct comparisons I have seen the digital files look very different to film in terms of color etc. but these are always straight out of camera jpegs. I know I will need to tweak the raw files in lightroom to get a similar look, I was just wondering if: 1. Anyone here shoots Portra 160 and 400 beside the M10 and can comment on matching the colors of the digital files to a Noritsu scan. 2. If you use a preset, which one best achieves the look with minimal additional work? 3. Are there any specific exposure settings needed on the original M10 to be able to match the files? I'd like to restrict my post-processing if possible - I shoot professionally and the reason I started shooting film again was because the last thing I wanted to do was shoot with my workday gear on weekends and have to edit my own raw files. I know that an M10 purchase takes me back to editing but I'm hoping it can be a quick and relatively painless process if I get a suitable workflow and don't overshoot. I'm only interested in the M10, not R version as I am happy with 24MP for this purpose and don't want my face rubbed in how shaky my images are with no IBIS. Thanks!

Leica M10 design is already quite minimalistic, though sometimes it'd be nice to not paying attention to the presence of extra buttons and LCD screen. It's great that M10-D version exists for that purpose. How about introducing similar optional experience to the M10 cameras with screens. This DIY 3D print project is still in progress, and here's the related article with more details and future updates. 3D models linked there are free for download and personal use.

Has anyone else had any problems connecting the GPS to the M10 Monochrom? Most of the time, I see in the rear screen that the GPS icon has an "x" through it...obviously not connected. I have the Visoflex connected to the camera and the GPS turned on in the menu. I realize there are areas that pose a problem for GPS connections, but I have tried various types of environments. Am I missing something? I've only had it connect sporadically over the past few weeks. Thanks.

I've been asking for years how to tell if my Visoflex has connected to a satellite. Today, I gave up, and I called Leica Store, Miami, where Adam found out the answer. Turn on M10 with Visoflex 020 Select the Visoflex in the Menu, and change OFF to ON I waited a minute or two before doing the following.... On back of camera look for the 4-way selector switch, and press the center button You should see a screen like in my photo. The GPS icon (looks like a small satellite) will have a small "x" in a circle to the bottom right of the satellite icon. This means the GPS is "on", but is searching for a signal. As I'm writing this indoors, at my computer, I don't think it will connect, so I can't get a proper photo showing it isconnected. Eventually I should get it to appear long enough for me to get a photo of it with my iPhone, and add it to this discussion.

Morning walk on the fishing pier with my new Heliar 50mm f/3.5 M lens on M10. It was 90 degrees F by 8:00 AM.

Recently designed easier way of making Leica M10 decals - by involving precisely 3D printed stencils. Once printed stencil is used to draw and later cut decal from adhesive vinyl film. I used to mark and cut decals in the past by first transferring plate contours using thin paper and pencil. One of the most challenging part is to make accurate radial cuts with compass-like radial cutter. 3D printed stencils have dedicated dots for radial cutter needle making it much easier. Applying vinyl decal to the camera is requiring some practicing for better accuracy. Film is effectively protecting Black Chrome coating from scratches and paint wear. I personally like the aging wear of camera edges, so decals size is designed to keep edges open. 3D models can be downloaded for free personal non-commercial use from Printables: Leica M10 top left plate stencil Leica M10 bottom plate stencil

While in Japan, I got me the ultimate Japanese Leica bag. It is a bag for the Leica S/SL system but looks amazingly universal. The bag was conceived and developed entirely by Leica Professional Store Tokyo. It holds a S/SL camera body and three lenses, it can also store a tablet, charger, batteries, etc. and is perfect for a big two M/dozen lenses setup. The front has a tag embossed with "Leica Professional Store Tokyo". The bag costs ¥60,500 (10% tax included) or ¥55,000 before tax. it reminds me of our old family Olivetti typewriter bag. The design is genius, cowhide leather combined with synthetic suede and red interior. Tested immediately, super comfy wear, and fully water (downpour) repellent & fast dry.

Freshly designed and tested 3D model of Leica M10 BP-SCL5 battery cap can be downloaded for free non-commercial use. I'll keep this thread active with few newer modifications later. Please let me know if you have any ideas or recommendations. Thanks!

Hello, I’m close to buying a new Leica. Trying hard to make the right decision. All options remain on the table, but I’m leaning towards a SL2-S or SL3. I made the decision to go Leica about a year ago. At the time, I was excited. I thought it’d be easy. Little did I know. The good thing is: it’s been a year. I’ve used that time wisely, I hope, to consider a lot (reading posts, watching videos, and trying out different cameras). I’m almost there. But before I pull the trigger again (more about that in a moment), I’d love to get some input, so if you have any thoughts to share … I’m all ears! A little about me: I’ve got a good amount of life experience and been a photographer for many years. Over the past decades I’ve shot Nikon film cameras & different mirrorless cameras including Fuji, Sony and Ricoh. I enjoy shooting landscapes, city buildings and some street in the endless pursuit of creating photographic art. I have a passion for B&W. So much so that after nearly a year, I made the decision to purchase a “like new” Q2 Monochrom. Unfortunately, it had debris in the viewfinder that I found distracting so I returned it. The experience was a good one because it caused me think even deeper about my commitment level and what I really want. They say the Leica Q’s are the “gateway drug” in the Leica world and I now see why. Yeah, even after a very short time with one. I’m someone that would be very happy with a Monochrom only camera. I shoot 90% B&W (at least), and the ability shoot at night with very high ISO’s with a camera that doesn’t have a bayer filter, and noise that looks more filmic is a very attractive proposition. If I missed color, I could always carry my trust Ricoh GRIII I Ruled Out a Leica Q I’ve ruled out another Q camera for several reasons, with the biggest being that I’ve got some wonderful vintage lenses and want to use them on a Leica (rather than continue using them on my Sony I think). Maybe a M11 or M10 Monochrom? I thought an M11 monochrome … or maybe an M10? … was the answer but I’m not sure a rangefinder’s for me. I mean I LOVE the look. Truly. It’s … beautiful. But I love shooting fast lenses. The rangefinder focusing … nice … but when it comes to focusing some lenses like a f/0.95 or even f/1.2 on a rangefinder … I want an EVF for critical focus. Sure, there’s a great external EVF for the M11 … and I’d be fine with buying that if I needed to, but in my opinion, it kinda messes with the whole rangefinder aesthetic to have to put that on the hot shoe. Also, I’ve heard more than one person talk about their rangefinder’s going out of alignment - and needing to be sent back in for recalibration. I’ve also read about freezing issues some have said they’d experienced with their Leica M11’s on this forum. On top of that, I like to focus CLOSE sometimes (not macro but down to 3/4 or 1/2 a meter) with my vintage lenses … I’ve can do that with an adapter on my Sony A7RIVa with vintage m mount lenses that normally wouldn’t be able to focus that close but would not be able to do that when using them on a Leica M. That frankly is a big deal (for me). Leica SL-2S or SL3? So that’s led me to consider a Leica SL-2s or maybe a SL3? Pros: Ability to convert M lenses and focus close using M to CL adapters. Check Built-in beautiful EVF. Check. More affordable than a Leica M11 Monochrom - check No calibration needed. Cons: No monochrome sensor in sight. Sigh. It’s so … BIG!! The M11 looks so much more inviting. Big Red Dot & Big Leica in big white letters … sheesh! I so prefer the look of the monochrom cameras. Discreet. So tape it up and cover up the dot I guess is the solution there. Perhaps not the best for street? More suited for studio than street? In conclusion: At the end of the day - is a Leica SL2s and/or SL3 worth spending thousands of dollars more - or should I just stick with my 60 megapixel Sony A7R-IVa and call it a day? Has anyone upgraded from the SL2-s to the SL3 .. .and if so, was it worth it? And why? Has anyone owned both a Leica M10/M11 along with a Leica SL series camera and if so, which do you prefer and why? Anyone move from a Leica Monochrome camera to the SL line ? Any regrets? Thoughts and/or Recommendation would be much appreciated. Thanks!

Hi, I was wondering if there is a M10 blackpaint. I can only find M10Rs with blackpaint. Does anybody know about a M10 bp? cheers Peter

Hallo, heute ist es genau ein Jahr her, dass ich mir eine gebrauchte Leica M10 gekauft habe. Das nehme ich nun zum Anlass, ein paar Zeilen darüber zu schreiben, warum ich mir die Kamera gekauft habe und ich auch ein Jahr später noch glücklich damit bin. Mit Leica Messsucherkameras fotografiere ich schon seit Jahrzehnten und seit Anfang der Neunziger praktisch ausschließlich. Im November 2006 habe ich mir eine M8 gekauft und diese gut 16 Jahre als meine Hauptkamera genutzt. Für mich eine tolle Kamera, aber die Zeit geht gerade an digitalen Kameras nicht ganz spurlos vorbei. Und her spielte ich schon eine Weile mit dem Gedanken mir eine neue Kamera zu gönnen. Aber musste es wirklich wieder eine sündhaft teuere Leica werden? Was mache ich überhaupt mit meiner Kamera? Sie ist meine ständige Reisebegleiterin auf meinen zahlreichen Dienstreisen, meine „Gehhilfe“ für meist abendliche Fotospaziergänge in fremden Gegenden und die Kamera mit der ich private Erinnerungen festhalte (Reisebilder: https://www.instagram.com/tim_travels_light/ ). Und ich bin ein „Ein-Kamera-Mensch“. Ich will nur eine Kamera haben und die muss ich überall mit hin nehmen können. Sie kommt einfach in den Rucksack oder den Messenger Bag und los geht’s … eine Rolle, wie gemacht für eine M. Aber ich fotografiere häufig bei schlechtem, oder gar sehr schlechtem Licht … mit der M2/ M4-P und M6 fühlte ich mich mit Kodak T-Max 3200 und CN400 immer gut gerüstet… aber Korn ist eben doch etwas anderes als digitales Rauschen und mangelnder Dynamikunmang … Hin und wieder mache ich auch mal ein paar kleine Auftragsarbeiten für meine Frau. Das sind dann Fotos für Websites und Flyer. Meine Reise von der M8 zur M10: Zunächst habe ich mit einen Leica M Adapter für die Sony Alpha 7 unseres mittleren Sohnes besorgt und meine Leica M Optiken an der Kamera ausprobiert. Das funktioniert zwar, ist aber nicht das was ich wollte. Ich habe keine wesentlichen Unterschiede bei der Bildqualität zwischen der Sony-Linse und den Leica Optiken festgestellt, aber das Handling ist einfach grottig. Und auch der elektronische Sucher mit den vielen Zusatzinformationen ist einfach nichts für mich. Es passt einfach nicht zu meiner Art zu fotografieren, oder zu mir. Es macht mir einfach nicht so viel Spaß mit der Sony Alpha zu fotografieren. Aber die Bildergebnisse sind toll; von der technischen Bildqualität meines Erachtens nach locker auf dem Niveau der Leica M10. In der Tat hängt bei uns im Treppenhaus ein 80x120cm Print, der mit der Sony und dem billig anmutenden Zoomobjektiv aus dem Set aufgenommen wurde. Also nach ein, zwei Wochen „Sony-Begeisterung“ zurück zur M8. Der Spaß an der Fotografie war sofort wieder da, aber die Enttäuschung über die mangelnde Bildqualität war nun noch größer. Aber egal, einfach die Kamera die nun mal da ist einpacken und ab in die Alpen auf eine kleine Hütte im Montafon zum Skilaufen. Das war dann quasi das Todesurteil für die M8. Tagsüber bei gutem Licht toll, aber abends in der Hütte grauenhaft - verrauschte, verwackelte und flache Aufnahmen; kein Vergleich zu den iPhone Aufnahmen der Anderen. Ich habe ein paar schöne Landschaftsaufnahmen von meinen Skitouren mitgebracht u d die Erkenntnis, dass ich entweder in der Kombination M8 & Smartphone fotografieren muss, oder doch mal bei eBay nach einer neueren M schauen sollte. Also dann doch wieder die M6 und einer der Kodaks, die noch im Schrank lagern. Klasse, macht Spaß, aber der Filmscanner und der Vergrößerer sind schon lange eingemottet und zurück will ich im Moment nicht. Ja und dann stand sie da in der Vitrine eines Fotohändlers direkt gegenüber der Arztpraxis aus der ich gerade kam. Also schnell mal rein und kurz so eine moderne M in die Hand nehmen … da war dann sofort klar, die oder keine … aber nur, wenn ich dafür weniger bezahlen muss als damals für meine M10. Ok, das hat dann erst beim dritten Besuch des Fotoladens und mit dem Verhandlungsgeschick meiner Frau geklappt, aber seit einem Jahr habe ich eine nagelneu aussehende M10. Ich musste die 2017er Firmware erstmal updated, die Kamera bei Leica registrieren und auch die Ladekabel auspacken, die noch mit den kleinen Bindern eingerollt waren und dann ging’s los. Wobei mich schon interessieren würde welche Geschichte die Kamera eigentlich hat. Ich habe mir dann als Zubehör jochen einen COOPH Rope Camera Strap, eine Displayschutzfolie und den Okulargewindeadapter für die Korrekturlinse gegönnt, den Rest hatte ich ja schon. Zur Finanzierung der M10 habe ich die M8, die M4-P mit Moto und Leica Meter und ein altes Objektiv verkauft.

I currently have an MP (240) and a 35 summilux. I was at the leica store today and the employee mentioned when I decide to upgrade my camera I should look at the M10 or SL. He then said the SL was probably best because of cost and proceeded to show me a sample of the SL with 35 lux (with adapter) The focusing was great to me but did feel bulky. My question is - If I'm really just going to use it with my M lens does it make sense to go SL route? I know it would be alot cheaper; but not sure on performance difference etc. Apologies if this was asked previously in another post and thank you for any response.

Saw this today. Is this the first sign that an M11 is on the horizon? If so, the turnaround is faster than I thought. https://leicarumors.com/2020/05/20/leica-m10-silver-camera-listed-as-discontinued-at-bh.aspx/

Hi everyone, I've used my M7 for a very long time and my M9 for a little less. I am interested in buying an M10-P (or maybe M10 undecided on that), so I am looking forward to the local Leica shop opening up soon in the next few weeks. I shoot mainly portraits (raw) but sometimes I go for leica jpgs too. On my M9 I've set saturation to medium low and contrast to high. Would any M10 owners who've shot portraits (indoor or outdoor, natural light or artificial) share their M10/M10-P jpg portraits taken at exactly those settings? Saturation: medium low (I believe only "low" is an option - stand to be corrected Contrast: high Thank you and stay safe, Oliveir

I just now happened to stumble upon this essay on the M10 Monochrom which is accompanied by a nice set of sample images. In thinking about the concept of a black and white only digital camera in general and about the M10 Monochrom in particular, I was smitten with a thought that I cannot shake free of: The M 10 Monochrom may well be the pinnacle of the digital M camera. It is going to be an awfully hard act to follow. If anyone can best the M10 Monochrom, it would have to be the gents and ladies of Werzlar. https://www.popphoto.com/story/gear/hands-on-leica-m10-monochrome/

Liebe Mitglieder, ich habe jetzt eine ganze Zeit lang das Forum durchsucht, aber leider kein passendes Thema gefunden. Kann mir jemand aus der Erfahrung heraus berichten, wie zuverlässig der Auto-Weißabgleich in den verschiedenen M10-Modellen ist? Ich habe da (wie viele Männer) ein kleines Rot-Grün-Problem. Daher bin ich bei Farbaufnahmen auf die Unterstützung des Auto-Weißabgleiches angewiesen. Es ist in der Praxis eher schwierig ständig mit Graukarte zu arbeiten.. Vielen Dank Timo

I am looking for an off camera flash solution for my M10 (which would possibly also work for my M240) Is there any chance that my Nikon Flashes or Fuji Flashes (Nissin) would work? Otherwise I am looking for a good solution with a controller that may also manage more than one flash lights. Is there a Godox Solution that fits? Thank you for your advice

카메라 m10을 보면서 뭔가를 찾았습니다. 빨간색 표시에 반짝이는 접착제가 있습니다. 다른 카메라는 이런가요? Looking at camera m10, I found something. There is a shiny adhesive on the red mark. Are other cameras like this?

Hi! I’m new here. Currently shooting film with an M6 classic. I’m planning to buy a M10 second hand and was wondering what people thought of these Ebay listings. In prices they seem to good to be true, so I’m assuming they are. Any thoughts? https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.nl%2Fulk%2Fitm%2F303499047919 https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.nl%2Fulk%2Fitm%2F352982224839

Hi all! Apologies in advance for the length of this post! I was wondering if you all are able to give me some advice or words of wisdom on whether I should get a Rangefinder Leica. At the moment I’m currently using and enjoying my Leica CL & 23mm f2 Summicron. Purchased in Oct 2018. I absolutely love shooting with the CL and for me it was the upgrade I was always wanting. I even adapt some rare and unique vintage m42 lenses to it and get some amazing results. Now I’m no professional photographer, just a hobby shooter but the Leica CL I have had really developed my love and passion for photography. At the time of purchasing the CL I was using a Nikon D7500 which I still have (but never use) so for me, at the time the CL was the next step up, and I never thought of going for a rangefinder (couldn’t afford the m10 and lenses anyway lol). But now having visited the Sydney Leica store on many occasions to try out the M10 and the rangefinder systems, I’ve grown more interest for a Rangefinder. I’m interested in the M240, maybe the M262. I like the appeal of a brassing body though (a bit of individualism I’d say). But honestly I’m not sure which system to go for (and I don’t have the money for a new M10). What are the PROS and CONS for each system? What makes you want to stay with that system? (if you have one) what would you recommend I do or go for? Now I’ve done heaps of research and reviews on both systems but I really want to hear from everyday people who use them. Thanks!

Hello, I am going to the Arctic cirlcle (Svalbard) in August with an M10 and a 2009 M9. I am dithering over which lenses to take with me. I have a 24mm Elmarit, a 28mm Voigtlander, a 90mm leica Macro collapsible, a 35mm Voigtlander, and a 50mm Summicron,. I don't plan on using big telescopic lenses or a tripod. I will be going out in small dinghies to take pictures. I would love to get good and wise advice from the users. Thank you Christian.

I'm new here. What's a good place to sell Leica gear (especially an m10)? Thanks, I appreciate it Tom

Hallo, bei meiner neuen, gebraucht erworbenen M10 werden die Fotos auf dem Kopf stehend (d.h. um 180° gedreht) auf die App und in Lightroom exportiert. Von der Kamera werden sie zuvor richtig angezeigt. Kennt jemand das Phänomen? Kann es evtl an dem alten Objektiv liegen (Summiron f 35mm, 1:3,5)? Bin dankbar für Eure Hilfe