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Showing results for tags '28mm'.
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Hello Everyone, I'm talking about one of my favourite focal lenght, 28 mm. I'm loving it for street for sure, but also for landscape. I really want to know if for landscape purpose there any appreciable difference betwenn 28 mm elmarit and 28 mm summicron. I mean, for landscape i usually shot at f 8 or something like that, I would like to shoot on m10, and the most important thing in this kind of photo for me is sharpness. Is the price difference worth ? Can anyone post some landscape photos taken with both lenses? Thank you all and have a nice day, Paolo
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- 28mm summicron
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By first Leica was the Q. Sold it when I stepped into the world of M but then last December rebought a Q2. I always said that 28mm is too wide for me, and that to me that’s a negative of the Q. My main fl 50mm, and second the 35mm. So I thought. This weekend I shot a small reportage (didn’t do this for a long time) and I took my SL plus 35/135mm combo. I was very surprised to find out that 35mm was too tight. Maybe 28mm is not that bad at all? Back in the old days I shot weddings with the contax g1, with a 28/45/90 set, so may be this is why I unconsciously still am used to 28mm when telling stories…
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Hi, does somebody own a Leica Summicron-M 1:2/28 Edition "Safari" or has seen real life pictures? I’d love to see additional pictures of the lens except the one official photography that’s spread all over the web.
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The Royal Palace in Aranjuez, Spain. M240, 28mm Elmarit-M ASPH.
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Just wanted to share my first impressions of the mini 28mm f5.6 summaron lens: I wanted to get this lens for street photography ever since it came out and finally pulled the trigger. I was a little skeptical of its output having seen both good and bad shots on reviews with the lens, but wanted first hand experience and to finally scratch that 28mm daido moriyama itch. After the opening a nice black box and admiring this silver jewel for a moment in my hand, I quickly attached it to M10 and went searching for some test shots on a clear but cloudy day. I shoot my film M/A at f5.6 on bright sunny days so wasn’t worried by its lack of low light capabilities. The reverse position of the focusing tab takes some getting used to, really not very hard, and for closer subjects you need to take a step back than what is normal for other lenses, as you need more distance to bring things in focus. But from the moment I started snapping away I felt the same wonder and joy that you do with other Leica lenses. After an hour or so of taking photos this is what I noticed most: the center of this lens is very sharp but not in a clinical way; there is a smoothness to images; some shots do not produce vignetting but some do which, gives it the “classical” feel and really sets off objects in a cool way; its kind of an unpredictable lens which i like and comes down to personal preference; color accuracy was very good and no different than my 50mm summilux & 35mm summicron; the size of the lens is perfect for adding a 3rd lens to my small leather street bag. Overall, I’m very pleased with my decision to get this lens. Not only imbued with a piece of Leica history but also very capable of producing cool images in daylight conditions. I personally think this is one of those special lenses to own that captures unique qualities rather than the clinical kind you find everywhere else. Unlike, with other leica lenses where i expected images to be great, i was expecting this one to be less so, but was proven wrong. It really is a great little lens and has exceeded my expectations. Thank you Leica for making this!
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- m6
- ilford hp-5
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I'm selling my 21mm Super Angulon f/4 M mount in favor of something a little more "practical". While in Cuba earlier this year, I found myself using the Zeiss 28mm f/2.8 on my Contax G2 quite a bit but for my next few trips, I'll bring only a couple of M bodies (M7 & Typ 246). I really love the results that I got out of my Zeiss and am wondering if I should go with another Zeiss (25mm f/2.8 or 28mm f/2.8) OR a new-ish 28mm Elmarit ASPH. So my two questions are "is the Elmarit ASPH quality worth more than double the price of a used Zeiss 25mm or 28mm?" and "In order to keep my work consistent, should I just stick with the Zeiss 28mm f/2.8 for the way it renders colors?" Examples of my work in Cuba with the 28mm f/2.8 on the Contax G2 below. Both photos with Portra 400.
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Fotografiere mehrheitlich Landsachaften. Nun möchte ich ein 28mm Objektiv anschaffen. Die Frage ist welches? Elmarit oder Summicron. Ich denke ich mehme das mit dem besseren Mikrokontast. Gibt es hier Unterschiede?
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Guten Tag zusammen. Ich habe mal wieder meine alte Leica m6 ausgepackt und zurück ins Leben geholt. Alles funktioniert soweit noch einwandfrei, bis auf den Bildfeldwähler. Ich habe ein Summicron 50mm Objektiv drauf und der Bildausschnitt von 50 + 75 mm wird auch im Sucher angezeigt. Der Ausschnitt 35 + 135 mm wird beim zur Seite bewegen des Hebels auch sichtbar. Nur der Ausschnitt 28 + 90mm zeigt sich beim nach innen bewegen des Hebels nicht. Es bleibt der 50 + 75 mm Ausschnitt zu sehen. Hat jemand schonmal von diesem Problem gehört und weiß was die Ursache dafür sein könnte. Dr Google konnte mir bis hierhin leider nicht weiterhelfen... liebe Grüße und danke im Voraus!
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Wondering if other 28 Lux owners have come across this problem: play in the focusing ring that results in a 'dead spot' when switching focus direction. My copy of the lens currently has about 3mm play where I can move the focusing ring left-right, in the focusing directions, but it does not result in any change of focus (doesn't engage the helicoid). The ring feels entirely disconnected before it pushes against something underneath it. If I keep turning the ring once it 'engages' it then changes the focus as it should. It also moves freely in the north-south directions (if focusing is east-west). Recently I noticed a faint rattling sound of something like a loose small screw or ball bearing when changing the orientation of the lens. This happened all within the span of about a day a little while ago and have kept using the lens, in part due to reluctance to be without it for up to two months for servicing. Initially it was a very slight wobble that was annoying enough on its own, but quickly got much worse with the much greater and more annoying dead spot, as mentioned, of about 3mm. While I'm not the gentlest with my gear, I don't recall any specific incident that may have damaged the lens. I'm the second owner of this copy, received in nearly mint condition back in June 2016, and have used it fairly regularly since then. I thought it might be bad luck but this has now also happened to a friend's copy (that I have not touched ), which seems too coincidental...
- 8 replies
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- 28mm
- Summilux-M
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I just love the 28mm Elmarit ASPH II. Can't find an image thread for this wonderful lens, hence this thread. Feel free to post
- 35 replies
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- 28mm Elmarit ASPH
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Hi all, a brief announcement that I’ve just finished work on my second self-published book of photographs. Captured with the M Typ 262 and 28mm Elmarit-M (version IV) during a week’s travels through the North of Italy, the book presents 32 black and white photographs ranging in subject matter from people to places both natural and constructed. I’m really proud of how this project has turned out. The book is printed on thick 170gsm uncoated stock, with the covers being an even heavier 300gsm. The size is somewhere between compact to standard at A5 (210x148mm), which gives each print enough room to breathe without feeling cramped. Also exciting is that, working with a professional printer who works at reasonable prices, I’ve been able to price the book at just £15 + shipping. For those who are curious to know a little more, I’ve written a bit more on the back-story on my blog. You can also watch a trailer that I produced for the book here. Finally, if you’d like to pick up a copy, please slide on over to my online shop to do so. Thanks kindly for your interest, and happy shooting!
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Um zu schauen, ob ich statt 35mm meiner Leica X2 auch mit 28mm der Leica Q auskomme, spiele ich aktuell mit einer Nikon A. Ist also eher ein "preiswerter Test". ;-) Wen es interessiert: http://linsen-suppe.de/blog Vielleicht mal als Tipp, falls jemand vor dem Kauf einer Leica Q bezüglich der Brennweite unsicher ist. ;-) Ich wünsche ein schönes Wochenende und tolle Fotos!
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Hallo zusammen, ist es normal, dass beim Elmarit-M 28mm (Version III mit 49mm Filter) der Blendenring so locker ist, dass man ihn 5mm vor- und zurückziehen kann, so dass er sich ohne Rastung drehen lässt? Wenn der Blendenring normal vorne anliegt, lassen sich die Blenden mit Einrasten wählen. Wenn man den Blendenring zur Kamera hin nach hinten zieht, dreht er frei zwischen kleinster und größter Blende durch. Hier im Video sieht man es besser: Ich bin nicht sicher, ob das so muß. Hintergrund: ich hatte das Objektiv nur kurz, es war dann ein paar Wochen wegen eines anderen Schadens in der Werkstatt und eigentlich sollte es jetzt in Ordnung sein. Oder hat da jemand vielleicht vergessen, den Blendenring richtig festzuziehen? Hat jemand das Elmarit-M 28mm III? Wie ist es bei euch? Vielen Dank für eure Meinung, Chris
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What is the story on this lens? Not much to read and review about it ... see it is a reboot ... I want a wide angle lens for a different look and wondering if this is the one?
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Hello Leica M shooters! I am an architect and photographer. My current kit of Leica lenses are: Super Elmar 21mm: mostly used for architectural shots! Summilux 50mm ASPH: my standard lens Macro-Elmar 90mm: My short tele I would like to add one lens between my current: 21mm and 50mm lenses. I feel a significant distance between 21 and 50... I am looking a better complement for my Summilux 50mm. I love the 21mm for architectural shots as I say, but is not faster enough, for shooting internal spaces, when there is not possibility of using tripod, like museums, temples, galleries, for example. I like the 1,4/50 a lot! I call it: "my magic lens" because of the representation and bokeh. The 90 mm is my last addition! I am very happy with it. I use for shooting selective frames on landscapes and cities. I had an 35mm Summicron but I sold it, for my, 35mm was very close of the 50mm, because of this I am thinking in a 28mm lens… as a "ALL PURPOSE" complement of the 50! The use of 21 and 90mm lens, is for special-purpose. I would like to read your advices and recommendations! According with my explanation: What is better option: Summilux 28mm or Summicron 28mm lens? Thank you! Ricardo
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I took these photographs in Paris last Thursday, 12th November 2015, with a 28mm Summicron and Monochrom (v.1).
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Some time ago I started a blog (www.mbphotox.wordpress.com) about adapted 50mm lenses on my Canon DSLR. A Leica 50 was on my wishlist for half a year and when I finally went out to buy one, I came home with an Elmarit-R 135mm f/2.8 because the Cron had been picked up by another guy right before I arrived at the store. A few months later, I found a great offer online and bought an Elmarit-R 28mm and finally also the Summicron-R 50mm I had been looking for. Having three lenses, I figured "why not get back into shooting film?", and so I started looking for a suitable Leica R body. The SL2 was not an option since all my lenses are R-only, and the R6 was simply too damn expensive. R3 to R5 it was.. I stumbled upon this expensive offer that had been online for weeks, by a guy who wanted to sell his pristine Summicron-R 90mm together with a near-mint Leica R5... I ended up talking him down by 20% and bought the package Loaded a roll of Superia 200 last night and am looking forward to the results. Here are some pics (more can be found on the blog) The baseplate shows slight signs of wear, the brass shines through at some areas, but other than that it's perfect. My lenses, without the 90mm, I've still got to take pictures of that one. But it only arrived 2 days ago.
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We went back (me and Rodrigue, XVarior) to these souks, a few months after around two years of heavy clashes and fighting in the area, luckily the souks are back to normal and the merchants were very welcoming. Nuts Regards, Edgard
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Hello guys, Leica Lab Italy asked me some questions about the use of the 28mm lens in my Street Photography. If interested that is the link: http://www.walkingphotographer.net/blog/leica-lab-interview-28 bye !
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- 28mm
- Street Photography
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Leica M1/M2 Quandary...HELP NEEDED!
Vintage Digital posted a topic in Leica M-A / M7 / MP and Film M
Ladies and Gentlemen, I’m in a bit of a quandary and your feedback is much appreciated. By way of background, I purchased an M1 in mint cosmetic condition with the intention of having it converted to an M2 by a highly respected technician here in the US. I paid $200 for the M1. I like the M1’s simplicity (no preview lever, just a rewind lever and lens release). The technician could add a rangefinder and 28mm frame lines, my preferred focal length, making the newly converted M2 a perfect landscape/travel camera. I currently use a two-lens setup, with a 28mm (plus the external finder) and a 50mm on my M3. Unfortunately, the technician found dry shutter curtains upon opening the camera and they would need to be replaced at a cost that might be prohibitive. So here are my three options: 1. Add the new rangefinder, 28mm frame lines, shutter curtains, and a CLA for roughly $800. This would result in a near perfect Franken-Leica built to my specifications. Total invested would be about $1000. 2. Add new shutter curtains and a CLA. This would result in a near perfect M1 that I could sell and then reinvest in a different body. Total invested would be about $500. I’m not really sure what I could get for the overhauled M1. 3. Have the M1 returned and sell it as-is. Total invested would be $200 and I’d hope to recoup this expenditure with the sale. What do you think would be the best course of action? Any advice would help. -
So, bevor das Wochenende losgeht, kommt hier gleich mal neuer Thread-Stoff: https://twitter.com/vincentmontibus/status/606525855691620354 Erste Bilder zur neuen Leica Q, FF-Sensor der M240, 28mm Festbrennweite mit AF, natürlich ohne Messsucher, dafür mit EVF. Erste Preisangaben liegen bei 4.500–5.000 €. Jetzt Ihr!