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Found 51 results

  1. Is early days I realise, but I wonder if we could please have a thread devoted to third party lens performance on the SL please. In my case I would be interested in experiences with Zeiss F mount lenses (ZF/.2), particularly the 1.4/55 Otus, 1.4/85 Otus, and 2/135 Apo-Sonnar. But I also have a couple of C/Y lenses. I'm sure there are others here interested, as well as those with Canon and Nikkor glass. If I end up with and SL I will report first hand, but I haven't decided to pull the trigger yet (I had wished for higher resolution and IBIS), but there is a lot in this camera that appeals, including it looking like a good tool for some R glass I have. So, anyone with an SL and experience with third party lenses, please share your experiences. Thanks in advance.
  2. TM1ka

    A

    2403520ZM, Imperia (IT)
  3. Hola everyone! I had a hunch! And I made a lens exchange with a colleague. I changed my Elmarit 28mm for a Zeiss C Biogon T 35mm F2.8. Of course, I got also some very good money because of the difference in price ($2,300 vs $900 approx). I tested already and I'm incredibly happy with the result. I'm new in the world of Rangefinder, I only owned an Elmarit for one year, and now this one. I always used lenses for SLR and DSLR. So I'm very newbie. I was so surprised (in a very good way) about the Zeiss contrast, details, sharpening and almost the lack of imperfections... Wow... so light, small but soooo powerful. I'm a 35mm guy, I always have been. I got a 28mm with my first Leica (M10) because my plan was a 28+50 combo. One lens first, then later the 50mm. I didn't resist and I made the change. And I was 100% happy about it. I like the 35mm frames better than the 28mm. And the focus ring range is better, shortest. I like 1/3 aperture stops etc.... But the lens comes with a detail... check the videos here https://www.dropbox.com/sh/2y1inj9cq2tj8w6/AACwHw27CsRg6uhz1OTwKjBJa?dl=0&lst= ... you will understand it better. Check also this video at 1'08" The little four screws are tight. And of course, most important... The lens performance is almost perfect, better than any Nikon I ever had 🙂 It works great. But it feels like is weak or more delicate, do you know what I mean Thanks in advance for your time
  4. Hi all, apologies if this topic has already been covered (I couldn't find any direct comparisons). I'm new to the rangefinder universe, I finally took the plunge this week and invested in an M10 with a 50 ASPH lux. I'm looking for a (preferably fast) wider companion and interested in hearing from people with experience of both the Zeiss 35mm 1.4 and the Summilux 35mm 1.4 - what have your experiences been, are there any advantages/disadvantages of one over the other (I know the Zeiss is bigger), which do you prefer? I don't mind sacrificing reduced weight and size for superior image quality, I'm already loving the feel of the 50 lux's files and want to keep that micro-contrasty Leica vibe. I know these things are subjective, opinions welcome! Thanks in advance! Chris
  5. Hope you all are doing well. I searched through this forum and found few topics on Zeiss 28 F2.8 but wasn't able to get the answer I was looking for. If i want to spend 1k on a 28 do you recommend Zeiss 28 F 2.8? Fairly new to Leica compared to most of you so I am not geeked out YET. Here is my line up M10 & M240 Summicron 35 Summilux 50 Elmarit 90 Tri-Elmar All your tips appreciated. Hope you are having a nice Weekend.
  6. This looks like it will be an interesting camera. If I had to guess, I would expect it to either be a huge hit for Zeiss or an exercise in humiliation similar to the ignoble Hasselblad Lunar.
  7. I'm thoroughly enjoying my new M10 with the 35mm & 50mm Summiluxes, a 90mm/f2.0 and 135mm Telyt Leica lenses. To cover the wide end for architecture/landscape, I got a Voigtlander Ultron 21mm/f1.8. I'm used to fast lenses from Fuji X. Since I love landscapes, and am curious about Zeiss lenses, I've found there are two interesting options, Biogon 25mm/f2.8 and Biogon 28mm/f2.8. What do you guys think of those as filling the 21-35mm gap? How do you feel about the relative slowness at 2.8? How's the rendering compared to the Luxes? And which one makes more sense, 25 or 28mm? I see that 21mm is quite fish-eye-y and would like a bit straighter lines... A+
  8. Hi guys, I was wondering if anyone had any experience with the 18mm Zeiss ZM Distagon on the Leica M10 specifically. Which lens profiles did you use and to what degree did it mitigate (or completely remove) colour shift? Unprocessed SOOC images would be most welcome! Thanks!
  9. I would like to buy a new 35mm wide-angle for my recently acquired M2. For the moment my budget restricts me to Zeiss or Voightlander glass. I was thinking about the Zeiss Biogon 35mm f2 but I understand, because of its size, part of the lens blocks the 35mm view. For me this is unacceptable. As I am unable to try all the 35mm lenses, my question is what 35mm wide-angle lenses from either Zeiss or Voightlander are available that do not obstruct the 35mm framelines of my M2? I presume the smaller 35mm f2.5 Voightlander VM Skopar and the 35mm f2.8 Zeiss are OK? I would rather not use a separate viewfinder just now although it could be an option at a later date. This is a post from a new member (and new to Leica) so forgive me if the topic has been raised elsewhere. Thanks.
  10. Hi guys, Was wondering if any of you could advise me on how the black ZM lenses look on the black paint M bodies (i.e. MP, M6 Millennium, M9 etc). How close is the finish of the two? Pictures welcome! Thanks
  11. From the album: M9

  12. I am having a difficult time with zone focussing for street photography. I am using SL with Zeiss 35mm f1.4 ZM. Initially I tried with f1.4 and changing focus for each shot. While it did give good results, but not fast enough to capture the scene. Next, I tried f8 and f11 at 1/125s and 1/250s with zone focussing...with 1.2m set on the left side (closest distance in focus), which gave me an in-focus distance between 1.2~2.5 m @ f8 and 1.2~3.0 @ f11. Also, tried electronic shutter always on and always off (not much difference to the image, but silent shutter is useful). Then I tried setting infinity scale on the right side @ f8 & f11, but the min focus distance is more than 2.5m. I have two issues: (a) images are not sharp even at 1/250s; and ( how to switch quickly between shallow dof and wide dof quickly? I would appreciate any inputs on what settings seems to work for you. I am new to street photography, and have no experience with RF cameras and quite slow with MF lenses. Finally, will optical VF attachment help for street photography with SL?
  13. Hi all, Any recommendations for a 3rd party hood for a new 35/1.4ZM pls - great lenses but overpriced hood in my view... Thanks
  14. I'm selling my 21mm Super Angulon f/4 M mount in favor of something a little more "practical". While in Cuba earlier this year, I found myself using the Zeiss 28mm f/2.8 on my Contax G2 quite a bit but for my next few trips, I'll bring only a couple of M bodies (M7 & Typ 246). I really love the results that I got out of my Zeiss and am wondering if I should go with another Zeiss (25mm f/2.8 or 28mm f/2.8) OR a new-ish 28mm Elmarit ASPH. So my two questions are "is the Elmarit ASPH quality worth more than double the price of a used Zeiss 25mm or 28mm?" and "In order to keep my work consistent, should I just stick with the Zeiss 28mm f/2.8 for the way it renders colors?" Examples of my work in Cuba with the 28mm f/2.8 on the Contax G2 below. Both photos with Portra 400.
  15. Hallo zusammen, es gibt hier im Forum ja schon so einige Informationen zum Kodieren von Objektiven. Die wesentliche Erkenntnis, die ich daraus gezogen habe, ist die, dass ich es nicht selbst machen kann/will. Da Leica aber natürlich nur eigene Objektive (und davon auch nur einige) kodiert, suche ich einen Dienstleister, der mir meine Zeiss- und Voigtländer-Objektive professionell kodiert. Kennt jemand so einen Dienstleister hier in Deutschland? Vielen Dank im Voraus für alle Antworten und allen ein schönes Wochenende, Ralf
  16. Ich erlaube mir mal hier auf meinen Blog zu verweisen wo ich einen kleinen Bericht zu dem Zeiss Distagon 35mm f1.4 zm veröffentlicht habe. Einfach den link hier anklicken: https://www.qimago.de/das-zeiss-distagon-35mm-f1-4-fuer-leica-m/ Da sind dann solche Bilder und noch ein paar mehr plus eben Gedanken zu dem Glas zu sehen.
  17. Hallo, tja, manchmal kommt es anders als man denkt. Nach Recherche, Bilder schauen etc. pp - ihr kennt das alle - bin ich heute nach der Arbeit losgezogen um entweder ein neues oder gebrauchtes 50er Summicron zu kaufen. Also verschiedene gebrauchte ausprobiert. Hmm, die einen wackeln, die anderen sind nicht 100% scharf. Bis auf ein silbernes gebrauchtes für rund 1800 Euro, alles nix wirklich tolles. Dann kann ich auch gleich ein Neues nehmen. Naja, dann aber immer noch ein wenig rumgeschaut und ein sehr schönes, hervorgend gehaltenes 2.8er 90er Elmarit gesehen - zefix, Fokus leicht und perfekt, bei Offenblende sehr, sehr scharf und prinzipiell ja nicht viel größer als mein 1.4 35 Zeiss (ein Traumoptik übrigens). Preis war auch sehr gut, also mitgenommen. Aber eigentlich wollte ich doch ein Summicron - da der Sauter die Leicapreisanpassung noch nicht gemacht hat, ab zum Sauter - das Leben ist nunmal manchmal teuer ... beim Sauter, dann aber doch noch das Zeiss Planar angesehen. Hmm, auch sehr schnuckig. Klein, leicht, sehr gut verarbeitet und statt 2040, halt nur etwas über 700 Euro. Also hin und her verglichen, Laptop aus dem Auto geholt und ... ich konnte keinen wirklichen Unterschied bei der Optik feststellen - und ich wollte wirklich einen sehen. Ach ne, eigentlich sollte doch das 50er ein Leica werden ... am Ende hat dann doch die Vernunft gesiegt und ich habe mich für das Planar entschieden. Sollte es mich irgendwann mal jucken, kann ich immer noch wechseln. Am Ende habe ich noch einen schönen Paketpreis bekommen und die Zeiss-Geli für das 50er und 35er auch noch dazugenommen. Und so kommts manchmal anders als man meint ... Das das Planar sehr gut ist, wusste ich schon, wirklich überrascht hat mich aber das alte 90mm 2.8er Elmarit (mit Ausziehblende) - das Ding ist eine Hammeroptik und extrem easy zu fokusieren. Wer nicht zwingend das Summicron braucht, kann hier bedenkenlos zuschlagen. Für Leicaverhältnisse ein echtes Schnäppchen. Anbei natürlich noch ein paar Bildchen die auf dem Heimweg und Zuhause mit den beiden Optiken entstanden sind, nichts weltbewegendes, aber halt die ersten ... Gruß Daniel
  18. All; I currently own a Leica M8, and have a 28mm and 50mm lens. On the M8, the 28mm is a (37mm equivalent, and the 50 is approx. a 66mm) Blah-Blah-Blah Anyway, I was thinking about a 35mm, (which would give me approx. a 46mm on the M8). I'm not looking to spend $3k on a 35mm Summicron. I've heard some good things about the Summarit and the Zeiss Biogons. The only thing about the Summarit is that the optional shade ($135.00) only screws in part of the way, as there is some sort of stop, which keeps it oriented properly since it is a rectangular shade. Now, what if I use a Cut IR on the Summarit, (which is pretty much mandatory for the M8)? Can the Optional Summarit lens shade screw into that properly, or should I just opt for a 'generic' B+W screw-in round metal shade for $25.00? You would really have to own a Summarit to know what I'm talking about. Please let me know your thoughts. Thanks, Brad
  19. I currently have a 50 summicron #11819 with convex tab focus made in Canada. Love it. But I really like the idea of a focus ring I can grab onto, especially when shooting vertically...Can someone describe their personal impressions of any or all of the following lenses? (In case it makes a difference, I shoot film still.) Leica 50 summicron (11819) Leica 50 summicron (current) Zeiss 50 planar Thanks!
  20. Hey guys, I wrote an article about using the Contax 645 lenses on the Leica S system cameras you can read it here: Using the Leica S with Contax 645 lenses
  21. I've been using a 1954 Agfa Isolette iii for a few months, same vintage as myself. I've posted a user report on my website to say why I think these old folders are a perfect carry around camera for dedicated film users. In a nutshell, these cameras are small,light, unobtrusive and pack a huge punch in image quality. Agfa are but just one of those iconic camera manufacturers from the pre-slr days of the 1950's and earlier and there are many other old cameras that are equally viable today. Link to my user report here: http://www.uklandscapephotographer.com/agfa-isolette-111/
  22. A man sits checking his cell phone whilst two Asian girls check the menu, and a man looks on checking out the girls. Taken in Budapest using the Leica M9 with Zeiss 50mm Sonnar f1.5. 1250iso 1/1500 @f4. Post-processed in LR. Gerry
  23. I've done a review of my favorite lens. You can read more here: Zeiss Planar ZM 2.0/f Review. Has anyone else had this lens and switched to Summicron? What was your reason to do so?
  24. Hi everyone, I currently use the Zeiss Planar on my M240 and I am very happy with it. However, as I came from a world of Canon with a 50mm f1.2L, I really miss the speed. The Summilux is great, but can't afford it at the moment. As such, I am becoming very interested in the Zeiss Sonnar. The more I read about it the more I feel I need to experience this lens and it's infamous Sonnar glow. I have become haunted by the look of it, and it's not a matter of 1-stop of light anymore. I played with it in a camera shop and if felt wonderful. Now, everyone says the Planar is a more all rounder than the Sonnar mainly due to the focus shift perhaps, but do you think it's a bad idea to replace the Planar with the Sonnar. Mind you, this will be my main lens for quite a while now. I have the 90 Elmarit-M as well, but not sure I will keep it. I have read the thread about the Sonnar vs Planar, so hopefully I am not repeating that. I am more concerned with "will the Sonnar be sufficient in 1 lens set up on the M240?" Many thanks!
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