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Found 174 results

  1. Hello everyone, I have a question about the dimensions of the Leica 11310 lens with the (square) hood mounted, I think the model is 12524 and/or 12526. Currently, I use a Biogon 2/35 which I love but sometimes I find the lens protrusion from camera body quite long. The lens alone protrudes 1.75" from the camera body; with the UV filter and hood mounted, it protrudes to 2.4375" (7/16) from the camera body which is fine in some situations but unwieldy in others. The hood and UV filter are used to protect from bumps. I had the chance to mount an 11310 to my camera which seems to protrude about an inch from the body but at the time the vendor did not have the hood so I had no way of even guesstimating where it would end up. Can anyone who has this lens + hood combo provide a measurement?
  2. Back in October when I bought my M10-P I also picked up a Voigtlander 50mm f1.2 but the call of the Summicron is loud and I quite fancy picking up a 50mm f2. I like the Voigtlander albeit I think it’s a bit bigger than ideal and weighty too. Wondering if a Summicron (v4 or v5) is really that ‘much better’ than the Voigtlander and if I’ll save save weight/size if I swapped over to one. Thoughts anyone?
  3. Please share your opinion - if you have used or owned both lenses or any opinion on the topic. Mostly interested in comparison of render, sharpness, bokeh, pop etc. according to you - digital sensor or film. Early reports indicated the Hexanons were inferior. According to LHSA "some Hexanon early samples were reported to have focusing discrepancies, long since resolved, and that adversely affected initial sales. The current consensus: Konica KM and Leica M lenses, even those with longer focal lengths and wider apertures, can be used interchangeably on both cameras without problems." Lots of posts ot the tiny flange difference between the cameras, but here we discuss the lens. Mr. Rockwell even went as far as comparing the build of Summicron 50 (V) to the Hexanon-M 50 side by side and they indeed look almost identical. Check the pic on his webpage under the Hexanon topic. I have recently acquired a Hexanon-M 50/2 (photographed below on my M) and it is a stellar performer, slightly better wide open (especially corners) compared to Summicron M 50/2 (IV) in all the tests I did. YMMV.
  4. I keep hearing good things about the Leica 40mm f2 Summicron. (also read Minolta Rokkor option). Just wondering if it’s as good as the reviews appear to be. Currently have a Nokton 35mm 1.4 & a 50mm 1.2 Nokton. The 50mm is a great lens but quite big and the 35 1.4 is a bit of a so and so for vignetting. Wondering if the 40mm f2 would cut the mustard on my M6/M10 combination.
  5. This advert is COMPLETED!

    • For Sale
    • Used

    Das Objektiv befindet sich in einem ausgezeichneten Zustand und ist voll funktionsfähig. Es ist frei von Schimmel oder Staub, die Mechanik läuft weich. Im Kaufpreis enthalten sind das Objektiv, Front- & Rückdeckel und Original-Lederköcher. Der Versand erfolgt versichert mit DHL. PayPal ist möglich, allerdings trägt der Käufer die Gebühren. Bei Fragen gern mailen.

    870.00 EUR

  6. This advert is COMPLETED!

    • For Sale
    • Used

    For sale is a Leica Apo-Summicron-SL 75mm f/2 asph in pristine condition. It comes in all its splendor with both caps and sunhood, the original packaging, and a Cokin Pure Harmonie ultra thin filter. The lens was originally bought in March 2018, so there are four months of warranty left.

    3,575.00 EUR

  7. Hi everybody, I'm texting cause I need your help and wisdom. I've noticed that on my Summicron 35mm f2 (made Canada) when I turn the focus ring to the closest distance possible the ring doesn't stop exactly at 0,7m but goes beyond, while instead when turned to the farther distance possible it perfectly stops at infinte symbol. I wonder if this could affect the focusing. Is it normal and common on every Cron? Thanks to all of those who will help me )
  8. Hello All. I have a Summicron 28mm 2.0 Aspherical Lens. The model on the lens is "4068358" Does anyone have info about this specific version? Thanks, Michael
  9. Hi, I have a 50mm summicron on an m4 body for film and was looking to pickup a digital body and adapter to use the lens on, I’m looking at the Fuji xpro 1 as it’s available cheaply and the form factor looks similar to my M4. Has anybody used an xpro with Leica m lens’s and if so how did they find the experience ? I’m not overly concerned about image quality as to be honest all digital raw files are easy to manipulate/work with. Other than the xpro there is the Sony Alpha range. Any info on this topic would be great, I have read through the topics on here but wanted an up to date assessment of the idea. thanks !
  10. This advert is COMPLETED!

    • For Sale
    • Used

    LEICA M7 (0.72 VF) BODY #3328314 in a set with Leica Summicron 50mm f2-M 6-Bit #4037804. BEAUTIFUL CONDITION BOXED & COMPLETE I’m offering for sale my Leica M7 (0.72 VF) #3328314 in the starter set with a Leica Summicron 50mm f2 -M 6-Bit #4037804 set, bought from Red Dot Cameras London. I was using this regularly, along with a number of other film bodies I have as I am a bit of a collector. I mainly shoot digital but I still run a film through it regularly just to make sure it is working well. This is a wonderful camera to use and the lens is perfect. The camera comes complete with all original packaging, an unused camera strap, manual and body cap and a battery which I have not left inside the camera. The camera is in beautiful condition with just a little bit of brass rubbing, the lens has a little cosmetic rubbing on the rim as may be seen in the photograph but the glass itself is perfect. I hope the images attest to the condition of the camera and speak for themselves. I have more photos of the camera and lens if you want to see the condition of them - the advert limits how many photos I can post. Priced at £2300 GBP. Bank transfer or cash on collection from my SW London UK home (in Wandsworth). Alternatively the camera will be packaged very securely and postage will be charged extra at cost. Please do not hesitate to contact me if you have any questions. Regards, Victoria

    NO VALUE SPECIFIED

  11. Hello, I'm new to the forum and hope to get some help from all your combined years of expertise. I want to buy my first 50mm, have a 35mm Summilux on the M-10P. After obsessive days of research I've settled on the rigid 50mm Summicron because I want to make pictures with a softer look. This would be my first time buying used on ebay so I'm being cautious. The seller is LeitzUSA, anyone have experience with them? LeitzUSA says the original owner purchased the lens brand new in 1975, serial # 245XXX. According to a chart on Ken Rockwell's site the Summicron f/2 Rigid was in production 1956 - 1968. Just wondering about the difference of 7 years from end of production till the purchase year. Does that seem likely? Is this the real deal or a later version? It is supposed to come with cards, hood in original box. Thank you in advance!
  12. Hello, I'm wondering if someone uses this lens on Leica Monochrom and can give me some advice. I was not happy with my Summicron 50mm collabsible on my Monochrom because of blury pics in the center. For those who wonder the front lens is in perfect condition. So I send it to Leica Service in Wetzlar. The repair would cost 520€. Now I'm wondering if someone can give me some example pictures of this lesns (in better shape) on the Monochrom, so that I can decide if I'll invest this amount of mony or if I save it for a later version of the Summicron. Thanks!
  13. I have ordered a black Leica M10 and have not received it yet. I also got a 2nd hand previous version 28mm summicron ASPH. I have read a lot of reviews that suggest this lens might have some issues with digital sensors like corner softness wide open. http://macfilos.com/photo/2016/5/24/leica-28mm-f2-summicron-asph-a-comparative-test This article by Jonathan Slack mentions that due to the presence of a special micro-lens design, special firmware profiles and a thinner cover glass over sensor in the M240, the performance of this lens with the newer iteration with M240 is very similar. I am not sure if this is the same with M10 or not. I wanted to know if any of you who have already received their M10, have tried it with this version of 28mm? Could you please provide your feed back on the same? Thanks in advance!
  14. This topic of 90mm lenses have been discussed many times I know. But I thought I should contribute too, with my own post and some findings. With my quest to get a Leica mount portrait lens for my Sony A7ii camera, I visited red dot cameras in London. I tried various lenses as below 1) 80 Lux-R (similar to 75 lux it is said) 2) 100/2.8 APO-R 3) 90 elmarit-m 4) 90 Summicron-m (non APO) 5) 90/4 macro elmar m I attach a collage of pictures (raw, unprocessed) made with maximum aperture of each lens, except number 2. Unfortunately, I did not like elmarit, you can see why from the attached picture. It feels too warm to me (bottom left). For me, I think the top left (80-lux) and top right (90 cron, non APO) have the best rendition; Lux for its dreamy magical look and the non APO for being very pleasant with good skin tones. macro elmar m (bottom right) is good too, but it won't achieve much separation with f4 over cron. I know this is a very limited set-up and these lenses will work differently outdoors. What do people think based on my attachment?
  15. Hey, I went to Vietnam this summer and shot a series that was among other featured on the leica camera blog. You can check that out here: http://blog.leica-camera.com/2016/09/25/lounging-in-vietnam/ But of course I shot a lot more than just those few images in the series! So I still had a ton of photos from my trip to Vietnam buried in Lightroom. I haven’t posted any of them anywhere because I couldn’t really figure out how to arrange them in a story that would make any sense. Also most of these photos are a tad too touristy for my taste. But since I still really like them and can’t stand the thought of never showing them I decided to split them up into a couple of smaller sets and post them on my blog - of course fully aware that tumblr is pretty much dead these days. But hey, any place is better than the depths of my hard drive. All photo are taken with a Leica M6 and the 35mm Summicron IV on Kodak Portra 160 or 400. You can find some of the photo already on my blog and I will keep updating over the next few days. Blog: http://lifeon35.tumblr.com/
  16. Shot this with my then newly acquired yet lovely beat up M6 classic. Expired Konica film and 50 cron. Walked into a tailor shop and snapped one of his creations. Something about this capture that works for me.
  17. Hello I have just taken ownership of an M9 and a Summicron 50mm f/2. I love the atmosphere and colour range of the first pictures but suspect that the sharpness of the focused area are below expectation for this wonderful lens. This is only noticeable at 100% crop. I find the outlines soft compared to examples I have found online and in print. I am aware of focus shift but just wanted to know how I should test if the lens is performing at optimum. I don't think I can share large images on this forum. Where should I look and who should I speak to? Any suggestions very welcome. Thanks William
  18. - Really, she did not make you breakfast? - yeah...
  19. Better take a selfie by Robert Michael Poole, on Flickr Manchester Leica m9 50mm Summicron
  20. So, I've finally decided to dip my toe in the Leica pool. A long-time Pentax user who started with digital, then began to use film more (with an MX and and P30N). An M6 could be in the longer-term, but I want to learn and experience the meter-less world first. With exceptions allowed for family and event photos, I'm aiming for a 'one-camera, one-lens' project next year to teach myself some of the basics I've probably skipped over in the past. I've seen a good oppotunituy for a 'User' grade M3 or, for 200 GBP more, an 'Exc+' M4. My question is whether there is really better value in getting an 'Exc+' over a 'User' given my circumstance. I'm assuming the issue is really the lens, and whilst everyone seems to say 'Summicron 50mm' - can anyone explain the difference between 'rigid' and ottherwise? And which should I go for as a first time RF user. many thanks
  21. Eine kleine Auswahl von Bildern aus einer relativ großen Serie die während eines kurzen Trips in die Türkei entstanden ist. Die ganze Serie gibts hier: http://www.philippwortmann.com/istanbul 35mm Kodak Portra 400 - Leica M6 & 35mm Summicron IV lens - gescannt mit Kodak Pakon 135+
  22. This is a small selection of photographs from a series I shot in Istanbul and Bursa during short trip to Turkey. You can check the full series out on my site: http://www.philippwortmann.com/istanbul Or follow me on one of my social media things, down below. All shot on 35mm Kodak Portra 400 with a Leica M6 & 35mm Summicron IV lens. Scanned by myself with a Pakon 135+
  23. Hi Guys, Am fairly new to Leica (6 months in) and I would like to seek your advice on which 35mm lens to get. I currently use a M240 body with a 60mm F1.2 Konica Hexanon and a 50mm Summicron APO. I am looking to add a 35mm lens to compliment my existing collection (and will be looking at add a 28mm Elmarit when the new one releases end of the month). I am considering the follow: 35 Summilux Pre-ASPH 35 Summicron Pre-ASPH Version 1 35 Summicron Pre-ASPH Version 4 35 Summicron ASPH (2016 edition) After doing some extensive research, I feel like the 3 Pre-ASPH lens may be a better compliment as it is softer / has more of a leica glow (since my 50mm APO and the 28mm Elmarit are both bitingly sharp)? I was originally going to just get a 28 and 50 and NOT the 35 since it seems to be too close to the other 2 focal lengths, so I am now thinking maybe getting something with more of a unique characteristic). Just wondering what all your thoughts are and why you think so? Your kind assistance is very much appreciated. Thank you. Best Regards, J
  24. A couple photographs of Point Reyes Lighthouse on Kodak Tri-X 400. Leica M6 & 35mm Summicron IV plus yellow filter
  25. Hi Guys, I am a restaurant operator and I love shooting food when I visit nice restaurants, and I would like to seek your advice regarding taking food shots with a Leica M. I currently use my Nikon D800 + a 50mm F2 Zeiss Makro-Planar to shoot when I go to a restaurant (please note I visit them as a diner, not a paid photographer). However, I would like to explore the capability of taking food photos with my Leica M. I currently own an M240 along with a 50mm APO Summicron lens, a 35mm 8-element Summicron lens, and a 60mm F1.2 Konica Hexanon lens (however I would like to use my 50APO in this scenario due to its sharpness. The 50APO has a 0.7m minimal focusing distance, which is not close enough if I wish to shoot say a piece of sushi. My current setup with the 50mm Zeiss macro lens enables me to get as close as 0.3m to the subject. Furthermore, in a nice restaurant, even with a longer lens, it is rude to move all the way backwards (say a 100mm macro lens) to shoot my food, also a reason I went with a 50mm macro. So I am just wondering whether a macro adapter would help solve my problem. I heard from a friend that with an adaptor, I can only shoot within a particular range from the subject (say for example only from 0.3 to 0.4m from the subject), but this really limits what kind of food I shoot (say a small piece like a sushi, or a large plate of pasta). So I would really appreciate if someone who has experience in this area can help me out. Since I would wish to continue using my 50APO, would a macro adaptor help? And in what range (distance wise) would I be able to shoot if I added an adaptor? Also someone suggested I could also consider using my Zeiss (Nikon mount) on my Leica M with an adaptor, would that work? Would it impact the quality of the photo? Ideally I would wish to use my 50APO on my M to shoot food as I spent quite a lot on this lens and body. Appreciate if someone can help me out. Thanks and regards, J
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