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Found 8 results

  1. Hello everyone, here's my review of the new Carl Zeiss Contax G Planar 35mm f/2 FUNLEADER conversion to Leica M. This is my first review here so I am not used to the technicalities of posting, please forgive me if I readjust things after I post. FUNLEADER Contax G35 to Leica M Conversions I have included the 7artisans 35mm f/1.4 M and the Voigtlander VM 40mm f/1.2, the only lenses in the 35mm zone I own. Disclaimers: 1. none of the lens makers / converters have been involved in these tests and I have personally purchased all 3 lenses, none of them have been pro
  2. very cool https://gross.is/super70/
  3. Hi everyone. Recently purchased an MM1, in love with the flexibility of the files. I shoot 95% black and white, and this camera let’s me focus on my favorite images. I got a potential trade in deal for an M10, and am attracted by the newer architecture, features, and reliability. I’m planning on going for it, but I want to find out if the M10 can still make great monochrome images. Can the M10 files match - or even surpass - those of the MM1? I’m happy to learn whatever PP is needed to make this happen.
  4. Anybody any experience with this. The Coolscan NEF codec is different from the NEF codec used in the Nikon DSLRs. Since I have a large number of scans in this format I would like to find a application for conversion. The Coolscan software does not run properly under windows 7 (there is my reason!).
  5. In digital I always shoot RAW For B&W I used to use analog. Now I'm trying to get good (even better) B&W result with digital. I like the B&W setting on the DLUX5, because I can see and check my pictures in B&W on the screen, but I'm puzzled about developing the RAW images. When I open the RAW they are yellow and it is often very hard to get even the same result as the camera B&W jpeg. Can somebody enlighten me? Is there any advantage in shooting B&W RAW over normal color RAW?
  6. Hi Everyone I have a query about the aperture settings on the modern 'O' Serie replica camera produced by Leica. I've considered putting a VOOLA aperture control ring on the front of the camera with a FISON hood, or possibly a suitable push on filter, when out and about, to allow easier adjustment of the aperture lever on the front of the lens. I know this works as I have transferred the VOOLA + FISON from my 3,5 Elmar to test. Using some sort of aperture control on the 'O' Serie is useful as otherwise the aperture lever is quite tricky to adjust as it is nearly flush with the
  7. First time post, be gentle. I want to bring my raw files from Monochrom into silver efex. SEP. But it will only accept RGB. Will this lead to loss of quality ? When I scan my black and white negs I do so in greyscale and that’s perfect for printing to black and white paper at Metro. It seems to defeat the object of the Monochrom if I have to convert to RGB ? Am I missing a trick ? What say you ?
  8. Wondering what the Q gang out there are using as your own b/w RAW conversion workflow on the Q. Not jpeg monochrome settings. Straight RAW DNG files from color to bw. If you could share, would be great - custom profiles included. I know a lot of this is personal taste, still, would be great to hear your "how" an "why"... I do own a Q, and prefer not to spend a lot of time in post. I find the RAW files incredible with really no need to do much in post other than a little boost or minus here and there while staying with color …bw another story. Seems a little crunchy to me at first
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