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Found 85 results

  1. rpoppes

    L1010511

    CL + 50mm 1.5 Voigtländer

    © Rudi Poppes

  2. rpoppes

    L1010486 1

    CL + 50mm 1.5 Voigtländer

    © Rudi Poppes

  3. rpoppes

    L1010348.jpg

    © Rudi Poppes

  4. Iceland's basaltic rocks, shaped by the power of the weather, feature incredible shapes: this is Gatklettur under the storm, a black & white image created in Iceland during a Workshop I led there in February 2018. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest Ultra filters. Thank you for viewing, best regards Vieri
  5. schattenundlicht

    War Cemetary in Peacetime

    War Cemetary „Lohrer Wald“ (49°50'21.52"N; 7°49'38.21“E / 32U 415678 5521508) Tucked away in the midst of an untroubled woodland, there is one of the numerous war cemetaries bestowed upon Europe by the savagery of WW II, summoned up by Nazi Germany. This is the final resting place of more than 2.000 bodies gathered from temporary graves at battlefields and POW camps in the vicinity. The serenity of the surroundings is in stark contrast to the circumstances under which those who lie here must have perished. It is almost as if the generation of survivors wanted to hide their sorrow and guilt in the dense patch of forest. The caption of the memorial plaque in the entrance hall translates „You who were sacrificed no longer see the sun and the stars, but you live in the hearts of those who believe“. This is a somewhat ambiguous statement, to be found in a number of German war cemeteries built in the early 1950ies, when coming to terms with the atrocities of the recent past was still a work in in progress, and the private and public sentiment oscillated between denial and shame. The fact that this cemetary contains the remnants of predominantly German soldiers, prisoners of war and civilians is not my point here. As in a previous post (https://www.l-camera-forum.com/topic/257654-black-and-white-image-thread/?p=3490492) I explicitely dissociate myself from any attempts at historic revisionism, relativism or exculpation. The point is, that this graveyard contains lost lives, many of them cut short in their teens. Their heritage to us should be an obligation towards peace and a comittment to civilization. [All images in this thread taken with M10 + Heliar 10mm & M9 + Elmarit 28mm asph]
  6. gfweir

    Ten Sleep Canyon, Wyoming

    From the album: GFW_IG

    © © George Weir, 2018

  7. gfweir

    heather meadows

    From the album: GFW_IG

    © © George Weir, 2018

  8. gfweir

    Straight of Juan de Fuca

    From the album: GFW_IG

    © © George Weir, 2018

  9. gfweir

    Sol Duc River, WA

    From the album: GFW_IG

    © © George Weir, 2018

  10. From the album: GFW_IG

    © © George Weir, 2018

  11. gfweir

    New York Sunrise

    From the album: GFW_IG

    © © George Weir, 2018

  12. Drummerman

    Alone

    01000588-01 by Ro Akert, on Flickr
  13. anachronist

    Relaxing in the sun

    From the album: My posts

    Summicron 50 (IV) on Leica M9, converted from DNG

    © yes

  14. I will be off to teach my spring Workshops tomorrow, got 5 of them lined up and probably be off forum for one and a half month or so. Before going away, enjoy Playa de Portizuelo in black & white, a long exposure taken during the Workshop I led in Asturias last fall. Leica SL, Leica Vario-Elmarit-SL 24-90mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  15. pridbor

    My very First Photos with a M7

    It took me almost 6 weeks before I finally got my first M7 film developed, moved from Switzerland back to the US, and had it done by a Lab in California. I'm quite frankly disappointed, seems excessively grainy, and have no clue what I did wrong. I used a 35mm Summicron, and an Ilford HP5 Plus 400 ISO Film. I also had the ISO wheel on dx (automatic detection?) It is my very first experience with a M Camera, I have owned R3 and now R4 since 1976; My recent, 4 months, experience with my R4 and B&W went quite well I think. So I'm looking for help, I really need it, it seems like; I would have expected at least a few of the 36 Photos to have been really sharp and to my liking :-( Thanks in advance Preben
  16. digrassi

    tired dog

    From the album: allpics

    Dog behind window

    © digrassi

  17. digrassi

    Leica M

    From the album: allpics

    © digrassi

  18. gwpics

    Boss

    Leica M7 + 35mm Summarit f2.5. Kodak Tri-X commercially processed. LRCC. Portsmouth, England 2017 Gerry
  19. Scenes from The Racetrack, a 12 minutes exposure taken in Death Valley during one of the Workshops I led there last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  20. While I love the big vistas, I also like to go looking into smaller detail. There is beauty and landscapes to be found there too. The Footprint, taken at Mesquite Dunes during one of my Workshops in Death Valley last January. Leica S (Typ 007), Leica Vario-Elmar-S 30-90mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  21. Perspektivenwechsel

    Ein minimaler Schritt...

  22. gwpics

    Hurry Up! version 2

    I have reworked this image from an original colour posting I made back in November 2016. I prefer this version. Taken with a Leica M9 and 35mm Summarit @400iso whilst on a LFI workshop with Craig Semetko in Hamburg. Gerry
  23. Hello All, I started this thread with the aim to collect the most exciting portraits in black & white taken on the streets. I will start with one taken this summer in Sardinia, Italy. Please comment and feel free to add yours. Cheers, Massimo Let me take a shot by Massimo Della Valle, su Flickr
  24. gwpics

    Watching the Artist

    Taken in the Soho area of London in 1999 and just discovered whilst trawling through my negatives. It would have been Leica M6 and is Tri-X. Gerry
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