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  1. A pedestrian bridge near my work after some overnight rain: TL2/18-56 mm
  2. I love the drama of storm clouds. All pics taken with TL2/18-56 mm combo.
  3. I have just posted a new blog post at https://gerrywalden.wordpress.com/2016/09/05/just-one-roll-of-film/ which sabot a roll of film I shot in 2003 using a Leica M6 and (I think) a Summicron f2. It features 9 images in mono of a Mela in Southampton. Please take a look. Gerry
  4. Still playing around with Canon LTM 50 f1/2 lens on my M9. Not super sharp, but I do like the shallow depth of field. Saludos, S
  5. Hi all! I just released a small guide to the settings I use mainly for concerts. My goal were high contrast black&white pictures straight out of the camera. Enjoy: http://mennigmann.com/photo/2016/01/d-lux-old-school-bw-photography-settings-guide/ Comments appreciated! Best, Marc
  6. Hallo Forum! Ich habe mal eine kleine Anleitung geschrieben, für die Settings, die ich bei meiner D-Lux am liebsten verwende. Intention war es, brauchbare schwarzweiß Fotos direkt aus der Kamera zu bekommen. Ich nutze diese Einstellungen gerne für alle Bereiche, hauptsächlich aber bei Konzerten oder Portraits. Enjoy - in English: http://mennigmann.com/photo/2016/01/d-lux-old-school-bw-photography-settings-guide/ Gruß, Marc
  7. Hey guys! I just developed my first film at home. Tri X 400 at 1600. Shot on my M6 with a 35 Summicron and Yellow Filter. This is my go to setup. Today I tried do develop my first role at home with the following recipe: -18:30 in Rodinal 1+50 at 19°C/68°F -Agitate 30 seconds initially, then 2 inversions every 2 minutes -Rinse/stop with 19°C/68°F water for 1 minute -Adox Adofix 1+9 fixer for 4.5 minutes -1 min wash -Adox Adoflo 35 seconds with distilled water -hang to dry Bye the way, I know Rodinal is probably the most inappropriate developer one can use for pushing tri
  8. Bigger > https://msvphoto.wordpress.com/2015/06/17/city-sickness-287/ M9, 35'cron
  9. Royal Palace & River Targus in Aranjuez. Given a platinum treatment in Perfect Effects 9 B&W module. M240, Elmarit-M ASPH 28mm.
  10. For some reason, after setting jpeg saturation settings to monochrome on my Q, it's not coming up on the Live View/EVF in b/w. Just color. After a capture, it is b/w on display. This was not the case until now. Not sure why. I have tried this with removing/reinserting the battery in case it's that ol' fix-a-bug gestalt. Did not work. Changed focus settings -as I read this may happen on tracking focus - never use it - just normal single point -- and again, only color. ISO at 3200. Any ideas?
  11. Film noob here. I've only shot digital so far and this is my first roll of developed negatives. I used Tri-X 400 in my M6, developed in New55 Monobath and scanned with a flatbed scanner; Canon 9000F II. I'm just not happy. I think (though I don't know) that it's a combination of lots of grain but mostly the scan is just "not quite sharp" not quite in focus. I scanned both using the film holders, and then going against the glass, and got better results against the glass with no holder. I'm also guessing that the Monobath developing is pretty grain-enhancing....true? In an
  12. Bigger > https://msvphoto.wordpress.com/2015/05/01/its-the-end-of-the-world-as-we-know-it/ M9, 35'cron
  13. Bigger > https://msvphoto.wordpress.com/2015/05/15/symptom-of-the-universe-0055/ M9, 35'cron
  14. Bigger > https://msvphoto.wordpress.com/2015/05/04/symptom-of-the-universe-0053/ M9, 35'cron
  15. Bigger > https://msvphoto.wordpress.com/2015/05/07/boundless-prayer-ph/ M9, 35'cron
  16. Bigger > https://msvphoto.wordpress.com/2015/05/18/dont-you-forget-about-me/ M9, 35'cron
  17. Bigger > https://msvphoto.wordpress.com/2015/05/25/going-inside/ M9, 35'cron
  18. Bigger > https://msvphoto.wordpress.com/2015/05/12/nightmare-no-61/ M9, 35'cron
  19. MSV

    Dream #86

    Bigger > https://msvphoto.wordpress.com/2015/05/19/dream-no-lxxxvi/ M9, 35'cron
  20. This was taken in the downtown area of Southampton where I had been photographing in the small street market. I was about to get back into the car when I turned and saw this scene. The image really is a quick 'grab' shot without reseting anything. It is from June 2019, don't be fooled by the 2015 on the caption which is the film number. Leica M7 and Tri-X film commercially processed.
  21. Kushinagar - India, Paranirvana Stupa, which commemorates the place where Buddha Shakyamuni died. Families come to cover the lying Buddha with robes. This was one of those circumstances where I felt compelled to lower the camera and just live in the moment. Leica CL + 18-56
  22. From the album: Lensocrat

    © Copyrights: Rajesh Gupta , the Lensocrat

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