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Found 22 results

  1. Sunset in Badwater, a 2-minutes exposure taken in Death Valley (CA), USA, during a workshop I led there last winter. Leica M10, Voigtlander 15mm Super-Wide Heliar, filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  2. A burning sunset sky over the Racetrack, a 20-seconds exposure taken in amazing Death Valley (CA), USA, during a workshop I led there last winter. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  3. Scenes from The Racetrack, a 12 minutes exposure taken in Death Valley during one of the Workshops I led there last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  4. A Racetrack Sunset, taken during one of my Workshops for three participants only in Death Valley last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  5. While I love the big vistas, I also like to go looking into smaller detail. There is beauty and landscapes to be found there too. The Footprint, taken at Mesquite Dunes during one of my Workshops in Death Valley last January. Leica S (Typ 007), Leica Vario-Elmar-S 30-90mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  6. Sunrise at Zabriskie Point, taken in Death Valley during one of the Workshops I led there last January. Leica S (007), Leica Vario-Elmar-S 30-90mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  7. A Badwater sunset, taken during one of the Workshops I led in Death Valley last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards, Vieri
  8. Dusk over Mesquite Dunes, taken in Death Valley during one of my Workshops there last January with a Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  9. Sunrise at Zabriskie Point, a 4 minutes exposure taken during one of my Workshops in Death Valley last January with the Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  10. A stormy sunrise in Badwater, taken during one of my Death Valley Workshops last January. With the Leica S (007), Leica Super-Elmar-S 24mm and Formatt-Hitech FIrecrest Filters. Thank you for viewing, best regards Vieri
  11. A serene Racetrack sunset, taken during my Workshop in Death Valley in winter 2017. Leica S (007), Leica Vario-Elmar-S 30-90mm at 35mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  12. Badwater, in Death Valley, and its amazing salt polygons are a sight to behold and offer never ending inspiration for different compositions. Leica SL, Voigtlander 15mm v. III, Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  13. Beautiful Mesquite Dunes, in Death Valley (USA), are always a great source of inspiration for me and lend themselves to long exposure abstract images perfectly. Leica SL, Voigtlander 15mm, Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  14. "The end of the line", shot in Death Valley (USA) with the Leica S and Summarit-S 35mm. The drive to the Racetrack can be a bit taxing, especially if you don't have the right car for it, but it definitely worth it: such an amazing place, not to be missed! Thanks for viewing, best regards Vieri
  15. An amazing pastel cloudy sky over Manly Beacon, at Zabriskie Point in Death Valley NP, just before sunrise. With the Leica SL and the Voigtlander 15mm v. III. Thanks for viewing, best regards Vieri
  16. This winter in Death Valley I was lucky to get two (!) rainstorms in a few days. When it rains on some of the driest landscapes on Earth, the landscape change in ways unimaginable when you see it dry: here you can see Cottonball Marsh turned into a spectacular lake at sunset. Leica SL (Typ 601) and Voigtlander 15mm. Thanks for viewing, best regards Vieri
  17. I love Badwater in Death Valley: it's an extraordinary location, its landscapes are ever changing and with a sunset storm the light there becomes really magic. Leica S (Typ 007), Leica Vario-Elmar-S 30-90mm. Thanks for viewing, best regards Vieri
  18. The Racetrack, in Death Valley, where the stones travel by themselves, is an incredible location. The long off-road drive to get there is definitely worth it: seeing and photographing these stones with their trails is magic, every time. Leica SL (Typ 601) and Voigtlander 15mm. Thank you for viewing, best regards Vieri
  19. "Badwater, IV" from Death Valley, USA. Leica SL, Voigtlander 15mm v. III. Thanks for viewing, best Vieri
  20. Zabriskie Point is one of Death Valley's most famous spots; here's Manley Beacon's ridge just after sunrise under a stormy sky. With the Leica M-P (Typ 240) and the 35mm Summilux FLE. Best, Vieri
  21. Death Valley in September 2014, Leica M6 - 35mm Summicron IV - Portra 160 I was positively suprised about how much there is to see and do. southwest_-55 by derphilipppp, on Flickr southwest_-60 by derphilipppp, on Flickr southwest_-57 by derphilipppp, on Flickr southwest_-58 by derphilipppp, on Flickr
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