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Hi - I'm new here so please forgive me if I'm missing something / not following protocol but... Does anyone know the best way to encourage Leica to facilitate shooting video (I should have stressed this!) in Blackmagic RAW (BRAW) on the SL3-S? Or does anyone have any news / views on this / the likelihood of it happening? Thank you!
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The original manual of the SL mentions menu settings for focus aid and subsequent assigning magnification to BL button (joystick) with toggle to 4 and 6 times. However on my Leica SL, after the latest firmware upgrade, this function is no longer available in this particular menu. Have I gone crazy or has this function indeed moved to another submenu?
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Hallo erstmal, ich habe ein Problem mit Farben der DNG-Files in Lightroom und Capture One. Zurzeit habe ich eine Teststellung einer Leica SL (FW 3.3) mit dem 24-90mm und dem 50mm/1.4. Letzte Woche hatte ich Outdoor das erste Probe-Shooting. Unabhängig von der tollen Handhabung und allem anderen an der Kamera, war ich doch etwas überrascht, als ich mir die Bilder später in Lightroom (neueste Version LR Classic 2019) anschaute. Die JPEGS-Files klasse. Vom Farbtone sehr nah am Original (zumindest was mein Auge sah). In der Kamera alles auf Standardwerte gelassen. soweit so gut. Die RAW-Files (DNG). Alle einen leichten aber sehr auffälligen und unnatürlichen Farbstich ins Rot/Orange. Die (Leica) DNG habe ich direkt nach LR importiert, also keine Umwandlung in Adobe-DNG. Kein Filter oder anderes als das Adobe-Standard Preset. Geschaut ob es ein Leica-Kamera Preset gibt, wie z.B. bei Nikon oder Olympus. Gibt es nicht. Das Bild mal in Capture One überprüft. Selbes Phänomen. Wieder Farbstich beim DNG. Gut jetzt könnte ich selber nach regeln, aber es ist schon sehr auffällig, wie unnatürlich das RAW/DNG gegenüber den JPEG aussieht. Kenn ich von anderen Kamera her nicht. Wir haben ca. 500 Bilder an diesem Tag gemacht. Ist bei fast allen Bildern, das selbe Phänomen. Egal ob nun mit Schal um den Hals herum oder nicht. Auch der Weiss-Abglich stimmte m.E., denn die JPEGS sehen ja alle sehr harmonisch aus. Das Model ist eher der blasse Typ gewesen, aber nicht mit diesen oranger Teint, wie auf dem DNG. Nun habe ich schon mal in anderen Foren gesucht, und was über Color Problem bei den DNGs aus der Leica Q und S gelesen. Ist das hier das selbe Problem? Oder muss ich mich umstellen, dass alle Leica RAWs (DNG) einfach einen leichten Farbstich haben? Ich wollte eigentlich ein neues System kaufen, wo ich nicht erstmal auf Fehlersuche gehen muss. Oder gibt es einen Tipp von Euch, wo mein Denkfehler ist? Danke schon mal und viele Grüße aus dem Norden P.S. Die Beispielbilder sind unbearbeitet, auch nichts an der Helligkeit/Kontrast etc. geändert.
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Hi All SL-users! I have had my SL for some months and used mostly M-R lenses with the adapers and the 24-90 Zoom which covers most situations. The system is heavy, but once you get used to it, -you start wondering why not use lenses of your 645 cameras:)? I have the Contax 645 lenses and wonder if anyone has found suitable adapter to use these on the SL - even if the AF and some other functions might be lost? Some time back there were still companies which made tailor-made adapters, but I have learned that we are maybe past those times?;) However, there are individuals who are keen to solve problems and I remember someone making an AF-unit of Nikon's 16A-teleconverter, which was not that difficult after all... Even the Photokina exhibition might have revealed something on this front? So, -please, share any of your experience and of this topic? if there are any:)? br Hans
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A couple of days ago, during the Workshop I am leading here in Asturias, we were talking about Tuscany and its amazing landscapes: I immediately started thinking about the beauty of this land in the fall, and realised once more that I can't wait to be back there very soon! This is Val d'Orcia, photographed during a Workshop I led there in November 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
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A trip through the Democratic Republic of Congo Leica SL + Summilux M 21mm f/1.4 + Summicron M 90mm f2 https://www.signsofafrica.com/latest.html 1. Barge on the River Congo 21mm
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Sunset at the Fairy Pools, on the Isle of Skye in Scotland, taken during one of my 2017 Workshops on the Isle. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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When i need some silence and i do have time i sometimes go to the Bibliotheca augusta also known as the Herzog August Bibliothek... The library was founded by in 1572 and in the 17th century it was the largest library north of the alps (Germany, Wolfenbüttel). The library is one of the oldest in the world to have never suffered loss to its collection, a very special place. Notable librarians have included Gottfried Wilhelm Leibniz and Gotthold Ephraim Lessing.... SL with 28mm Lux 5 sec ISO 100 f16
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The Old Man of Storr and Loch Fada, a long exposure at sunrise taken on the Isle of Skye in Scotland during one of the Workshops I led on the Isle this last spring. Leica SL, Leica Vario-Elmarit-SL 24-90mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Sunrise at Quiraing on the Isle of Skye, last March during one of my Workshops on the Isle. Quiraing is a really enchanted place, where trees even grow horizontally out of hillsides Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Jetty, in Dorset. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest Filters. Thanks for viewing, best regards Vieri
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Sunrise at Zabriskie Point, a 4 minutes exposure taken during one of my Workshops in Death Valley last January with the Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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A wonderful long exposure (3' 20") sunrise in the Valli di Comacchio, in Italy, taken during my Leica Akademie Italy Workshop there last year. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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I am curious to learn if anyone else is having problems with the Leica SL when shooting moving subjects. When shooting a moving subject, like a dog coming towards the camera, the Focus Point (green rectangle in viewfinder) jumps around and does not stick to the subject - it is almost like the Focus Mode is set to “Face Detection” (which it is not). If I continue to hold the shutter release half way down, & slightly recompose the image, the Focus Point tries to stay on the spot that it originally focused upon. Is there a way to set up the Auto Focus so that the Focus Frame/Point stays on the selected moving subject, rather than it jumping around the frame sporadically? Here are the camera settings I started with, though I have experimented with changing all of them. The problem is not quite as bad using the Single Focus Mode rather than the Continuous Mode. Focus Mode: Auto Focus Continuous (or Single Focus) Drive Mode: Continuous Medium Auto Focus Field Size: “Field” (or single point or zone) Auto Focus Mode: Dynamic (Tracking) Thanks, Mark Weidman
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Vernazza at sunrise, taken during a Workshop I led in Le Cinque Terre (Italy) in Spring 2017. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
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A serene sunset at Talisker Bay, taken on during one of the Workshops I led on the Isle of Skye in Scotland last spring. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Best regards, Vieri
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Loch Fada and the Old Man of Storr at sunrise, taken on an exceptionally still morning during one of the Workshops I led on the Isle of Skye in Scotland last spring. Leica SL, Leica Vario-Elmarit-SL and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Reynisfjara's iconic sea stacks at Sunrise, taken in Iceland during a Workshop I led there in February. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
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For my Fine Art Landscape work, I find ultra-wide-angle lenses to be wonderful creative tools because of the different “view of the world” they provide: see in this Venus Optics Laowa 12mm f/2.8 Zero-D in-depth review my thoughts about this relatively new and promising addition to the ultra-wide pool, and about its place in a Fine Art Landscape photographer’s bag. https://vieribottazzini.com/2018/05/venus-optics-laowa-12mm-f-2-8-zero-d-in-depth-review.html Thank you for reading, best regards, Vieri