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Showing results for tags 'leica m6'.
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I found humour in 4th juxtaposition of the very thin person and the billboard for oversized clothing (Southampton, England). Leica M6 + 50mm Summicron F2. Kodak Portra 400CN film. Taken in 2002. Gerry
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Todd, Springer Spaniel Leica M6 50mm Summicron Ilford HP5
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Because of the covid-19 lockdown I am unable to go out on to the streets to photograph, not that there are any people around. I am therefore still working through my archives, and came across this image from Paris in 2002. Taken with a Leica M6, 50mm Summicron f2 and using Kodak T400CN film (which I used to love!). I hope you like it. I have also been revamping my web site using Adobe Portfolio, which is part of the Lightroom/Photoshop package, and like the results so far, although it is a work in progress. Take a look here Gerry
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From the archives - Brittany, France. Leica M6 + 50mm Summicron f2. Film is Kodak T400CN commercially processed. Gerry
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When I was a young child my summers were spent walking the 600 or so metres from my home to the nearby river to play in its clear waters. Now close on 70 years later this image reminds me so much of those happy days. That is the power of photography. Leica M6 + 50mm Summicron f2 - Kodak T400CN film - ©1997 Gerry
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Paris has always been a special place for street photography for me and, although I haven't been there for far too long, I try and emulate the work of its' great photographers such as HC-B, Robert Doisneau and (dare I say) Peter Turnley. For me it is like fishing on a great trout stream in that you are always bound to have a good catch. This was taken in 2000 using my M6 and Kodak T-Max 400 film home processed. I think it was with the 50mm Summicron lens, although I can't be 100% sure. Gerry
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From my 'Paris' portfolio. Taken on an M6 using Kodak T400CN film commercially processed. I am sorry but all lens details have been lost, but probably a 50mm Summicron f2. Gerry
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Hi everyone, I'm a new Leica user and bought an M6 Classic with a Leitz Summicron 2.0. The first roll came back blurry and I thought it was my shooting..then the second and third and so on. I sent my lens in to Keh (where I had gotten it) to be serviced and it came back with the same results. The images are generally overexposed when in very sunny conditions and all of them are very softly focused. I shot most of a roll at f16 and not one thing was in focus. I don't think it could be the lens, as it just came back from being properly adjusted so I'm wondering if it could be the body? I'm not sure what to do as I've spent my budget on this setup. I was going to send it in to get the VF upgrade because I was experiencing some flaring but that is not what is happening here. Any tips very much appreciated.
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I have Leica M6 and live it.I use Summicron 50mm, but I realized that I’m attracted by Telephoto lens. A friend of mine gave me to try his Nikon FE2 with 200mm prime lens and I falL in love with the new possibility to catch portraits of people far from me. The. Nikon is very noisy and the lens are not what I like. I know that Leica M rangefinders are limited to 135mm lens and if somebody need more has to use visoflex, which is not an option for me. My question to all Telephoto lovers and lovers of Leica M (analog) cameras, how you satisfy your need to use Telephoto lens? For me 135mm is too short?
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Ho everyone, I have Leica M6 and I love it. I never owned 35mm SLR camera, only Polaroid SX-70 which is SLR.I shot few times with SLR. A week ago I asked one friend to give me bis Nikon FE2 with 200mm lens to test it. The truth is that I don’t like the hard button and the noisy shutter, but I like the way I frame.I mean I like that I see only what is going to be in the frame and nothing else. From the results I noticed that my photos gave better composition than with the M6. I know the vast majority like the viewfinder of Leica M and the possibility to see what is going to be inside the frame and many say that this is advantage, but I’m not sure wether for me this is valid. I use 50mm Summicron, because I don’t like too much wide lenses. As I said, I like my M6 too much, I don’t want to switch to SLR. Is there any tip/trick to ignore what is outside the frame? Am I the only one who prefer to see only what is going to be inside the frame?
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Hallo zusammen, ich brauche eure Hilfe zu dieser speziellen Art des Lichteinfalls. Ich habe mich durchs Forum gesucht und ein Beitrag hat mein Problem recht ähnlich beschrieben, nur waren die eingefügten Fotos "abgelaufen", da sie über einen Clouddienst eingespeist wurden. Zu meinem Problem: Ich habe aus einem Nachlass einige Leica Modelle erstanden. Die M6 ist gut erhalten, ohne markante Gebrauchsspuren. Die Zeiten laufen sauber, der Filmtransport geschmeidig. Ich habe einen Film in Innenräumen fotografiert = keine Auffälligkeiten. Dann habe ich 3 Filme im Außenbereich fotografiert = 7-8 Fotografien pro Film zeigten diesen - in der Form immer gleichbleibenden - Lichteinfall. Er verändert sich nur im Kontrast, mal stärker, mal schwächer. Es geht um die linke untere Ecke des Bildes. Es ist kein Zusammenhang zwischen dem zeitlichen Abstand zweier Aufnahmen erkennbar. Fotos, die ich schnell nacheinander gemacht habe, sind trotzdem betroffen und andere wiederum, wo Tage dazwischen liegen, zeigen diesen Defekt nicht auf. Objektivdeckel habe ich keinen drauf. Der Lichteinfall erstreckt sich bis zur Perforation. Ich fotografiere zum ersten Mal mit einer Leica. Wenn der Defekt links unten im Bild erscheint, dann heißt das, dass das Licht von oben rechts eintreten muss, richtig? Die Ösen der Halterung sitzen fest. Vielen Dank für eure Hilfe und ein schönes Wochenende Beste Grüße Marco
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I am just working through some transparency work and scanning it on to the computer. I was particularly pleased with this one which was taken in 1999 on Kodachrome 64 using a Leica M6. Scanning was with a Plustek 8200i, and post was with LT Classic. I think it is amazing how the work we have just put away into a filing cabinet etc. has stood the test of time, and before there is "ah, well it is Kodachrome" some Fuji Provia RDP is just as good. Gerry
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Hey Guys, I wanted to buy a used leica since months now. But I am still unsure if I should go with the M6 or the M4? The only big difference is that the M6 has a lightmeter and the M4 not. But since I work in the film industry. I wanted to buy a separate light meter anyway at some point. So is it better to go with the cheaper M4 and get also a good lens instead of spending a lot on the M6? Looking forward to your replies Best Thomas
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Has Leica ever officially confirmed that M6 TTL light meter is not repairable by them? I've read mixed information in this forum and elsewhere where "some" owners have sent the camera for light meter repair and some have had it repaired and others have received a response from Leica that they can't fix it. What specifically is so unique about the M6 TTL light meter vs the M6 classic light meter that makes it so complex for repair. Obviously I'm interested in purchasing an M6 TTL in great condition - found one specifically with a 0.58x viewfinder which is very important to me since I wear glasses and shoot primarily 28mm and 35mm. I enjoy the in-camera light meter and hoping that in a few years down the line ...the M6 TTL does not turn into M4-P if the light meter malfunctions for any reason. Thanks in advance for the feedback. -
I have used Leica m240 for a while, and recently have bought Leica M6 as recommended by my friend, the last time I shot a film was almost 20 years ago (it was a school event, where we had to learn how to shoot film); but since then, my photography experience is pretty much always digital. I travelled to Copenhagen last weekend, and decided to give myself a bit of challenge, so I only took my Leica M6 with couple rolls of Fuji C200; the metering and focusing are pretty much identical between M240 and M6; so it was not that hard for me to use the camera, having said that, without the ability to view the image straight-away did take me out of the comfort zone as I had no idea how the image would look like. Followings are some of the images i would like to share, those are small default scans from the film developers, so the resolution is pretty low, i'm currently exploring options of scanning those negatives using my other digital cameras. Anyway, any C&C is welcomed.
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Hallo zusammen, mein SF20 Blitz löst auf meiner M6 leider nicht nur beim auslösen aus sondern feuert auch beim spannen. Ist das ein Defekt? Kennt jemand die Lösung? Ganz herzlichen Dank für eure Hilfe Nicolas -
I am still editing images taken on my visits to Paris. This is the latest to be chosen. Taken on Tri-X in 1999 using an M6 with a 50mm Summicron f2 lens. You can see my 'Streets of Paris' portfolio at https://gwpics.myportfolio.com/the-streets-of-paris I am hoping to get a book together in the relatively near future, so comments are welcome. Gerry
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Taken in my home town. I found the Agfa quite grainy in Adox FX39 so will change to Microphen as a trial. The grain is no major problem as I can reduce it in Lightroom but it would be if I wanted to go larger than maybe 25x20cm. Leica M6 + 35mm Summarit-M f2.5 - Agfa APX400 Gerry
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Leica "launcht" wieder mal ein Sondermodell; Anlaß ist der 20. Geburtstag des Auktionshauses Leitz Photographica Auction: https://www.photografix-magazin.de/teures-sondermodell-leica-launcht-streng-limitierte-jubilaeums-edition-der-m6-fuer-26-000-e/ -
soooo i just tried using my nikon 50mm (vintage lens) with adapter on my leica m6 but, apparently, i couldn't focus. is it supposed to like that or am i missing something? and do u know any alternative other than voigtlander lens for leica?
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Hi, I have Leica M6 Classic and I have only one lens - Summicron M 50 (V5). Nifty fifty is my preferable focal length and this particular lens is perfect for me.Despite of this I feel the need to have another wider lens for some particular occasions - when walk in stretch streets and want to catch wider space, buildings, but mainly would give a try it for street phototherapy of people. Is there somebody else who started with 50mm lens and bought as second lens 28mm? I wrote here, because I’m interested mainly the feedback from analog users.
