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Found 10 results

  1. Na gut, dann mal Kaviar: Grüße von Kalle
  2. Hallo zusammen, ich bin gerade dabei mir eine digitale M zuzulegen. Hier ist mir ein 50er Cron von 1998 mit angeboten worden. Jetzt weis ich nicht, ob dieses Glas besser/anders/wie anders abbildet, als mein 1961er Cron von meiner M3. Sind die Unterschiede (soweit vorhanden) so sifignikant, dass sich der zusätzliche Erwerb des 1998er Cron rechnet/anbietet/aufdrängt? VG jnero
  3. I recently purchased a brand new unopened 50 summilux f/1.4 asph lens in silver and when I unpackaged it I noticed a clear liquid on the outside barrel of the lens. I was able to wipe it off but wondered what it was? And whether I should exchange the lens for a different one? Inside the lens it looks fine at the moment and not sure if liquid would have seeped inside. Just wandered if anyone had a similar experience. I want to make sure nothing is wrong with the lens since I spent 4K on it.
  4. Guest

    Illuminated

    Leica T + 50mm f/1.4 Summilux-M ASPH ISO 400, f1.4, 1/160 "Illuminated Humans"
  5. I am a bit lost with what i have read about the radioactive summis. What is the deal with them? Are they more trouble than they are worth because of the browning? How about resale? Do people avoid them?
  6. Hi all. I always want to take photos, and I try to bring always the camera with me, to shoot and be happy 🙂. Sometimes, due to the pandemic, it's not the right moment to shoot, mainly because many people in Mexico don't care and don't wear a mask. I don't want to risk just for the pleasure of doing some street photography. Does it make sense? Every time I do out, I bring the camera with me, and while driving (in a safe way), I shoot from the window of my car at 30km/h approx. I use hyperfocal, practically point & shoot. When I'm lucky, my wife (and sometimes even my old dog) join me. And I don't drive 😂 but shoot 🙌 Sometimes from the passenger seat, some time on the back of the car. Depending on if you see the lateral rearview mirror, and/or the car frame window in the composition. Everything happens so fast, the car can't stop, and I have to focus quickly. I used zone focusing sometimes, and sometimes manually, depending on the situation. I would like to share with you this micro essay, to show a portrait of a Mexican city during these times, to use more my M10, in pursuit of mastering focus 😬 Sometimes I see a situation with superpotential, where I would love to stop the car and go out and compose well. But this is what the essay is about. Never stops the car and try to tell a story, or take just honest street photography. That's it. M10 + 35mm 2.8 Biogon + 50 Cron V + Photo Mechanic + Capture One + JpegMini P.s. You can see my gray pick up car in the photos sometimes 🤷‍♂️ Good vibes
  7. Please share your opinion - if you have used or owned both lenses or any opinion on the topic. Mostly interested in comparison of render, sharpness, bokeh, pop etc. according to you - digital sensor or film. Early reports indicated the Hexanons were inferior. According to LHSA "some Hexanon early samples were reported to have focusing discrepancies, long since resolved, and that adversely affected initial sales. The current consensus: Konica KM and Leica M lenses, even those with longer focal lengths and wider apertures, can be used interchangeably on both cameras without problems." Lots of posts ot the tiny flange difference between the cameras, but here we discuss the lens. Mr. Rockwell even went as far as comparing the build of Summicron 50 (V) to the Hexanon-M 50 side by side and they indeed look almost identical. Check the pic on his webpage under the Hexanon topic. I have recently acquired a Hexanon-M 50/2 (photographed below on my M) and it is a stellar performer, slightly better wide open (especially corners) compared to Summicron M 50/2 (IV) in all the tests I did. YMMV.
  8. Paris 20e, pl. Gambetta; M240 50 'lux pre-Asph LTM
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