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PLZ

  1. PRABHA

    Rural India

    A common scene on a village side of india
  2. Take a mountainous state like Arunachal, add plenty of water, add a few motorable roads, but not too many, finally scatter a few villages here and there. That's a perfect situation for a suspension bridge of bamboo, twine and cable to tie communities together. In these intolerant times we need more bamboo bridges. Bamboo bridge, Yazali, Arunachal Pradesh. The ties that bind us. Plank bridge over the Tuipui D River in Mizoram.
  3. One of the Seven Sisters as the North-Eastern states of India are collectively called, Arunachal Pradesh is the northeastern-most state in India. It's predominantly tribal population is of Tibetan and Burmese (now Myanmar) origin. The mountainous state shares borders with Bhutan, Myanmar and China. Leica DC Vario-Summilux f/1.7-2.8 Lens, 24-75mm (35mm Equivalent) on the LX100. On the road to Tawang, after a night stopover at Dirang, the road winds it's way up to Se La (La is Tibetan for pass) at 13,700 ft. Se La is just a bit further, just a chai break before driving on to Tawang.
  4. The Kala Ghoda Arts Festival, held in Mumbai each February, is the largest multi-cultural festival in India. Here are some photos from the 2019 festival. All photos V-Lux 114
  5. Durga Puja festival, Kolkata 2018
  6. A few shots from a quick one week trip to Kolkata for the 'Durga Puja' festival. It was damned hot but the M-P 240 35/f2 preformed flawlessly during 5/6 hours of continuous shooting in the sun everyday. I will definitely visit India again.
  7. Kushinagar - India, Paranirvana Stupa, which commemorates the place where Buddha Shakyamuni died. Families come to cover the lying Buddha with robes. This was one of those circumstances where I felt compelled to lower the camera and just live in the moment. Leica CL + 18-56
  8. Monks playing Tibetan horns at Tergar monastery, Bodh Gaya - India. Leica CL + 18-56
  9. Another few from India. This was my first time using a digital rangefinder, so a couple thoughts about that as well. The fact I didn't have to lug around Canon stuff made a massive difference. And not putting this massive camera between myself and my subjects definitely made for more natural portraits IMO. And manual focus at wide apertures really slowed me down. In a good way. The only issue I was having was vignetting and magenta with the CV 35/2.5 and 21/4. This was cleared up by using the in camera profiles. It was like I had brand new lenses. After that I had far more confidence in the
  10. ian_taylor

    India & M9

    Just back from a few weeks in India with my recently acquired M9 and some Voigtlander lenses. A few samples. 75mm Heliar 75mm Heliar 35mm Color Skopar 21mm Color Skopar
  11. Walking back from the morning market, I spotted this woman. We were at the southern end of India. She was getting ready for work, I had already worked half a day. After she realized I took her picture she blushed. It was a sweet morning. Enjoy-Adam Taken with an M9 and 90mm Summicron f 2.0 Adam Marelli Photo
  12. Hannes Albert

    India B/W

    I went to india to shoot the street life of this country. Only a Leica M6, a Summicron 50mm 2.0F and 30 rolls of Kodak TriX 400 were with me. for better resolution see my website Hannes Albert feel free to comment! i will be happy to hear some opinions of you! regards H.Albert ps. those pictures are hand-made b/w-prints. my scanner, i have to say, is not the best!
  13. ian_taylor

    Barber

    From the album: India & Tibet

    local shave

    © www.iantaylor.ca

  14. From the album: India & Tibet

    © www.iantaylor.ca

  15. From the album: More

    M9, CV 50/1.5

    © www.iantaylor.ca

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