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Show us some Mandler Magic

Artin

By Artin
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Tommyboi

Tommyboi

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35mm cron v4, very early '79 Canadian model, judging by the specs and serial number. Mounted on an M240. Wide open. Absolutely un-edited, except I had to straighten it slightly.

 

I love how "awful" it looks in the corners, I love the colors. Unremarkable picture, but I found the looming clouds to be interesting. It started to absolutely pour down half an hour later.

 

The M240 + cron v4 actually fits in the pocket of my rain jacket if it starts pouring down, but I guess I should get a proper bag.

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colint544
colint544

A couple I shot on my M9 and Noctilux F1 version 1 (E58), wide open at F1. Don't have either the M9 or the Noctilux any more. I don't miss the M9, but I often wish I still had the Noctilux. b1b6a91

Keith (M)
Keith (M)

Sunlight & shade on the landscape.  90mm Elmarit-M f2.8, M240.    

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evikne
evikne

Moment from yesterday's evening trip. M10 with 50mm Summilux pre-ASPH (E46).

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Dao De Leitz

Dao De Leitz

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Addendum from a different thread, should actually come here - with E. Leitz TELYT 1:4 / 200mm (1977) (Designer Walter Mandler, production from 1958 to 1978)

 

 

 

 

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Therefore now with a new addition.

 

 

 

 

 

 

 


I don't want to put this cutout here as a test image, thus as a little flower to thank all employees of the Mandler Lens production. (;-)

 

 

 

 

 

 

 

 

 & at the new group  Telyt 1:4/200mm on Flickr!

Thorsten

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Dao De Leitz

Dao De Leitz

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.

 

 

 

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Leitz Canada  Summicron 2/90mm 1971

 

 

 

 

Thorsten

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newnew

newnew

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A rose

with Summilux 50 pre asph full open with M246

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fotografr

fotografr

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Young evergreen. 50mm Summilux pre-ASPH, type 3.

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Erato

Erato

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Leica Summicron-M 35 f/2 Vers. IV, Chrome, 11311, M10-P

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Ray Vonn

Ray Vonn

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Often is the case for me that a CCD M & 35mm iv Summicron combination really hits the spot.

 

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Untitled by Otim, on Flickr

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Chuck

Chuck

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In the cactus greenhouse at the local botanic garden.

50 mm Summicron v. 2 (1958).

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mikozia

mikozia

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Autumn leaves

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M-P w/Summilux-M 50 v2.

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evikne

evikne

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Time for some more Mandler Magic. 

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M10 w/50mm Summilux pre-ASPH

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Erato

Erato

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1 hour ago, evikne said:

Time for some more Mandler Magic. 

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M10 w/50mm Summilux pre-ASPH

Time for some more Mandler Magic. +1

Outdoor

 

Indoor

 

On the road, randomly picked street photography on the people never seen before.

Summicron-M 1:2/35, V1, M10M

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Keith (M)

Keith (M)

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Testing the 50mm f1 v4 at f1 on A7III.

 

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RayD28

RayD28

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17 hours ago, evikne said:

Time for some more Mandler Magic. 

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M10 w/50mm Summilux pre-ASPH

Wow, I've never seen blur like the rope extending to the right side.  Was it moving?  Very interesting.  

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evikne

evikne

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34 minutes ago, RayD28 said:

Wow, I've never seen blur like the rope extending to the right side.  Was it moving?  Very interesting.  

I don't think the rope was moving. I've seen similar behavior before, though perhaps not as prominent as here. 

This is another example I found in my library, taken with a wide open Noctiux f/1. The blur to the left makes it look like the rope is moving. Perhaps someone else can provide a more technical explanation of the phenomenon.

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Keith (M)

Keith (M)

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Current Mandler favourite - Noctilux f1 v4 (at f1 on M10M).

 

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Edited by Keith (M)
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Al Brown

Al Brown

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Summilux 75/1.4 II Made in Canada

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a.noctilux

a.noctilux

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On 1/26/2021 at 3:03 PM, evikne said:

I don't think the rope was moving. I've seen similar behavior before, though perhaps not as prominent as here. 

This is another example I found in my library, taken with a wide open Noctiux f/1. The blur to the left makes it look like the rope is moving. Perhaps someone else can provide a more technical explanation of the phenomenon.

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I don't know why,

just one of explanations (if possible) of "creamy blob" when Noctilux 1.0 used elsewhere.

Maybe kind of color aberrations, when we look at the yellowish border of the "white" blending to yellow background.

Aberrations to learn to master in using this "character lens".

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lct

lct

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On 1/26/2021 at 3:03 PM, evikne said:

I don't think the rope was moving. I've seen similar behavior before, though perhaps not as prominent as here. 

This is another example I found in my library, taken with a wide open Noctiux f/1. The blur to the left makes it look like the rope is moving. Perhaps someone else can provide a more technical explanation of the phenomenon.

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Just OoF rendering i guess and a bit of glow perhaps. Another example with more glow here (35/1.4 v2). 

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Beresford

Beresford

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On 6/22/2020 at 4:11 PM, evikne said:

A picture I took with my new copy the other day. I love to shoot fully open to bring out the gorgeous Mandler bokeh, but sometimes I stop down a little too. 

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M10 with 35 Summicron IV

This picture make one ache for early summer.

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RF’sDelight

RF’sDelight

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Summer vibes
Leica M9 + Summilux-M 1:1.4/75,
ISO 800, 1/15 sec, f1.4 (obviously)

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