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PLZ

  1. We already have a very extensive 'Mandler Magic' topic, but as much I am keen on Mandler's signature look and his contribution to the "Leica glow", there is another very distinguished gentleman in the 'House of Leica' that as a leader of Leica's optical design team since 2002 gave us a bunch of new high performance M-Lenses and pushed the terms FLE, ASPH and APO towards modern Leica perfection. He was the guy that had the balls to say Dr. Mandler's 75mm Summilux 1.4 was his *least* favorite design and went on to "Make Summilux great again" - all the way down to 21mm. Show us some of the "clinical look" of the Peter Karbe magic and do tell what lens he designed is your favorite...
  2. I have noticed that my Noctilux has two different fonts on the lens. The front and the aperture ring has the same one as all the latest Leica lenses but the body has the previous typeface. The lens has a serial number that one would be normally associate it with a V3 but according to Leica the serial numbers on the wiki are not entirely accurate. This is what Leica can tell me about the lens. Through all my Leica years I haven't seen another lens like this so I am curious to know if anyone else has an Early V4 with the same layout.
  3. Statue on Poole Quay, Dorset of the founder of Scouting. M11, 50mm Noctilux f1.2
  4. From our friends at Camera West, here's an interesting read and video about the f/1.0 Noctilux. The Leica 50mm f/1 Noctilux-M - Is this the Most Legendary Leica Lens? https://www.leicastoresf.com/blog/thumb-prints-signatures-the-leica-50mm-f1-noctilux-m?utm_medium=email&_hsmi=221236051&_hsenc=p2ANqtz-_GOLt_QsXgfL8N3mp04orsT7qNArSqSwAPqhRk9-Qto7S7o9eS1T9ImIrWdFaCPeLfYp7T4c_ZhCWcuwv9fiDNvVvmAw&utm_content=221238214&utm_source=hs_email
  5. Dear all, I am currently making a big part of my photos with my M(240) + 50/0.95 (also using the 75/1.4) with the 1,4* viewfinder magnifier. In low light I 'd like to have more clarity. I am considering the M10 and wonder if the better viewfinder of the M10 (particularly brightness) is still much better than the M(240) with the viewfinder magnifier (as you need to use an adapter to screw it on, do you reduce the advantage ?) Do any of you have experience with that ? thanks Didier
  6. Dear all, Has anyone some real world experience using the CL + noctilux ? (handling, focusing, ...) Thanks Didier
  7. I recently purchased an SL, and have the 90mm Summicron-SL as my only SL lens. I plan to buy the 50 Summicron-SL when it comes out, but who knows when that will be. So, I am on the fence between the 50mm Summilux-SL and the 0.95 Noctilux in the meantime. Does anyone have experience with both on the SL? and what opinions do you have to either? Looking at the specs, it appears that the Summilux weighs much more than the Noctilux does. On the other hand, the Summilux benefits from Leica's recent innovations. Difficult choice.
  8. Russia. Moscow. Mikhalkovo Estate Leica M9, Noctilux 50/1.0, f/1.0
  9. I'm a former Canon user, and the 85mm f/1.2L II was practically my standard lens, because I love bokeh :-) Has anyone here owned both this lens and the Noctilux f/0.95? The 85mm has longer focal length, but the Noctilux is faster. Do you think the extra light can be a substitute for the shorter focal length in regards to bokeh? Which one do you prefer (maybe a stupid question in this forum)? I find the 50mm angle more versatile than 85mm, so I think the Noctilux could be the perfect lens for me … if I ever can afford it!
  10. Inspired by Jackie K. Testing the SL and Noctilux-M 50mm f/0.95 ASPH ©Milan Swolfs Photography
  11. ..or maybe not Lucy, but I love the reflection of the sky in her sunglasses M10 / Noctilux 1.0
  12. I am curious about different peoples opinion about how effective are Leica's slide-out hoods. I have seen conflicting posts for some time. As an example one person thinks the 75mm APO-Summicron is optically an excellent lens, except the lens hood is ineffective so the lens is a poor design. Another thinks the lens hood on the same lens is just fine. I know I am talking about a variety of lenses over several generations. But I have a variety of lenses from several generations. In some cases I have purchased additional hoods from third parties, such as from Mr. Overgaard, and some I have come to hate, like the plastic hood on the last version of the 50mm Noctilux f/1. One of the lenses I am most curious is the 50mm APO-Summicron, but I would like to ask about others as well...
  13. I really love taking random street photography like this. Camera: Leica M-P (typ 240) Lens: Noctilux-M 50mm f/0.95 ASPH. Location: Dubai - Jumeirah Beach Residence Welcome 2016
  14. While I was wandering in Reykjavik streets, saw this little boy was checking outside from that window. Quickly turned my camera on, focused and pictured him. Fortunately he was not shy to give that pose or he might think he's hiding behind the frosted glass. Camera: Leica M-P (typ 240) Lens: Noctilux-M 50mm f/0.95 ASPH. Location: Reykjavik
  15. begbie

    Praying...

    Camera: Leica M-P (typ 240) Lens: Noctilux-M 50mm f/0.95 ASPH. Location: Wien No crop as usual... I liked the tones of yellows in the picture and believe that her yellow hat completes this tonnage there.
  16. I wanted to capture this night scene just because of the lights coming from the ground and the bokeh behind. Camera: Leica M-P (typ 240) Lens: Noctilux 50mm f/0.95 ASPH. Location: Dubai / Jumeirah Beach Residence
  17. Sam

    Italia

    Florence M240 Noctilux 0.95
  18. Skatafell National Park is the biggest national park in Europe, main reason for this park is third biggest glacial cover in the world, it is called Vatnajokul. Camera: Leica M-P Lens: Noctilux-M 50mm f/0.95 ASPH. Location: Iceland
  19. I love taking random street photographs especially in black and white... Camera: Leica M-P (typ 240) Lens: Noctilux-M 50mm f/0.95 ASPH. Location: Wien
  20. I wanted to capture this moment during my visit to the exhibition of Steve McCurry in Old Town, Prague this year. There were 107 of the best photographs from career of Steve McCurry, the contemporary icon of world photography, including author’s most important photograph, this portrait “Afghan Girl”. Camera: Leica M-P (typ 240) Lens: Noctilux 50mm f/0.95 Location: Prague
  21. I haven't used my Noctilux in quite some time. I'm wondering if this is a normal issue wide open with point light sources or if there is something wrong with my lens. I've seen it from other light sources like neon signs wide open at night.
  22. Even if most of you are checking Leicarumors.com from time to time, here's is another interesting Leica heritage lens edition: Source: https://leicarumors.com/2020/09/14/this-is-the-new-leica-noctilux-m-50mm-f-1-2-asph-heritage-limited-edition-lens.aspx/#more-68155
  23. I'm thinking of selling my summilux 50 and summilux 35 (both last ver) in order of getting a new 50 noctilux. What do you think? 1.i still need to add money 2.i will stay with one lens
  24. I had my heart set on getting a used Noctilux 50MM f/0.95, but I also found a used Noctilux 75MM f1.25. I wanted the 50 because I regret selling my Summilux ASPH 50MM - I really miss that dreamy/creamy look! The 50 Noctilux could be a suitable replacement, with an extra stop to boot! The "more usable" focal length is another plus. On the other hand, the 75 is appealing to me because it is a more modern lens with less CA/purple fringing, less vignetting, and a sharper look. I also don't have any 75MM yet. I shoot a lot of portraiture, but admittedly it's more environmental, so not totally sure if 75MM would be the right FL anyway. Still, I think I could make use of the 75. Any thoughts on which one would be "better," all things considered? Do I get both?! FYI - I am shooting on an M10 and also have a 50 APO and a 35 Lux FLE. Thanks all!
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