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Showing results for tags 'tri-x'.
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"Faces #005" Bigger > https://msvphoto.wordpress.com/2016/05/20/faces-005 Christopher Wonder, Magician and Illusionist. Milano, Italy, 2010 © Massimo S. Volonté Fotografo M6ttl, 35'cron IV, Scan from film Kodak Tri-X 400
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Hallo, nun habe ich zum ersten Mal einen Negativfilm entwickelt. Tri-X 400@400 entwickelt in Fomadon R09 1:25. Ich habe mich nach dem folgenden Rezept genau gerichtet. DIe Probe kann ich größtenteils als gelungen bezeichnen, obwohl mir wohl wenigstens ein Fehler unterlaufen ist. Mein Negativ ist an sich schwarz von der Farbe (alle meinen bisher in Fotolabs entwickleten Tri-X hatten rosa/lilla-Färbung), eingescannte Bilder dagegen sind rosa/lilla-gefärbt. Ich habe im Internet folgede Erklärung gefunden: Wenn das Negativ farbstichig wird, meist in pink, violett, blau oder rötlich, ist das die Folge einer nicht ausreichenden Konzentration des Entwicklers (bei manchen Filmsorten des Fixierers). Dann wird entweder die Lichthofschutzschicht nicht ausreichend entfernt, oder es verbleiben die zur Sensibilisierung eingesetzten Farbstoffe auf dem Film. Es verwundert mich aber einigermaßen, da ich mich bemüht habe, die Proportion vom Entwickler zu dem Wasser ganz genau zu messen. Mein Entwicklungstank hat das Volumen 450 ml. Ich hab also 18 ml Fomadon R09 in 432 ml Wasser (destiliert) gelöst. Kipptythen wurden eingehalten: 1 Minute ununterbrochenes Kippen, dann 1 Kippbewegung alle 30 sek. Was konnte hier noch schief gelaufen sein, dass die Bilder nicht schwarz-weiß sind? Das Rezept darf doch nicht an sich falsch sein, ich hab gleiches auch in anderen Quellen gefunden. Habt ihr welche Erfahrungen mit solchen Misseffekten? LG – Lukas -
Darn it...how disappointing. I shot a whole roll of Tri-x and when I went to develop it, I couldn't get it on the reel to save my life. I have the plastic self threading reels from Paterson and normally I leave the leader out of the roll so that I can start it outside of the changing bag but I got over confident and didn't do that....well, I couldn't get the film on the reel. It finally got so bad I tried a metal reel and that was a bust also. I got so frustrated that I just opened the changing bag and threw the whole thing in the trash. To make matters worse, I had another roll of Kentmere 400 that I shot in my new Zorki 4 and I DID leave the leader out and was successful in getting it on the reel...but there was a camera malfunction and the whole roll was transparent! Not a good day for film. Never again am I going to be a hero and allow the tail to go all of the way into the cassette. I can't imagine why no company has made an updated version of the Jobo 2400; the tank that you put the film cassette in, close it up, and it does all of the work in loading the reel for you. -
A couple of photographs I missed when first browsing through my rolls. All taken on Kodak Tri-X film, some with my Leica M6 & 35 Summicron IV some with the mju-ii. You can see more on my flickr: https://www.flickr.com/photos/derphilipppp/
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- Street Photography
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Street vendors in Toronto's Chinatown
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Yesterday I was making a photographic walking with some friend in downtown Torino, when from a park suddenly hundreds of birds started to fly. It was to fast to make a perfect focus, but over all I like the result, given the location and the background it seems a photo taken several decades ago. I wasn't sure that this has to be in the street photography. M7, Summicron-M 35/2 ASPH, Tri-X 400, Semi stand development in Rodinal 1+100 cheers Massimo
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Beer in Dorset, South coast of UK. Beer as in the place, not the beverage. Mind you, they had beer in Beer, but that came later.
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We are not that far down the road to hell with regard to AI and it appears than an increasing number of people are through with AI, photographers in particular. I love my M10 Monochrom and Q2 - and the stunning prints (other people's words, not self aggrandizement) that they can produce. As for AI imaging, my interest level is significantly lower than my interest in having an intimate physical relationship with a farm animal. This essay has me thinking that it's past time to dust off my M4-P, film developing kit and the ziploc bag full of Tri-X in my gear cabinet.
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A warm welcome awaits at Paradise Farm... M7, C-Sonnar 50mm f1.5, Tri-X, Rodinal.
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A view down Lime Avenue. M7, C-Sonnar 50mm f1.5, Tri-X, Rodinal.
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A long-neglected doorway a local church. M7, Summarit 75mm, Tri-X, Rodinal R09.
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Not much of a view though! M7, C-Sonnar 50mm, Tri-X @ ISO 200, Rodinal R09 @ 1+50.
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As featured on Lydiard Parish Church, N. Wilts. M7, Summarit 75mm, Tri-X, Rodinal. C+C welcomed.
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(M, 35er, Tri-X)
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I wanted to construct in either LR4 or CS4 a triptych of this French farrier at work. The only way I could readily see was to use LR4's 'Print' module and output to file. Presumably there are more flexible ways? Hints & tips appreciated! M7, C-Sonnar 50mm, Tri-X @ ISO 200, Rodinal.
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No takers for an autumnal coffee-stop yesterday morning at the weekly market. M7, C-Sonnar 50mm, Tri-X rated at ISO 200 and developed in Rodinal 1:50 for nine minutes. C+C welcomed.
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The 'green and pleasant' fields of the local rugby club plus the club-house are making way for yet another housing development (and all a little more than a stone's throw from my house...) M7, C-Sonnar 50mm, Tri-X.
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Taken in the picturesque village of Avebury (site of the Avebury Stone Circle) earlier this week. MP, Elmarit 28mm ASPH, medium yellow filter, Tri-X developed in Aculux 3. Scanned with Epson V700 and the Epson software. C+C welcomed. PS - normally would have used Acros 100 for this type of subject, but Tri-X was in the camera, the sun was (for once) shining and I was there, so...
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Swindon at it's picturesque best... MP, ZM Biogon 35mm f2, Tri-X, developed in Aculux 3 and given a pinhole treatment in SilverEfexPro2. C+C welcomed.
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At the Neolithic Stone Circle in Avebury, Wiltshire. MP, 28mm Elmarit ASPH, Tri-X. C+C welcomed.
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Had to test my M4 this week as it has just been returned from having the shutter curtains repaired. Summaron 35mm f2.8. Took the opportunity to try a new (to me) film/dev combination, Tri-X and Rodinal R09. The Tri-X was exposed as ISO 320 and developed in the R09 @ 1+50 for 11 mins 45 secs. C+C welcomed.
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https://msvphoto.wordpress.com/2015/06/24/city-sickness-289/ M6ttl, 35'cron, Kodak tri-x
