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Found 19 results

  1. I couldn't find an image thread for the 21mm focal length, so please post your images here, extra points for images shot on film! 21mm SEM, Leica M10D, tripod
  2. Hi all. So looks like there is no end to my bad luck having to send lenses to Leica for repair or adjustment. This time my Super-Elmar-M 21mm has developed a wobble in front part of the lens. I guess I am not the only one who had this issue with the Super-Elmar-M in the past. But I would need some advice. How long usually fixing wobble issues has taken at Wetzlar? I found this video: (https://www.youtube.com/watch?v=GZL3WojYoXQ). Is same kind of procedure possible to do by yourself for the SEM 21? I would just hate to wait again 3-4 months for a lens repair, because it is my favourite lens and I use it almost every week... Is it covered by warranty? Lens was bought less than 2 years ago. If you have experience on having to pay for fixing wobble issues how much has it usually cost? I know I should give them (Leica Service) a call go get answers for my questions. But I still would like to know what I am dealing with. Thank you very much for answers
  3. http://soundvisionpassion.com/2011/1...-color-skopar/ Hey everyone! I finally got my review up of this little lens. The 21mm F/4 is a fantastic lens. It doesn't change the world over, but for a 21mm lens, it is pretty darn amazing when it's price is factored in. I found a method of focusing to .5m on the M8 that works every time in the field. (even wide open!) I can nail sharp focus. I don't know if this works with other .5m lenses yet...but maybe someone can try it with the new 35 1.2. You can see detailed shot of how to focus to .5 in the write up! Let me know if this works for you as well!
  4. I have been using the Leica 21mm Super Elmar lens over the last year more and more and have been really blown away with the quality of this lens. I have attached a couple of favorites, and if of interest, I have posted a small review on my site: https://photobasecamp.com/review-leica-21mm-super-elmar/ Thanks so much for taking a look! Mike
  5. Hi all, I think I'll give up with SEM 21 after tried 2 misaligned samples, so I'm looking for alternatives for use with both M and SL. As for Leica lenses, Summilux is pricey and doesn't seem to worth it if you don't need f/1.4 on a UWA lens - I don't. Elmarit Asph was pretty good on film (I've had one with M6s), don't know on sensor. It's not cheaper than an used SEM, however. How good is the Zeiss Biogon 21/2.8? On paper looks very good, and at a fair price... does it work well on SL? How is corner sharpness? Alternatives? Ultron 21/1.8, any good? Thank you S.
  6. Hello everyone, I decided to get very soon a 21mm, plus a VF (probably the CV 21/25). I want a brand new lens, not used. I'm ready and excited to explore this FL on my M10... Because I don't need speed, my primary choice it's the Color Skopar f/3.5. I know it's a great lens, small and light as I prefer, affordable, and it would fulfill my needs and pleasure to shoot at f/4 and f.8. Now, said that I have to confess you something. The most inspiring M lens I always wanted to buy since my first Leica year, it's not a 35 APO. Or a Noctilux, or any summilux. It's actually an Elmar, a super one... The one and only 21 SEM. Yes! In my very short Leica/rangefinder experience, I think I understood that the 21/SEM is one of the finest lenses of the brand. It's super sharp, corner to corner, an extraordinary glass with almost no lacks or competition in its focal length (when speed is not needed). And it always attracted me a lot. It makes sense to have only one lens as a reference for that specific FL. Am I right? I can have five, six 35mm lenses, but in my mind, it makes sense to have just one 21. Is this a lens that makes almost everyone happy? . I'm still "scared" it's not necessary that much, because I'm sure I will be fine too with the Color-Skopar, you know what I mean? Nowadays, the brand new lenses are modern and great. I love the 2.8/35 ZM IQ and rendering, as my CV 35/1.4 II MC. They are different tools for other purposes. But If I love the Nokton Classic, do I should love the Color Skopar anyway? 🤣 Just kidding. I mean, I'm totally ok with a 90% sharp lens instead of the best one. And I know too that I would appreciate in the SEM, the lens hood shape (which I adore), the focus tab, the 6-bit coded, etc etc. In your experience, or from what you have heard, what do you think are the differences between the two 21? Does it (super) worth the upgrade? Any feedback it's very appreciated. In constant M-evolution, Have a great Sunday.
  7. Hi all! I'm planning to get a new 21mm next month. My ideal FL would be a 24mm, but there is not an option with my $1k budget. So I'm getting (happily) a further 21mm. Now, I know huge differences between the two, mostly for size, weight, and speed. I heard great things about the ZM 25, but I don't want to get another Zeiss for now, except for the incredible IQ and performance, I don't like very much Zeiss lenses. I love the idea of a small and light $700 21mm lens, like a pancake. With wide angles (21-24-28), I really like to shoot at f/5.6-8, I never had a fast wide lens, so I never use it less than 2.8 with these FL. But I also like the fact that 1.4 gives about 3 extra stops. What for? Environment portraits with shallow DOP, milky way, indoor low light, etc. It's certainly an advantage, but it comes with enormous size and weight. It's not a lens that you carry all day long, so I'm not afraid about weight and size. I can live with that. I would get of course an external VF. And, by the way, I really love the Nokton lens hood shape 🙂 Beautiful. My question for you guys, if you can share your feedback, it's how both lenses perform in the f/4-f/8 range. This is what I would love to know. The price difference is not so big, so I'could🤷‍♂️ get the Nokton. But if at these apertures performs a little bit worst than Color-Skopar, I don't care to lose three stops, if I have better quality. I like the modern look and sharp images. A minimal background: I own an M10 + 2.8/35 ZM and a 50mm Cron V. I don't have a budget now to get another Leica, so I would love to try out a Voigtlander; it would be my first. Thank you in advance for your opinions.
  8. Here is my review of the Voigtlander 21mm f1.4 - in short: I really like it! https://www.erwinhartenbergphoto.com/post/wide-angle-wonder-how-i-ended-up-with-a-voigtlander-21-mm-f1-4-nokton-asph-vm
  9. Hi all, I am looking for a little help here, I have a 21mm f2.8 Elmarit (Canadian version). I have lost one of the small screws that are used to secure the lens hood so I can't properly fit the hood. Do any of you know how I might be able to get (purchase) any new screws, I have contacted Leica-camera UK but they are unable to help me. I have attached some photographs to show the lens and screw if that helps. Grateful for any advice, Regards Topsy.
  10. Hi all, I am looking for a little help here, I have a 21mm f2.8 Elmarit (Canadian version). I have lost one of the small screws that are used to secure the lens hood so I can't properly fit the hood. Do any of you know how I might be able to get (purchase) any new screws, I have contacted Leica-camera UK but they are unable to help me. I have attached some photographs to show the lens and screw if that helps. Grateful for any advice, Regards Topsy.
  11. I am very excited to hear that Voigtlander will have a new 21mm Color Skopar. https://leicarumors.com/2018/09/29/two-new-voigtlander-m-mount-lenses-ultron-35mm-f-2-and-color-skopar-21mm-f-3-5.aspx/ I hope the "purple" side issues are solve haha. Anyone here excited?
  12. Hi everyone! Voigtländer’s two most recent vintage lenses have been widely available for quite a few months, but I find very few “real life” reviews on line, and none from the usual suspects specifically, I am looking for feedback on personal experience/testing with the Color-Skopar 21mm f/3.5 VM on digital Ms (not curious about other 21mm lenses, nor Sony mount version, nor speculation based on specs sheet, nor inferences from the 35mm Ultron nor general talk about VM lenses). Anyone in this forum actually used the lens with a digital M yet? If yes, how did it perform for you (resolution/contrast, potential quirks in corners, distortion, vignetting, rendering in general, focusing reliability, etc) ? Please forgive me if the specific performance topic was already discussed in detail in this forum. Or can you point to any (good) output-based review blog/video (found one using film M, a couple showing lens rather than discussing performance and plenty of reviews for E-mount version)? Or simply pictures shot through the lens (preferably high res downloads)? i have seen the promotional picture samples published at launch, so no need to point there! Thanks beforehand!
  13. Hi, is the 21 SEM supposed to have a high level of astigmatism? I took a few night pictures yesterday and all the small lights have a (sagittal?) tail attached to it across the frame (see attached, M10, f3.4 wide open). I'm quite surprised at this as my copy is otherwise edge-to-edge sharp and renders amazingly during the day, just shockingly unusable during the night - even when stopped down a bit, which is a bit disappointing for this highly corrected ASPH. lens. If this is the norm, would anyone be able to suggest a wide angle lens (<28mm) with relatively less astigmatism? Thanks.
  14. Simply using a tripod, 21mm 3.4 ASPH and a flashlight to create the product shots below. Not sure if People section is the right place for these photos...but I can't find "product shots", and I treat my motorbike as my GF~ LOL #1 - V-Rod Muscle + Reality Stone~ #2 - The "fire" was actually my hand lit by the flashlight... by mistake #3 - My friend's bike - Kawasaki ZRX400 #4 - Honda CBR250rr
  15. I sold my CV 21mm f/1.8 and bought a chrome 21mm f/3.4 super angulon for about $700 today. Much smaller lens that focuses a bit closer. It's got some moderate haze in it but i'm pretty confident in my ability to take it apart and clean it. Before I do, though, I was wondering if anyone has done this and if it's similar to the older f/4 version or the 35mm f/3.5 Summaron-M, both of which I have successfully taken apart and cleaned in the past.
  16. 21mm APO in Rainny Night This is a harsh test for the all weather capability of my SL2 and SL 21mm f/2 APO. It was a rainny night at Shibuya, Tokyo. When this red modifed Mazda RX-7 sports car passing me, I picked up my camera right away and shoot in AF mode. The lens did hunt a bit in dark+rain but eventually locked her target, I missed the moment which I wanted the car on the crossing, anyway. A subject can't stand out without a suitable background. Japan streets and cars are absolutely clean, sign board light is bright, the reflection from the wet asphalt road looks gorgeous to my eyes. I generally won't shoot streets under the rain in other places, but Japan is an exception. This is my very first day shooting with my SL 21mm APO on SL2 , the prictures are sharp centre to corner, AF is reliable but not snappy in dark. The picture was taken with f/2, 1/60, ISO320, colour graded in ACR. And this image has been cropped to just 3.4MP from the original 47MP output. THIS LENS CHANGE MY PREFERNCE. If you need the depth of field anyway, why bother to carry a heavy zoom or second lens anymore, if the photos are for sharing here and IG. Thanks to the high pixel sensor and the unbeatable 21mm APO, I believe this could be my ultimate answer.
  17. Hallo zusammen, ich habe das Problem, dass die Sonnenblende am Super Elmar 21/3.4 sehr locker ist. Sie verstellt sich manchmal während des Fotografieren und schattet das Bild ab. Habt ihr eine Idee die Blende fester zu machen? Will sie aber noch abschrauben können um Filter darauf zu setzen. Bitte keine Tips wie Sekundenkleber oder sonstiges die das Objektiv in ihrer Funktion einschränken könnten. Ich danke euch schon ganz herzlich für eure Tips im voraus!
  18. I know there are already a few threads which briefly touch on this lens, but I want to know: What do you think about the little 21mm f/4 Voigtländer? After planning a few photo trips this year, I thought I need a wide angle. Until now, my NEX-7 with the 12mm Zeiss Touit did the job, but I no longer wanted to bring that rather large combination with me all the time. My Billingham Hadley small still has a little room, and my M-system lacks a wide angle lens (I currently only have a 50mm and a 90mm Summicron). So today, I found a deal at leicashop.com (a well known Vienna-based Leica dealer), so I ordered the Color-Skopar 21mm f/4 together with the old 21mm Voigtländer viewfinder for €420. As I can still cancel the order - or simply send back the lens later - I would love to get some input. My Touit is a great wide angle lens, and I don't want to loose too much image quality. Speed is not a concern - since the M (240) can't do exposures longer than 8 seconds at high ISO anyway, night landscapes are out of question, and that's about the only thing where I need speed in a wide angle lens. So have you shot with the lens? Could you post some images made with it? Is the color shift a severe problem? The internet isn't filled well enough with information about this lens, unfortunately, so thank you in advance for any thoughts!
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