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M10 - the Image Thread


TheGodParticle/Hari

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50mm Summicron IV | ISO 6400 (ish)

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135mm Tele-Elmar-M | ISO 12500(ish)

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135 Tele-Elmar-M | ISO 12500(ish)

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135 Tele-Elmar-M | 12500

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135 TEM | ISO 12500

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Guest Nowhereman

M10 | Summaron-M 1:5.6/28 | ISO 200 | f/5.6 | 1/60 sec

Chiang Mai
_______________
Alone in Bangkok essay on BURN Magazine
Nowhereman Instagram

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Am 27.10.2018 um 21:28 schrieb Steve Ash:

Leica M10

Apo Summicron LHSA Edition

 

I spotted the LHSA edifion immediately. And it is amazing how the APO peforms in that situation. If there were an APOOOOO I would immediately have it. Do grear. Hm. A bit embarrassing. 

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A couple from yesterday morning M10 + Noctilux

 

Neil 

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Leica M10

Summilux 50 Asph.

ISO4000

 

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Three images from Madrid:

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All M10 with either 28mm Summicron or 50mm Summilux, fitted with a polariser and lens detection disabled.

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In preparation for the Export EXPO in Shanghai, the gov. spending some big bucks on lighting and water truck cleaning the street 24/7 or so I presume.

Taking a test run with the M10p + Cambo Actus set. It works very well and behave almost like using the GFX except it's bit more manual and less control. I am well satisfied. The sensor is limited for what it can do compare to the MF files. But Leica color science is just so unique.

Cambo Actus + Leica M10P + Cambo Actar 24mm f/3.5

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2 Image stitched. 

 

LuJiaZhui, Pudong. Shifted up about 8mm. Didn't do the stitching as it is not very good in the new Lightroom...

 

 

Edited by xiaubauu2009
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M10-D, Summilux 1.4/35 Pre-ASPH

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Guest Nowhereman

I posted the picture  below in post #2622 above but, as it was linked from flickr, and as I replaced the original one on flickr with a new one in which I did some dodging, I thought the image in post #2622 would disappear; so here is the new version.

M10 | Summaron-M 1:5.6/28 | ISO 200 | f/5.6 | 1/60 sec

Chiang Mai 
_______________
Alone in Bangkok essay on BURN Magazine
Nowhereman Instagram

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Some more images taken this week in the Botanic Garden in Madrid:

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All M10 with 50mm Summilux. Shot using a polarising filter, with the EVF used to set the angle. The polariser works very well when, as here, everything is very very wet. The vignetting in these is natural - they were shot with lens detection disabled.

There are more images in the same theme in this blog post.

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