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APO Summicron 50/2 ASPH: Central veiling flare / fogging


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Guest borge

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Judging from the test shots, I would send this lens back as soon as possible. I would not accept this from any brand, and least of all the "flagship" lens from Leica.

 

This is not a problem with this specific lens. I know of two others that has owned and sold the 50/2 APO due to the exact same reasons and experience.

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Here's a better set of the earlier images...each set of three shot at 2/5.6/16. You can see that even at 5.6 the problem is visible.

 

Would be interesting to learn the findings from other APO-50 owners adopting the same procedure - three images with aperture 2/5.6/16 - checking whether reduced contrast in the central frame is the rule or the exception. To reduce one parameter in the play, avoid sun beams hitting the frontal lens element. But include highlights near or slightly off the central axis of the lens.

 

One observation: If you look down onto the front of the lens from above so that the axis of the lens is normal to your eyes, and gradually rotate the lens towards you so more and more of the central lens elements are seen, then the internal reflection from the frontal lens elements change rapidly at a rotation angle of 15-20 degrees. Could it be that this change in reflection characteristics - almost like deformed, spherical mirrors are located within the lens - direct off-center highlights to the sensor, reducing central contrast?

 

Enough speculation from a novice in Summicron land - time for (more) testing!

Edited by helged
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even more interesting to see if the old solution of a non imaging mask behind the rear element would work as people say it does on the version 4 Summicron. Check the posts from years ago.

 

For those who do not remember, it was circular with a 2x3 ratio rectangle cut in as large as possible.

 

Should not have to do this, but.

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For what it's worth - no loss of central contrast with the APO-50 on M240 in my case. And I have tried hard taking triple exposures at f2/5.6/16, plus looking though the EVF with the lens at f16. No loss of central contrast, yet.

 

But I do get (standard) flaring when highlights fall onto the lens at an angle of 15-20 deg and if the lens is stopped down a bit. Ex below, no processing. From top: f2/5.6/16, with the sun just above the buildings and the sun rays hitting the lens. Lens shade not in use here to maximise the effect.

 

So perhaps there are differences between the lenses when it comes to loss of central contrast? As far as I recall, I'm not the only one on this forum that are 'unsuccessful' ;) generating loss of central contrast.

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Edited by helged
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Guest borge

It would be interesting if someone that has a 50/2 APO and a Summilux 50 ASPH could perform a comparative test. I know of one person that performed such a test (without providing any examples as he did it for him self) and the APO was much, much worse than the Summilux in every example. So the APO was sold rather quickly.

 

I'm pretty sure that the Summilux won't show anywhere near as much loss of contrast / flare as the APO does in every case. Which if I'm correct, is really bad considering the APO's premium price (almost double) over the Summilux.

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Since the flare only seems to develop when the lens is stopped down (it actually seems to get worse on stopping down), the only quick solution in my view would be to use aperture blades having a matt black surface finish. That solution would also be retrofittable to existing lenses. Given the price of the lens, carbon fiber aperture blades might be appropriate. Let's see how Leica deals with this problem.

 

Andy

Edited by wizard
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Quite a loss of central contrast to my eyes.

 

...but not the isolated loss of central contrast as seen here, here and here (for the latter link, see the following two posts as well). In post #108, the flare originates at/near the edge; it doesn't pup up, in isolation, in the central part of the image.

Edited by helged
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...but not the isolated loss of central contrast as seen here, here and here (for the latter link, see the following two posts as well).

 

Flare is flare, it is just more or less pronounced. In the examples you mention, there is no flare at full aperture, but there is some flare (and the resulting loss of contrast) once the lens is stopped down. It may well be internal flare, generated by the white and bright portions of the scene being reflected off the aperture blades of the lens (note that also in your examples there are brightly lit portions in each scene) and leading to that diffuse flaring phenomenon which you refer to as loss of contrast. In my view, the root cause is flare, otherwise the loss of contrast would not be limited to just the central part of the image.

 

Andy

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Guest borge
...but not the isolated loss of central contrast as seen here, here and here (for the latter link, see the following two posts as well). In post #108, the flare originates at/near the edge; it doesn't pup up, in isolation, in the central part of the image.

 

Getting a bit too technical and focused on details and semantics maybe? To put it simply, the images that has the "white foggy shit in the middle" looks like crap due to the fact that the lens handles normal light at certain angles poorly.

Edited by borge
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Test images from different 50 mm lenses have been requested, and here follows one example.

 

For all images: M240, no processing, no filer, aperture f2/5.6/16, shutter spd 750/90/12, lens shade not used (for the purpose of the illustration), handheld.

 

First triple out is APO-50.

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Edited by helged
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Second triple is 50 Summilux, latest version.

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Edited by helged
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