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I like film...(open thread)

Doc Henry

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philipus

philipus

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Lovely tonality, Chris. It shows what a completely different film Tri-X is in 120 compared to 35mm.

2 hours ago, chris_z said:

Pentax 67II & Tri-x

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Wow, just wow. I used to own a New Beetle Sport which obviously is a very different vehicle from the original but extremely fun to drive. 

1 hour ago, Xícara de Café said:

Here is the google street view link for Rua Nova in Pirenópolis. As well as various fuscas and kombis, just before the second crossroad there is another air-cooled VW, a station wagon, know as a "Brasília":

https://www.google.com.br/maps/@-15.8534796,-48.960728,3a,75y,102.3h,60.06t/data=!3m6!1e1!3m4!1swOLAGN9AgCzmFlT-UNoX7g!2e0!7i13312!8i6656

  

Hahaha, I am wondering if he may have gone slightly over board in taking the advice from The Game to stand out. Love that jacket though.

5 minutes ago, jcraf said:

A normal Saturday night in Clerkenwell.

Nikon F6, 35 f2 AFD, XP2s.

 

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Michael Hiles
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Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

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On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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jcraf

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1 hour ago, verwackelt said:

Phantastic! Look at the old T2 Transporter further ahead the road. You should buy them and export them to europe. These Vintage T2 are sold for 20000€ and more nowadays.
It is a crazy hype amongst the hipsters...

My dad bought a new one in 1971.  Not a split screen admittedly.  We had many happy holidays across Europe in it, in the days before budget airlines.  He owned it for over 20 years, and it was his pride and joy.  It's now long gone, just like my dear dad.  Here he is with it, when we both travelled to the 24hrs of Le Mans in 1983.  (with apologies for the quality of the scanned print, which would have been taken on my Nikon EM and 50 Ai lens). Happy days!

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philipus

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This is lovely John, including the colour cast which adds a genuine vintage feel. It goes to show that a roll of film and a 50mm lens is pretty much the only thing needed for instant photographic joy.

br

Philip

9 minutes ago, jcraf said:

My dad bought a new one in 1971.  Not a split screen admittedly.  We had many happy holidays across Europe in it, in the days before budget airlines.  He owned it for over 20 years, and it was his pride and joy.  It's now long gone, just like my dear dad.  Here he is with it, when we both travelled to the 24hrs of Le Mans in 1983.  (with apologies for the quality of the scanned print, which would have been taken on my Nikon EM and 50 Ai lens). Happy days!

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philipus

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This is the Kashueti St George church not far from the Georgian parliament, shown earlier. 

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40 CFE PC Mutar Ektar X1
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jcraf

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1 minute ago, philipus said:

This is lovely John, including the colour cast which adds a genuine vintage feel. It goes to show that a roll of film and a 50mm lens is pretty much the only thing needed for instant photographic joy.

br

Philip

Thanks for those kind words Philip.  Yes, it brought back many happy memories!

Best wishes

John

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Hans-Peter

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Portra 400, M7, Summaron 35mm

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By the lake

MP Nokton 50/1.2 Delta 100

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Thaxted, Essex. The Guildhall (1475).

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M2, 35 Summaron 2.8, Adox CMS20.

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Ernest

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Indication Triptych
M-A APO 50 ADOX Color Implosion

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Bygone Days at Inland Steel   circa 1979

Pentax H3, Tri-X

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Bleeds I
M-A APO 50 ADOX Color Implosion & E100

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Doors 1 and 2
M-A Summilux-M 50 BC ADOX Color Implosion

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Moving now onto law enforcement, here's a police station in Tbilisi.

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Dual-mode transport.  Passengers enjoying the view from the top deck of a double-decker whilst crossing from Sandbanks to Studland on the chain-link ferry.

M7, 35mm Summaron f2.8, Portra 400.

 

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1 minute ago, philipus said:

Moving now onto law enforcement, here's a police station in Tbilisi.

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40 CFE PC Mutar Ektar X1

The epitome of transparency! Which is more identifiable: what we see through the glass, or what is reflected in the glass? It's all green! I mean, Ga-r-e-e-e-e-e-n. The foreground in faint shadow--very painterly--but, overall, so Bauhaus, the architecture and your rendering. The cube, flat on, the hovering ellipse signage, and the Bauhaus inspired outdoor lamps. The contrast of green planting, the texture, against the cold precision of glass--artfully captured in your square composition MF. Bravo.

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Golden light:

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Ricoh GR1 - Agfa CT 100 Precisa

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Virgin of the Bicycles

Leica M6, Summicron 35 asph, HP5@1600

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20190716-DSC03232 by antoniofedele, on Flickr

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Dedicated to Ernest

Funny story behind this photo. I realized that the second film roll on the new purchase Yashica FX-D/ 50mm  was not properly loaded into the camera. The film was not correct advanced so after a few captures I decided to reload the film into another camera body with other focal length: Olympus OM-2 / 28mm. I like some of the pictures taken this way especially this one.

Acros 100 @ 80ASA, Moersch Eco

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Edited by Tmx
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Recess
M-A APO 50 ADOX Color Implosion & Rollei Redbird

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