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I like film...(open thread)

Doc Henry

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Prater

(Vienna in June 2019)

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Nikon FE 2 * Nikkor 1.2/50 AiS * f/1.2 * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Lunch

(Vienna in June 2019)

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Nikon FE 2 * Nikkor 1.2/50 AiS * f/1.2 * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

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Venice

(October 2019)

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Leica M4-P * Zeiss C Biogon 2.8/35 ZM * Sekonic L-208 Twinmate * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

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andreas_gräbner

andreas_gräbner

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Leica IIIf  Summitar 2/50  Rossmann 200  plustek OpticFilm135

 

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Erato

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Gold miner

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NEOPAN 400 PR, Contax, P50

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fotomas

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Dead end

Also the eighties. Duisburg Hochfeld 1983. Closed building shortly before they disapear.

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PAN-F, AE-1

 

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Bateleur

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On 7/10/2020 at 9:26 PM, fotomas said:

Another from my Berlin S-Bahn series. A lone passenger is waiting for the train in Berlin Schöneberg station at the 25.5.1985.
Above the ceiling there are the rails of the Ringbahn (circle-line), that was still closed in these days.

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Fuji HR 100

There is an atmosphere to this photo that I love ...  the empty space, the closed doors and sense of loneliness.

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Bateleur

Bateleur

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On 7/12/2020 at 9:16 AM, christoph_d said:

Here an example of the pushed ProImage film showing the increased grain - or so I thought. In the original size the grain is clearly visible in the out-of focus areas - almost to a pointillistic effect - thought I notice that the size reduction to publish the picture here mostly gets rid of the grain and replaces it with some visual smudge... If you squint your eyes and dream you can still imagine the grain 😀

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M6, 35, ProImage 100@200

 

Grain or not, the combination of colour and the browsing horse makes for a fabulous photograph.

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Fotoklaus

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Nikon FM3A, Mikro- Nikkor 70-180, Fuji Superia 200

 

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Wayne

Wayne

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13 hours ago, fotomas said:

Dead end

Also the eighties. Duisburg Hochfeld 1983. Closed building shortly before they disapear.

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PAN-F, AE-1

 

For some reason, I find this photograph to be quite mesmerizing. I write after about 10 minutes of staring at it.

Best,

Wayne

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Guest JMF

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Untitled by JM__, on Flickr

Untitled by JM__, on Flickr

Untitled by JM__, on Flickr

1997 , Marrakech textile factory

TriX - Nikon F601 - 24mm and 16mm Nikkor 2.8 AIS

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Untitled by JM__, on Flickr

Untitled by JM__, on Flickr

TriX - Nikon F601 - 16mm Nikkor 2.8 AIS

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Bateleur

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The big smoke.

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OM4Ti ~ 135mm ~ Ilford HP5

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Ernest

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Surveillance Thread
M3 APO 50 Fuji Natura

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Kl@usW.

Kl@usW.

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vor 13 Stunden schrieb Fotoklaus:

Nikon FM3A, Mikro- Nikkor 70-180, Fuji Superia 200

 

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very nice, Fotoklaus. The Fuji seems to handle the  red quite good--in my experience the color seems to be difficult for both films and sensors.. 

vor 2 Stunden schrieb Ernest:

Surveillance Thread
M3 APO 50 Fuji Natura

the judas hole and the drawstring make a nice couple. The drawstring is attached to a device called " jalousie" in german and french--better pull in time! 

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bags27

bags27

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M4-P 135 f/4 (Mandler) Delta 100 Perceptol 1:1

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bags27

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the same

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Ernest

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Radius Redux 
M3 APO 50 Fuji Natura
Hats off to Rosenquist.

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