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I like film...(open thread)

Doc Henry

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bags27

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Blowing up the family toys. Same kit as above

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Ernest

Ernest

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Static Notes
M3 APO 50 ADOX Color Implosion
Challenge to the tyranny of repetition.

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stray cat

stray cat

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9 minutes ago, bags27 said:

Blowing up the family toys. Same kit as above

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Ken - this is an absolute belter of a shot! HC-B? Erwitt? A great example of that subtle Magnum humour - wonderful.

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Ernest

Ernest

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Pandemic Architecture Notes
M3 APO 50 Fuji Natura

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Ernest

Ernest

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4 hours ago, Kl@usW. said:

the judas hole and the drawstring make a nice couple. The drawstring is attached to a device called " jalousie" in german and french--better pull in time! 

You just made my day. Judas hole and jalousie, I had to look up both of them! My parent's home that my father designed was built in 1957 and "features" jalousie windows in every room, all the rage during that time. (def. a window made of adjustable glass louvers that control ventilation.) Thanks so much for adding to my vocabulary, especially since I enjoy the 18th-century. Judas Hole! Sounds like you could get a green light on this, the rhetoric of surveillance in the gaze of Big Brother. Chilling.

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AntonioF

AntonioF

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4 hours ago, Ernest said:

Static Notes
M3 APO 50 ADOX Color Implosion
Challenge to the tyranny of repetition.

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Almost Vietri tiles!

4 hours ago, Ernest said:

Pandemic Architecture Notes
M3 APO 50 Fuji Natura

Great tryptic! For both colors and subjects! It could be I just woke up but I found the tones are warm and welcoming but there's a something dark in the images.

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AntonioF

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Sunbathers of Napoli - Leica M6, Summicron 35 asph, FP4+

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fotomas

fotomas

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vor 19 Stunden schrieb Wayne:

For some reason, I find this photograph to be quite mesmerizing. I write after about 10 minutes of staring at it.

Best,

Wayne

Thank you Wayne, for your kind words. 

It's from 1983, but it looks somehow timeless for me. Could be also 50 years earlier.
After all this years I regret I have not taken more pictures there at that time. I took only a handful.
Maybe because this was my daily surrounding then, but could also be that I had no idea how fast the world could turn afterwards. I was busy finishing my school and had not much money. So I count every exposure.

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Frank

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Guest JMF

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Hirondelle, voisine de TGV by JM__, on Flickr

Portra 400 - Minilux 

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Wayne

Wayne

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Developer experiment: 300ml water+2ml Rodinal+.5 ML HC110

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Ultimate Point and shoot camera (Ib, 28mm Hektor) FP4

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Guest JMF

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tourism by JM__, on Flickr

Neopan 400 Fuji + 40 Rokkor + Minolta CLE

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Ernest

Ernest

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9 hours ago, AntonioF said:

Sunbathers of Napoli - Leica M6, Summicron 35 asph, FP4+

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As I think Phil would say, "Very cinematic." An engaging diptych with a Nino Rota music score.

"Great tryptic! For both colors and subjects! It could be I just woke up but I found the tones are warm and welcoming but there's a something dark in the images." Thanks for your comments, which also express what I was thinking about the ambience of these images that I call "notes." Warm, colorful, almost inviting but very disturbing: the "no go" cautionary sign that smacks of dystopia with its ruined feeling and rust, out of focus architecture, which gives way to the blow-up fantasy unicorn architecture, offset, then, by the clumsy foot tree trunk in front of a dumpster scrawled with sophomoric graffiti claiming "ownership" ironically of trash. It's a surrealist mix: no people, only evidence in the light of CV19. The blow-up unicorn building is from the birthday party for my niece's daughter, and the other images I shot within a block of my house. 

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S/W

S/W

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Venice

(October 2019)

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Leica M4-P * Voigtlaender Nokton 1.4/35 S. C. * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

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Ernest

Ernest

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Billboard Forecast
M-A APO 50 Fuji Natura

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Venice

(October 2019)

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Leica M4-P * Voigtlaender Nokton 1.4/35 S. C. * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

 
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S/W

S/W

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Venice

(October 2019)

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Leica M4-P * Voigtlaender Nokton 1.4/35 S. C. * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

 
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Ernest

Ernest

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Forecast Scribble
M3 DR Summicron Fuji Natura

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Venice at night

(Marcus Place, October 2019)

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Leica M4-P * Voigtlaender Nokton 1.4/35 S. C. * Kodak Portra 400@200 * Nikon Coolscan V ED * Capture One 20

 
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Ernest

Ernest

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Oblique
M3 APO 50 Fuji Natura

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