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I like film...(open thread)

Doc Henry

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Ernest

Ernest

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Interrogation Carnival
M3 APO 50 Fuji Natura

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Ernest

Ernest

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Four Time
M3 APO 50 Fuji Natura

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christoph_d

christoph_d

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Lazy 

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Rollei 35RF, 75, Ultramax 400

Not sure if I like this film. I certainly have to get used to the colours...

 

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M.RB

M.RB

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IIIc, 50/3.5 Elmar, Kodak T-Max 400

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Bateleur

Bateleur

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5 hours ago, christoph_d said:

Lazy 

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Rollei 35RF, 75, Ultramax 400

Not sure if I like this film. I certainly have to get used to the colours...

 

Not sure about the colours either, but I love the photo, its brilliant.

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AntonioF

AntonioF

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Swimmers in Napoli - Leica M6, Summicron 35 asph, Rollei RPX 400

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fotomas

fotomas

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Another from my Berlin S-Bahn series. A lone passenger is waiting for the train in Berlin Schöneberg station at the 25.5.1985.
Above the ceiling there are the rails of the Ringbahn (circle-line), that was still closed in these days.

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Fuji HR 100

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Ernest

Ernest

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Float Line
M3 APO 50 Fuji Natura

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Ernest

Ernest

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Float Line No. 3
M3 APO 50 Fuji Natura

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Ernest

Ernest

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24 minutes ago, stray cat said:

I like these a lot Rog - the subtle use of shadowing - and not - lends an extra layer of fascination to these abstract entities.

Thanks, Phil! It seems I'm navigating some of this more by dead reckoning with antique instruments, notably my brain, finding the tension between a concocted line challenges the authority of an image. It's kind of like laying down measurement with an unmarked system, and the lines have this floating that invokes an artificial depth, a perspective that lifts off the flat field. A photograph that embraces its artificiality. I recall Antonioni's Blow-Up and the constant movement away from reality mediated by an incessant "blowing up" an image, until it's a galaxy of grain, like an abstract painting. My float line construction says this is real but it's constructing unreality out of the most common surface, the wall. Thanks, again, for indulging my dead reckoning. 

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AntonioF

AntonioF

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Mappanella Beach, Napoli - Leica M6, Summicron 35 asph, FP4+

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sblitz

sblitz

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Santa Monica Beach -- Ilford HP5+ Developed in Ilford DD-X

 

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sblitz

sblitz

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Grandma's first grandchild, just a few days old, and the proud dad (my son!).

 

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Kl@usW.

Kl@usW.

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vor 10 Stunden schrieb Ernest:

Thanks, Phil! It seems I'm navigating some of this more by dead reckoning with antique instruments, notably my brain, finding the tension between a concocted line challenges the authority of an image. It's kind of like laying down measurement with an unmarked system, and the lines have this floating that invokes an artificial depth, a perspective that lifts off the flat field. A photograph that embraces its artificiality. I recall Antonioni's Blow-Up and the constant movement away from reality mediated by an incessant "blowing up" an image, until it's a galaxy of grain, like an abstract painting. My float line construction says this is real but it's constructing unreality out of the most common surface, the wall. Thanks, again, for indulging my dead reckoning. 

Float line ... not exactly in my usual vocabulary but  a welcome addition. Familiar with floaters, an every day staple of my profession, I started to to make my own sense of the float line: floaters are there, but you only see the shadow, taking it for the real thing. Menacingly they move , pretending to be  something they aren't .... Floating--isnt that an appropriate description of our situation? Old assumptions fail to prove true, everything is moving, and possibly the best we can do is to float on top of the situation, wasting as little energy as possible and declare we  will stay on top until having reached firm ground again.  Apart from your caption  and ignoring my musing--great images, Rog. 

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sblitz

sblitz

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and my son with my other granddaughter --

 

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Kl@usW.

Kl@usW.

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Bauhaus sluice heads-about 1930 . Should have been reconstructed  by 2015 -but due to environmental and conservational considerations the new deadline is 2035.... 

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MP; 3,8/24; Portra 160@100 Edited by Kl@usW.
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christoph_d

christoph_d

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19 hours ago, fotomas said:

Another from my Berlin S-Bahn series. A lone passenger is waiting for the train in Berlin Schöneberg station at the 25.5.1985.
Above the ceiling there are the rails of the Ringbahn (circle-line), that was still closed in these days.

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Fuji HR 100

That was a golden time without too much graffiiti...

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