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I like film...(open thread)

Doc Henry

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Ouroboros

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Trewethet Mill.

Leica MP

35mm summicron asph

Heliopan 13

Acros 100

 

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Animas, Ruta Una, Chile by JM__, on Flickr

Animas, Ruta Una, Chile by JM__, on Flickr

Rollei 25 - Ricoh GR21

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Ouroboros

Ouroboros

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Poulnabrone Dolmen.

Leica MP

CV 12mm

Heliopan 22

Acros 100

 

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Ernest

Ernest

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Frame Work Corner No. 2
M-A APO 50 E100 & Portra 400

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Ernest

Ernest

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Frond Link
M3 APO 50 Fuji Natura

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Ernest

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Forecast Scribbles
M-A APO 50 Fuji Natura

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Suede

Suede

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Suckered by the salesman and down on his knees vowing eternal love. She, on the other hand, is over the moon.   [Tri-X]

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Ernest

Ernest

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Disaster Coordinate
M-A APO 50 Fuji Natura

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Guest JMF

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Fondation Vuitton - Frank Gehry by JM__, on Flickr

Fondation Vuitton - Frank Gehry by JM__, on Flickr

Fondation Vuitton - Frank Gehry by JM__, on Flickr

Rollei 25 - Ricoh GR21

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Arrow

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"A garden gnome fondler´s purgatory"

Blessed are the poor in spirit: for theirs is the kingdom of heaven. (Matthew 5:3 KJV)

Non lens based photography. Leica MP and laser pointer. T-Max 400.

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Edited by Arrow
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Kl@usW.

Kl@usW.

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Am 6.7.2020 um 18:48 schrieb Ernest:

Grid Work Echo
M-A APO 50 Fuji Natura
Another version, Bauhaus collage without grid. Inspired by Lyonel Feininger's "Gelmeroda" series.

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Beautiful, Rog. The tiles transport a tranquil movement, a rhythm within the frame.

Am 6.7.2020 um 21:50 schrieb Suede:

Bits and bobs seen on the pottery wall.   [Tri-X]

Pritam, a well balanced composition--I love the mundane content, reminds us to find the beauty in the things  around. 

vor 21 Stunden schrieb Wayne:

Back at it with old Soviet stuff.

Kiev III, Soviet copy of Contax 50/2 Sonnar, long expired Svema 32 (Even used the selenium meter on the camera. They must have used more powerful stuff) :) 

Wayne, I love the  " in focus-out of focus" balance in this picture. Did you use the "Sonnar" wide open ? Very nice grey tones too.     And does the selenium meter glow in the dark ? 🎆

vor 3 Stunden schrieb Arrow:

"A garden gnome fondler´s purgatory"

Blessed are the poor in spirit: for theirs is the kingdom of heaven. (Matthew 5:3 KJV)

Non lens based photography. Leica MP and laser pointer. T-Max 400.

I like it, opens a whole new chapter in this thread...  And will you tell us--in due time--how you achieved this ?   My guess is: a pinhole body cap with the pointer suspended over the camera lying on the back--then pushed a bit to get it into a random swing... 

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AntonioF

AntonioF

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Arches - Canon A1, Canon 50/2 FD, Polypan F 50

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Fotoklaus

Fotoklaus

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Leica M4-2, Voigtländer 4/21, Tmax 400

 

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stray cat

stray cat

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I'm knocked out by the architecture/design direction of this page of images - from Steve's Mill and then ancient standing stone construction, through Jean-Marc's examinations of, firstly, a religious icon and then gregarious Gehry architecture, Rog's constructions and even found nature/manmade juxtaposition, Pritam's higgledy-piggledy street with strange romantic goings-on, Arrow's inventive and intriguing experimantation, Antonio's very Robert Adams/New Topographics-ish Arches, to Fotoklaus's Lee Friedlander-esque wide angle studies. What a feast!

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Wayne

Wayne

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3 hours ago, Kl@usW. said:

Wayne, I love the  " in focus-out of focus" balance in this picture. Did you use the "Sonnar" wide open ? Very nice grey tones too.     And does the selenium meter glow in the dark ? 🎆

 

Thanks, Klaus. I do believe the lens was wide open when I took this one. As you can see, the film was not corrupted by the meter; it should be safe for use in future. :)

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Fotoklaus

Fotoklaus

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Leica M4-2, Elmar-M 2,8-50, Tmax 400

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Edited by Fotoklaus
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Suede

Suede

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42 minutes ago, stray cat said:

I'm knocked out by the architecture/design direction of this page of images - from Steve's Mill and then ancient standing stone construction, through Jean-Marc's examinations of, firstly, a religious icon and then gregarious Gehry architecture, Rog's constructions and even found nature/manmade juxtaposition, Pritam's higgledy-piggledy street with strange romantic goings-on, Arrow's inventive and intriguing experimantation, Antonio's very Robert Adams/New Topographics-ish Arches, to Fotoklaus's Lee Friedlander-esque wide angle studies. What a feast!

Thanks for your comment, Phil. I'm adding another one to ensure the page is really loaded with architecture. I suspect it's at tipping point, as my photo suggests, and might get uploaded to go on to 3509. Let's see if it tips the scales...

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Suede

Suede

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Okay, I'll try a specially designed one. If its weight is on the spot, we might have this one hanging between the two pages.   [Tri-X]

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Fotoklaus

Fotoklaus

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Rolleicord Vb, Tmax 400

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