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Showing results for tags 'leica sl'.
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Hi - I'm new here so please forgive me if I'm missing something / not following protocol but... Does anyone know the best way to encourage Leica to facilitate shooting video (I should have stressed this!) in Blackmagic RAW (BRAW) on the SL3-S? Or does anyone have any news / views on this / the likelihood of it happening? Thank you!
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Scenes from The Racetrack, a 12 minutes exposure taken in Death Valley during one of the Workshops I led there last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Hallo erstmal, ich habe ein Problem mit Farben der DNG-Files in Lightroom und Capture One. Zurzeit habe ich eine Teststellung einer Leica SL (FW 3.3) mit dem 24-90mm und dem 50mm/1.4. Letzte Woche hatte ich Outdoor das erste Probe-Shooting. Unabhängig von der tollen Handhabung und allem anderen an der Kamera, war ich doch etwas überrascht, als ich mir die Bilder später in Lightroom (neueste Version LR Classic 2019) anschaute. Die JPEGS-Files klasse. Vom Farbtone sehr nah am Original (zumindest was mein Auge sah). In der Kamera alles auf Standardwerte gelassen. soweit so gut. Die RAW-Files (DNG). Alle einen leichten aber sehr auffälligen und unnatürlichen Farbstich ins Rot/Orange. Die (Leica) DNG habe ich direkt nach LR importiert, also keine Umwandlung in Adobe-DNG. Kein Filter oder anderes als das Adobe-Standard Preset. Geschaut ob es ein Leica-Kamera Preset gibt, wie z.B. bei Nikon oder Olympus. Gibt es nicht. Das Bild mal in Capture One überprüft. Selbes Phänomen. Wieder Farbstich beim DNG. Gut jetzt könnte ich selber nach regeln, aber es ist schon sehr auffällig, wie unnatürlich das RAW/DNG gegenüber den JPEG aussieht. Kenn ich von anderen Kamera her nicht. Wir haben ca. 500 Bilder an diesem Tag gemacht. Ist bei fast allen Bildern, das selbe Phänomen. Egal ob nun mit Schal um den Hals herum oder nicht. Auch der Weiss-Abglich stimmte m.E., denn die JPEGS sehen ja alle sehr harmonisch aus. Das Model ist eher der blasse Typ gewesen, aber nicht mit diesen oranger Teint, wie auf dem DNG. Nun habe ich schon mal in anderen Foren gesucht, und was über Color Problem bei den DNGs aus der Leica Q und S gelesen. Ist das hier das selbe Problem? Oder muss ich mich umstellen, dass alle Leica RAWs (DNG) einfach einen leichten Farbstich haben? Ich wollte eigentlich ein neues System kaufen, wo ich nicht erstmal auf Fehlersuche gehen muss. Oder gibt es einen Tipp von Euch, wo mein Denkfehler ist? Danke schon mal und viele Grüße aus dem Norden P.S. Die Beispielbilder sind unbearbeitet, auch nichts an der Helligkeit/Kontrast etc. geändert.
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Iceland in winter is amazing, looking for ice and snow patterns on the black sand at Reynisdrangar is extremely inspiring and makes enduring the cold definitely worth it. We had a great time during my Workshop there last February! Leica SL, Leica Vario-Elmarit-SL 24-90mm @ 24mm and filters Formatt-Hitech Firecrest Ultra. Thanks for viewing, best regards Vieri
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Vernazza at sunrise, taken during a Workshop I led in Le Cinque Terre (Italy) in Spring 2017. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
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For my Fine Art Landscape work, I find ultra-wide-angle lenses to be wonderful creative tools because of the different “view of the world” they provide: see in this Venus Optics Laowa 12mm f/2.8 Zero-D in-depth review my thoughts about this relatively new and promising addition to the ultra-wide pool, and about its place in a Fine Art Landscape photographer’s bag. https://vieribottazzini.com/2018/05/venus-optics-laowa-12mm-f-2-8-zero-d-in-depth-review.html Thank you for reading, best regards, Vieri -
I am curious to learn if anyone else is having problems with the Leica SL when shooting moving subjects. When shooting a moving subject, like a dog coming towards the camera, the Focus Point (green rectangle in viewfinder) jumps around and does not stick to the subject - it is almost like the Focus Mode is set to “Face Detection” (which it is not). If I continue to hold the shutter release half way down, & slightly recompose the image, the Focus Point tries to stay on the spot that it originally focused upon. Is there a way to set up the Auto Focus so that the Focus Frame/Point stays on the selected moving subject, rather than it jumping around the frame sporadically? Here are the camera settings I started with, though I have experimented with changing all of them. The problem is not quite as bad using the Single Focus Mode rather than the Continuous Mode. Focus Mode: Auto Focus Continuous (or Single Focus) Drive Mode: Continuous Medium Auto Focus Field Size: “Field” (or single point or zone) Auto Focus Mode: Dynamic (Tracking) Thanks, Mark Weidman
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A dark, moody take at Elgol's shore, taken during one of the Workshops I led on the Isle of Skye in Scotland last spring. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Dawn at the Pinnacles, taken in Dorset during one of the Workshops I led on the Jurassic Coast last spring. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Storm at the Old Man of Storr, taken during one of the Workshops I led on the Isle of Skye last spring. Leica SL, Leica Vario-Elmarit-SL 24-90mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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A Racetrack Sunset, taken during one of my Workshops for three participants only in Death Valley last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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Loch Fada and the Old Man of Storr at sunrise, taken on an exceptionally still morning during one of the Workshops I led on the Isle of Skye in Scotland last spring. Leica SL, Leica Vario-Elmarit-SL and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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A serene sunset at Talisker Bay, taken on during one of the Workshops I led on the Isle of Skye in Scotland last spring. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Best regards, Vieri
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After Sunset at Kimmeridge Bay, taken in Dorset during one of my Workshops there last spring. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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A beautiful sunset at Neist Point, Isle of Skye. Leica SL
Vieri posted a topic in Landscape & Travel
A beautiful Sunset at Neist Point, taken on the Isle of Skye during one of the Workshops I led there last spring. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri- 7 replies
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A couple of days ago, during the Workshop I am leading here in Asturias, we were talking about Tuscany and its amazing landscapes: I immediately started thinking about the beauty of this land in the fall, and realised once more that I can't wait to be back there very soon! This is Val d'Orcia, photographed during a Workshop I led there in November 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
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First pictures meeting two other guys and taking some pictures. Leica SL with 16-35 #1
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Hi All SL-users! I have had my SL for some months and used mostly M-R lenses with the adapers and the 24-90 Zoom which covers most situations. The system is heavy, but once you get used to it, -you start wondering why not use lenses of your 645 cameras:)? I have the Contax 645 lenses and wonder if anyone has found suitable adapter to use these on the SL - even if the AF and some other functions might be lost? Some time back there were still companies which made tailor-made adapters, but I have learned that we are maybe past those times?;) However, there are individuals who are keen to solve problems and I remember someone making an AF-unit of Nikon's 16A-teleconverter, which was not that difficult after all... Even the Photokina exhibition might have revealed something on this front? So, -please, share any of your experience and of this topic? if there are any:)? br Hans
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A trip through the Democratic Republic of Congo Leica SL + Summilux M 21mm f/1.4 + Summicron M 90mm f2 https://www.signsofafrica.com/latest.html 1. Barge on the River Congo 21mm
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Seljalandsfoss is one of the most famous and photographed waterfalls in Iceland, most known for being photographed from behind the water. Since I like to go to Iceland in winter, both for my Workshops and for my personal work, that is never possible: the access to the waterfall's back is closed due to the snow. This, however, opens up new creative possibilities to portray this amazing waterfall surrounded by icicles and looking like it's digging in the snow. Black & white, for me, was the obvious choice for this. Leica SL, Voigtlander 15mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
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Feeling minimalist today: "Morning mist", taken during a Workshop I led in Tuscany (Italy) in October 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
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A burning sunset sky over the Racetrack, a 20-seconds exposure taken in amazing Death Valley (CA), USA, during a workshop I led there last winter. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
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Reynisfjara's iconic sea stacks at Sunrise, taken in Iceland during a Workshop I led there in February. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
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Jetty, in Dorset. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest Filters. Thanks for viewing, best regards Vieri
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Sunset at the Fairy Pools, on the Isle of Skye in Scotland, taken during one of my 2017 Workshops on the Isle. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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