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Showing results for tags 'beauty'.
Found 16 results
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Turkey. Alanya Leica M9, Summilux 50/1.4 pre-asph
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Turkey. Antalya Leica M9, Summilux 50/1.4 pre-asph
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Sunrise at Quiraing on the Isle of Skye, last March during one of my Workshops on the Isle. Quiraing is a really enchanted place, where trees even grow horizontally out of hillsides Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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A serene Racetrack sunset, taken during my Workshop in Death Valley in winter 2017. Leica S (007), Leica Vario-Elmar-S 30-90mm at 35mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
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A Badwater sunset, taken during one of the Workshops I led in Death Valley last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards, Vieri
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Russia. Moscow. Mikhalkovo Estate Leica M9, Noctilux 50/1.0, f/1.0
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Russia. Near Belgorod Leica M9, Summilux 50/1.4 pre-asph
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A natural light portrait of Lexi, six months pregnant. Leica M10, 50mm Voigtlander APO Lanthar.
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A portrait of Brianna from this summer. We are on our tenth year of an extended portrait collaboration. Leica SL2s and Voigtlander 75mm f1.5
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I dropped my M Monochrom onto a concrete pavement some 18 months ago, knocking the rangefinder out of alignment. I thought it would be expensive to fix and, being skint at the time, I just went back to shooting black and white film on my Leica M2 and M5. Leica have since fixed the M Monochrom, and replaced the sensor into the bargain, and they didn't charge me a penny, not even for postage. To say I'm happy with this outcome would be an understatement. But I'm glad I got back into film again. It really does have a magical quality that even the M Monochrom can't quite duplicate. Film isn't anywhere near as sharp, certainly, but that's part of the charm. There's a kind of timeless beauty in those grainy and imperfect images. Anyway, I attach a recent shot (March 2016) I took in my home city of Glasgow. It's on Ilford HP5 pushed to 800 ISO. I shot it in torrential rain, on my M2 fitted with 28mm Summicron ASPH, wide open at f2. I've used the M Monochrom very carefully in the rain, but I don't think I'd have risked it in those conditions. Best wishes all, Colin
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