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Found 16 results

  1. A portrait of Brianna from this summer. We are on our tenth year of an extended portrait collaboration. Leica SL2s and Voigtlander 75mm f1.5
  2. Paco Rosso

    Alba

    With Alba in studio, a leica SL2, summicron 50/2 in my hand and a broncolor siros S 800 with a 1,8x1,2n softbox behind her. (For my next book on photographic lighting).
  3. Alex Krasotkin

    Tanya

    Russia. Near Belgorod Leica M9, Summilux 50/1.4 pre-asph
  4. Russia. Moscow. Mikhalkovo Estate Leica M9, Noctilux 50/1.0, f/1.0
  5. A Badwater sunset, taken during one of the Workshops I led in Death Valley last January. Leica SL, Voigtlander 15mm v. III and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards, Vieri
  6. Sunrise at Quiraing on the Isle of Skye, last March during one of my Workshops on the Isle. Quiraing is a really enchanted place, where trees even grow horizontally out of hillsides Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  7. Turkey. Antalya Leica M9, Summilux 50/1.4 pre-asph
  8. Turkey. Alanya Leica M9, Summilux 50/1.4 pre-asph
  9. Alex Krasotkin

    Sea Mood

    Turkey. Alanya. Leica M9, Summicron C 40/2
  10. jakontil

    Good morning!

    M11 | 50 noctilux 1.2
  11. AJoLi69

    Dying Sun

    From the album: Leica Q2 - Women Photography

    Model: Lena held

    © Andreas-Joachim Lins

  12. AJoLi69

    Fences

    From the album: Leica Q2 - Women Photography

    Model: Lena Held

    © Andreas-Joachim Lins

  13. A natural light portrait of Lexi, six months pregnant. Leica M10, 50mm Voigtlander APO Lanthar.
  14. A serene Racetrack sunset, taken during my Workshop in Death Valley in winter 2017. Leica S (007), Leica Vario-Elmar-S 30-90mm at 35mm and Formatt-Hitech Firecrest filters. Thanks for viewing, best regards Vieri
  15. Yesterday in Florence.... Leica M8 Rokkor 90mm f4 Ciao Giacomo
  16. I dropped my M Monochrom onto a concrete pavement some 18 months ago, knocking the rangefinder out of alignment. I thought it would be expensive to fix and, being skint at the time, I just went back to shooting black and white film on my Leica M2 and M5. Leica have since fixed the M Monochrom, and replaced the sensor into the bargain, and they didn't charge me a penny, not even for postage. To say I'm happy with this outcome would be an understatement. But I'm glad I got back into film again. It really does have a magical quality that even the M Monochrom can't quite duplicate. Film isn't anywhere near as sharp, certainly, but that's part of the charm. There's a kind of timeless beauty in those grainy and imperfect images. Anyway, I attach a recent shot (March 2016) I took in my home city of Glasgow. It's on Ilford HP5 pushed to 800 ISO. I shot it in torrential rain, on my M2 fitted with 28mm Summicron ASPH, wide open at f2. I've used the M Monochrom very carefully in the rain, but I don't think I'd have risked it in those conditions. Best wishes all, Colin
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