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The view through older Glass


farnz

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The magic of the Nikkor-S Auto 1:1.4 f=50mm

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M10 + Nikon Nikkor-S Auto 1:1.4 f=50mm (edited to my taste)

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M10 + Summarit f=5cm 1:1,5

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Leica M10-R, 1958 Contax Zeiss Sonnar 50/1.5 

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M10P ASC + 2000 MATE v2, all @ 35mm and f/4

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Leitz Summarit 50/1.5  + Ricoh GXR

 

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M3 with 50mm DR using close focus attachment.  No crop.  Ilford HP5+ @400.  

 

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From this early evenings dog walk in the dunes. M11 with Summicron-M 5cm Collapsible, shot wide open at f/2. 

The rendering is soft and gentle with the residual spherical aberrations allowing for enough detail but almost completely masking the field of focus. Hope it comes across in this image. 

 

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Another at f/2 with the Summicron-M 5cm Collapsible

 

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1:3.4/21mm Super-Angulon, M10 Monochrom:

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M10 + Leitz Elmar f=5cm 1:3,5

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M240, Carl Zeiss Jena Biotar Black Paint T* 58/2 (17 blades).
The king and queen of swirly bokeh, the lens Soviets modelled their Helios 44-2 on.

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Edited by Al Brown
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My cousin Claudia, enjoying the sunset. In the background, the island of Tavolara, Sardinia.

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Leica M3, Summaron 35 2.8, Ilford XP2

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35mm f2 V1 with Portra 160.

 

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One more on the same set up. 

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Leitz Summarit 50/1.5  + Ricoh GXR

 

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M10 + Nikkor-S Auto 1:1.2 f=55mm

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Marrakesh. M10 & Canon 100/2 LTM

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M-P w/Elmar-M 50.

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