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The view through older Glass


farnz

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Another couple of season's test shots with a lens that's just returned from conversion (credits to Skyllaney for an excellent job!). I'll post more in a few days.

M10P ASC + converted 194X Dallmeyer Septac Anastigmat 50/1.5 (early uncoated version), wide open @ MFD

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Edited by Ecar
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Kodak Ektar Anastigmat 5cm 3.5 (Kodak Retina) converted to M39 + Sigma fp

 

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Paris view across a street

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Leica M240 & Russar 20mm, real vintage

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Arrival just in time

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M10 + Summarit f=5cm 1:1,5

 

 

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50mm Canon 1.2 LTM on M10-P Safari

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A rainbow, lovely after a week of awful weather. The snow is from a storm that left us without power for 82 hours, considering others in the world a first world issue.

CL 40 Makro Kilar (what was on my desk at the time.

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Kodak Ektar Anastigmat 5cm 3.5 (Kodak Retina) converted to M39 + Sigma fp

 

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Summarit f1.5 on Sony A7s Kolari mod.

 

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Nikkor-S.C. 5cm 1.4 (converted to M39) + Sigma fp

 

Edited by DoK
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4 hours ago, pippy said:

The River Thames at Setting of the Sun, Boxing Day 2022.

M Monochrom, 1959 21mm f4 Super-Angulon, Leitz Orange filter;

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Philip.

QQ I thought the Super Angulon 21 f3.4 and f4 could not meter properly on the M10M, is that correct? 

Sharing pic to keep to the rules of this thread too :)

M3 | 8e Summicron f2 with cinestill 400D

 

Edited by shirubadanieru
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21 SA 3.4 on M9M


Quote

 I thought the Super Angulon 21 f3.4 and f4 could not meter properly on the M10M, is that correct

 

That is correct on a RF basic mode yet in live view,  the M10 cameras do meter correctly with such lenses .

Best 

JM

 

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1 hour ago, shirubadanieru said:

QQ I thought the Super Angulon 21 f3.4 and f4 could not meter properly on the M10M, is that correct?...

Yes. The pic here was snapped on an M Monocrom but the answer is the same.

I (usually) only use the 21 /4 with my Monochrom so, unlike with my M-D Typ-262, the MM has a rear screen(!) which means Chimping is possible.

As it happens, though (and oddly enough), on this occasion things worked the other way around as I had already taken a similar snap on the other body (TTL metered with '74 35mm Summilux) so I had already worked out my intended exposure and transposed ISO/ Orange Filter results accordingly even before I tripped the shutter.

One of the things I (almost) always love about the way the 21 / 4 renders with the M Monochrome has to do with the inherent vignetting due the non-retrofocus design and how it works with the Microlenses of the MM sensor. The vignetting of the image as posted might appear to be greatly exaggerated but, believe me, the pic is almost SOOC and absolutely no vignetting has been added.

FWIW when I remember to change lens-codes with the MM I usually like to dial-in the 21 / 4 as an old 50mm f1.2 Noctilux.

Philip.

Edited by pippy
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34 minutes ago, pippy said:

Yes...

...As it happens, though (and oddly enough), on this occasion things worked the other way around as I had already taken a similar snap on the other body (TTL metered with '74 35mm Summilux) so I had already worked out my intended exposure and transposed ISO/ Orange Filter results accordingly even before I tripped the shutter....

Just for the sheer halibut here's the corresponding - and, as it's so unremittingly Dull, intended to remain 'Unseen' forever - snap from the MD;

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Again; pretty much SOOC so I wasn't surprised to discover that the exposure for the 21 /4 on the MM was as I had expected it to be.

Philip.

Edited by pippy
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90mm three element Elmar on M9

 

 

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A view from the Amsterdam public library at the Prins Hendrikkade

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Sony NEX5 + Summaron 35/2.8 (1961)

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There's a ball there somewhere... ;)

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'67 35mm Summaron f2.8, M11

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1938 Summar 50mm F2/ M-E 220.

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Same combination as previous post.

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Pre war CZJ Sonnar 50mm F2/ M-E 220.

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