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On 10/25/2020 at 6:03 AM, MarkP said:

So, ignoring the distraction, I have an SL2 system but cannot see myself ever getting rid of my M system......

But otherwise it's the M system: IQ, those fabulous lenses, compact, discrete, simple, versatile, film & digital compatibility.

 

I use my M-Mount lenses regularly with the M to TL adapter. The SL is truly a manual lovers dream. The focus peaking (I love the red focus highlights) is fast and is a welcome alternative to the M system RF focusing. I too am grappling with selling my M240 (along with the EVF-2, the R to M adapter, the wonderful R-Mount lenses, et al), then I say to myself, as excellent a the SL is, it is a behemoth to carry all day. Plus the battery drains quickly especially if you are reviewing shots regularly. I also have an M8.2 and more and more, i take that camera with me. As I have 3 lenses dedicated to it with 6-bit engraving and the IR filters needed in many conditions. Still the ease of use of the M8.2 never lets me down.

I guess I'm just a manic "Leicaphile" who can not part with his 'family' even though COVID has cut into my street photography and travel shooting.

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I keep M246 and both SLs. A black and white camera is special and different than the rest, the SL2 is for almost everything. The SL is for use with R lenses (R 50, R35, R19, R15, R80, M135, R180, R250, R350).

I only sell a camera if I terribly need money. (Knock on wood, it has not happened, yet.)

Edited by caissa
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1 hour ago, Gavin Cato said:

Am I the only guy who doesn't find the SL2 that big?

Maybe it's all the years of using Canon 1 series bodies.

Body not that big, but I only use native SL lenses, which are monsters compared to my M lenses.  But well balanced together, with good ergonomics, albeit heavy.  I don’t mind the size, though; not a replacement for my M system.  I used to deal with large format view cameras, stacks of film holders, heavy tripod, etc, as well as SLRs and various MF systems, so it’s all relative.  IBIS on the SL2 (with OIS on long zooms) is a delight, negating tripod use for most of my needs.

Jeff

 

Edited by Jeff S
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Consolidation of existing equipment is something which at  some point or other concerns everyone.

I`m not longer bothered about lack of use having sold equipment on that basis and regretted it ,only to buy it back again. 

I have three M film bodies which I would never sell .

Never got into the digital M side but have bought a CL.

I continue to "look" at SL bodies both as a way of extending my shooting and consolidating my existing lenses.

Extending my shooting in the context of equestrian shots which are about 80% of my output.

In that regard I currently use a Sony body but have used Canon in the past .

I prefer that type of system for my equestrian shots but constantly wonder if the SL would be fast enough and have the iso headroom.

The size of the SL system has never been an obstacle .... I tend to struggle with small camera bodies like the Sony although not so much with the CL for some reason .

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3 hours ago, Gavin Cato said:

Am I the only guy who doesn't find the SL2 that big?

Your right, the SL2 is a comfortable size and because of the grip easier in the hand than my 10m. I decided on the SL2 over the 10r based on the weather sealing of both the camera and lenses.

Every-time I pick up the SL2 -  for shooting colour -  I feel it’s such a capable camera - quite exceptional. I had the SL with all the zooms but the size of those were not for me so sold them. I only have the SL APO 35mm which is fine for what I do. So if I wasn’t into Mono the SL2 would be more than acceptable as the basis for an only camera system however I would keep to the one native lens as I prefer the older M lenses. 

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I have an SL2, think the SL primes are incredible, and feel the overall image quality is better for my large print sizes than anything I achieved with the M system.

I’m very into B&W, however, and this would naturally point me towards an M10M - I’ve resisted so far, even though I do see a clear tonal benefit of the dedicated Monochrom sensor. But it’s clear that part of my resistance to the M 10M is because I’d like to now keep to the SL as the core camera system ....who knows if it’ll ever happen, but after the Q2 Mono’s arrival, I’m hoping that one day an SL2 Mono might occur. That could be wishful thinking, and might never happen, but if it did occur it would allow me to keep everything (both colour and dedicated B&W) to an SL system with its incredibly good SL prime lenses ....

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On 11/19/2020 at 5:17 PM, Gavin Cato said:

Am I the only guy who doesn't find the SL2 that big?

Maybe it's all the years of using Canon 1 series bodies.

Agree with you. I also came from shooting Canon 1D series bodies with L glass telephoto zooms. The SL2 feels good with the 24-90. Easy to carry with a wriststrap.  I also mounted the 90-280 at a Leica Store and I was surprised about the weight and size. I heard a lot of comments about it being too big and heavy but honestly, it's lighter than I expected and not that big compared to what I used to carry. I've got it on my short list. I guess it all depends on your prospective. 

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On 11/24/2020 at 5:59 AM, ronone10 said:

Agree with you. I also came from shooting Canon 1D series bodies with L glass telephoto zooms. The SL2 feels good with the 24-90. Easy to carry with a wriststrap.  I also mounted the 90-280 at a Leica Store and I was surprised about the weight and size. I heard a lot of comments about it being too big and heavy but honestly, it's lighter than I expected and not that big compared to what I used to carry. I've got it on my short list. I guess it all depends on your prospective. 

Even coming from an M it isn't too big. The grip makes all the difference. In fact, in hand, the camera is so much more comfortable to handle (duh!) than an M. An hour into a walk, M in hand, my hand starts to ache. Full disclosure I didn't do leather case or sling or anything so I used to carry it naked so to speak. Again, I for one agree that the SL2 with an SL-Cron on it feels very well balanced.

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Ah, but then I went out this morning on one of my favourite walks with just the M10 and a 28 summicron asph...

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It reminded me of why I'll never get rid of an M and at the very least this lens. 

🙂

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I'm keeping both. I use my SL2 for color work, and retain an M9 Monochrom for black & white work. With all due respect to previous posts, I am enamored of the M9 CCD and think the SL2/M10-R CMOS has its place in terms of being ridonkulously precise, but the noise profile the M9 Monochrom CCD produces in black and white is just...(kisses fingers)...on flerk (did I say that right? ;) )

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