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On 11/8/2019 at 2:18 AM, meerec said:

Think again then 🤗 and check the 80/1.9 which is the fastest hassy lens ever made, f/1.5 equivalent and it’s very good

https://www.bhphotovideo.com/c/compare/Hasselblad_XCD_65mm_f_2.8_Lens_vs_Hasselblad_XCD_80mm_f_1.9_Lens_vs_Hasselblad_XCD_35-75mm_f_3.5-4.5_Lens_vs_Hasselblad_XCD_30mm_f_3.5_Lens/BHitems/1436793-REG_1436792-REG_1487058-REG_1285145-REG

Take a look at the row "covered area". None of these favored focal length cover 44x33mm, they are more like a 35mm full frame or even sub-full-frame lens.

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11 minutes ago, Einst_Stein said:

https://www.bhphotovideo.com/c/compare/Hasselblad_XCD_65mm_f_2.8_Lens_vs_Hasselblad_XCD_80mm_f_1.9_Lens_vs_Hasselblad_XCD_35-75mm_f_3.5-4.5_Lens_vs_Hasselblad_XCD_30mm_f_3.5_Lens/BHitems/1436793-REG_1436792-REG_1487058-REG_1285145-REG

Take a look at the row "covered area". None of these favored focal length cover 44x33mm, they are more like a 35mm full frame or even sub-full-frame lens.

If this means what I think it means, that's a Yikes!.

Edited by John Smith
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8 minutes ago, Einst_Stein said:

https://www.bhphotovideo.com/c/compare/Hasselblad_XCD_65mm_f_2.8_Lens_vs_Hasselblad_XCD_80mm_f_1.9_Lens_vs_Hasselblad_XCD_35-75mm_f_3.5-4.5_Lens_vs_Hasselblad_XCD_30mm_f_3.5_Lens/BHitems/1436793-REG_1436792-REG_1487058-REG_1285145-REG

Take a look at the row "covered area". None of these favored focal length cover 44x33mm, they are more like a 35mm full frame or even sub-full-frame lens.

Welcome, dear visitor! As registered member you'd see an image here…

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I'm not quite sure what their "Area of Coverage" measurement refers to, but the units are in centimeters, not millimeters. The 44x33mm sensor is 4.4x3.3cm. You may have misread the B&H spec as "mm" instead of "cm".

Joe

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Just now, Joe Colson said:

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

I'm not quite sure what their "Area of Coverage" measurement refers to, but the units are in centimeters, not millimeters. The 44x33mm sensor is 4.4x3.3cm. You may have misread the B&H spec as "mm" instead of "cm".

Joe

Thanks for pointing out. Good catch.

Then it might mean the covered object area in the closest distance?

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If you head over to Hasselblads site you will see that "Area of coverage" is listed in the section titled "Close focus range data" so I think it is calculated from MFD and the reproduction scale at MFD

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  • 3 weeks later...

Remember looking at my mamiya c330s slides compared to 35mm and they were massive!

But i noticed on digital medium format and especially the crop medium format the sensor is simply a bit bigger than full frame.

Compared to film days medium format seems like a minor upgrade to me but maybe i am missing something?

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vor 36 Minuten schrieb steve 1959:

Remember looking at my mamiya c330s slides compared to 35mm and they were massive!

But i noticed on digital medium format and especially the crop medium format the sensor is simply a bit bigger than full frame.

Compared to film days medium format seems like a minor upgrade to me but maybe i am missing something?

I agree that the difference is certainly not as  dramatic compared to film times. I feel there is still a difference. Not so much resolution but tonalit, color and sharpness roll off. But I also feel the SL2 (just for example) with a good lens is not that far away from MF IQ.

 

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The difference is small, but the SL2 with multishot is in my eyes slightly better (with a good lens). Regarding noise, color, DR, ....      

Take a 6x6 slide/negative film and digitize it with the SL2. Compare the results   with multishot  and with digital "MF".   Typically the SL2 multishot gets more details and better noise. (Maybe also better (cleaner, "true") color with a slide). The difference is small but with enough zooming it is visible.   (e.g.  film copy with a high end magnifier lens apo rodagon).

So for archiving the SL2 is by far the better choice (more flexibility, faster processing, quality at least as good, with multishot "full colors").

Edited by caissa
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I do a lot of reproduction work of my partners art, which we print at A1. Multishot works well here. Even an Olympus PenF does more than enough with good glass. To say a 187MP image from an SL2 is slightly better than a 50MP image from and X1D isn’t exactly a stretch. The fact some only see a slight improvement is telling. I’m not convinced in my own testing that DR is better though.

In the field multishot is a different beast. It’s not always usable. And for long exposures (over a second) it can’t be used at all.

As a landscape camera the X1D, for me, is clearly superior most of the time. It’s nice to see that the SL2 has gotten so close in just its second generation and that most of the issues were resolved by Leica. In studio the X1D can sync manual flash at high speeds due to its leaf shutters.

The X1D is a scalpel. The SL2 is a swiss army knife.

Gordon

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20 hours ago, FlashGordonPhotography said:

I do a lot of reproduction work of my partners art, which we print at A1. Multishot works well here. Even an Olympus PenF does more than enough with good glass. To say a 187MP image from an SL2 is slightly better than a 50MP image from and X1D isn’t exactly a stretch. The fact some only see a slight improvement is telling. I’m not convinced in my own testing that DR is better though.

In the field multishot is a different beast. It’s not always usable. And for long exposures (over a second) it can’t be used at all.

As a landscape camera the X1D, for me, is clearly superior most of the time. It’s nice to see that the SL2 has gotten so close in just its second generation and that most of the issues were resolved by Leica. In studio the X1D can sync manual flash at high speeds due to its leaf shutters.

The X1D is a scalpel. The SL2 is a swiss army knife.

Gordon

For archiving it is certainly a value in itself if you get the full colors (avoiding the Bayer interpolation, resulting in real RGB color for each pixel). There it is worth the extra effort with multishot. At a "zero" extra cost, if you compare it to solutions from Hasselblad like the H6D-400c which product photographers buy to get true colors (if you can believe the marketing messages :unsure:B)). The value lies more in the full colors (color accurate photos) than in the "nominal" higher resolution. It improves "color truth" (Farbtreue), reduces noise, and maybe adds a little bit of extra res (just a minor bonus in my eyes). So for product photography the SL2 has its clear advantages. Avoiding Bayer in itself already adds some extra resolution/detail (usually not observed because we normally do not check the pics in such detail).

In the field all of this is difficult to achieve (and usually also not necessary).

You mention printing, but I think libraries or archives (governmental, state, municipality etc. ...) usually do not print. And want to keep their copies for centuries (Ideally in a (software)neutral format, so DNG is not a bad choice).  (Think of famous historic collections of books lost in a flood (Herzogin Amalia Bibliothek in Weimar flooded in 2004), or maybe also the Stadtarchiv in Koeln (historic archive of the city) that was severely damaged in 2009 when an underground line was built. (est. damage 1.3 billion euro))   (Köln exists since Roman times, and is one of the oldest cities in Germany, only Trier is even slightly older.)

Edited by caissa
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On 11/11/2019 at 5:57 AM, caissa said:

Sorry, but the crop factor is only 1.5 (compared to APS-C). So equivalent to 420mm. But using an adapted 400mm lens would be interesting (and resulting in 600mm equivalent in APS-C). Probably the MC-21 adapter will work on the SL2 (nobody has confirmed or denied, yet). So a Canon 400mm DO/f4 could be very interesting. Or a Nikon PF lens with a manual adapter (e.g. 500mm PF/f5.6 is quite affordable) .

MC-21 seems to work well on SL2:

https://www.l-camera-forum.com/topic/304615-sl2-sigma-mc-21-vs-novoflex-adapters-for-canon-ef-lenses-test/

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:D Thanks for your reply. But if you check the date (ten months ago), you can imagine that the question has been answered in the meantime. :rolleyes:   But thanks anyway. (It was at the time when the SL2 had just been announced ...  even before anybody had the camera.)

Edited by caissa
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  • 4 months later...

I had been following this very interesting thread for a while. Now I'd like to dig it out again, as I found this video. I thought this might be interesting here, too, as it shows that the sensor of the X1DII captures a bit more details and allows pushing the exposure quite a bit (I think he says 2-3 stops) in the course of postprocessing without losing too much clarity and details.
However, I don't know the 35mm Sigma lens he used - maybe the result would have been different with the Summicorn SL 35mm...

 

Edited by Macberg
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No real surprises to me. I’ve only used the X1D for dedicated landscape use since the SL2 and M10R arrived. After years of ownership, tens of thousands of photos and using newer generation cameras, the DR and malleability of the X1D output continues to impress. 

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On 11/8/2019 at 6:38 AM, Tailwagger said:

...  If I could have only one, I'd choose the _________.   Dont know. Maybe a year from now I will.  

 

@Tailwagger, it's a little bit more than a year now, I'm curious if you now have an opinion on "if I could have only one"?

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