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I like film...(open thread)

Doc Henry

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otto.f

otto.f

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Dolomiti, 2023, M7 with Delta100

 

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Lelmer

Lelmer

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On 5/8/2023 at 8:12 PM, Sparkassenkunde said:

Sexy curves

Sorry for the distraction in the background - or rather the missed focus :) - seen yesterday during Classic Days Berlin:

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Rolleicord I (1934) with Triotar 75/3.8 - Ilford FP4+ (dev. in Rodinal 1+50)

 

Why the hell did you focus on "Kurfürst..."? 😂

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Sparkassenkunde

Sparkassenkunde

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Do you like my curves?

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Rolleicord I (1934) with Triotar 75/3.8 - Ilford FP4+ (dev. in Rodinal 1+50)

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hansvons

hansvons

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M4P, 50mm Summicron V4 @f8, DoubleX 5222 in Xtol @ ISO 250. Click to enlarge.

The image below is part of a series I took for a photo essay a few days ago. The colour images were shot with a Leica Sl2-S and a 35mm Summicron M ASPH which I'm swapping with the M. Obviously the shot was at the end of the roll. But as it's a B&W film, the imperfection adds atmosphere.

https://www.eurosite.org/where-the-euros-are-the-european-conservation-finance-boot-camp/

 

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tuna

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Paris, France

MP, Voigtlander 35/1.7 Ultron, converted from color film

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jakontil

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Kodak Portra 160 | MP | 50 noctilux 1.2 | home souped

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dimm

dimm

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Women on the beach

 

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M6, Lux' 35mm f/1.4 ASPH FLE, Double-X 5222, D96

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jonnyboy

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Contax G2 + 90mm Sonnar - Kodak Gold 200

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Sparkassenkunde

Sparkassenkunde

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Don`t touch this :)

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Rolleicord I (1934) with Triotar 75/3.8 - Ilford FP4+ (dev. in Rodinal 1+50)

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Charles Morgan

Charles Morgan

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A l'eau, c'est l'heure!

Bessaflex with CZJ 135mm Sonnar, Bergger Pancro 400.

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Ernest

Ernest

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Latitude Murmur Diptych
Tele-Rolleiflex Portra 800

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jakontil

jakontil

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a peep

kodak colorplus 200 | M6 | 35 summicron 

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bags27

bags27

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M4-P Summarit f=5cm 1:1.5 Tri-X in Pyrocat

 

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christoph_d

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On 5/9/2023 at 7:09 PM, otto.f said:

Dolomiti, 2023, M7 with Delta100

 

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A seemingly timeless photo that could have been taken 80 years ago. I like the contrast / grayscale which fits the mood perfectly. 

 

21 hours ago, jakontil said:

Kodak Portra 160 | MP | 50 noctilux 1.2 | home souped

I like the composition restricting the view to a few elements - and the light specs on the face. The colours - on my screen - seem to be a bit muted. Was that intentional?

 

19 hours ago, dimm said:

Women on the beach

 

 

 

M6, Lux' 35mm f/1.4 ASPH FLE, Double-X 5222, D96

You are showing a consistent body of work around the theme of women, beach, Lux FLE and Double-X. I enjoy the iterations. 

 

10 hours ago, Charles Morgan said:

A l'eau, c'est l'heure!

Bessaflex with CZJ 135mm Sonnar, Bergger Pancro 400.

How nice to see this lens used so well. How do you like this film? It seems to have nice greyscale on one hand and a pronounced grain on the other.

 

5 hours ago, Ernest said:

Latitude Murmur Diptych
Tele-Rolleiflex Portra 800

You're working your theme very well: colour contrast, symmetry of sorts, distressed surfaces... always a joy to behold

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John Robinson

John Robinson

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Working beach (mostly abandoned) in the mist

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Nikon F (non-photomic), Nikkor-S C 1:1.4 f=50mm, yellow filter, Ilford XP2

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John Robinson

John Robinson

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Clinker stern

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Nikon F (non-photomic), Nikkor-S C 1:1.4 f=50mm, yellow filter, Ilford XP2

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John Robinson

John Robinson

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Old winding gear

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Nikon F (non-photomic), Nikkor-S C 1:1.4 f=50mm, yellow filter, Ilford XP2

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Charles Morgan

Charles Morgan

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1 hour ago, christoph_d said:

How nice to see this lens used so well. How do you like this film? It seems to have nice greyscale on one hand and a pronounced grain on the other.

 

Thank you. I do love the Sonnar. I still use the Bergger for MF and LF where the grain is but a mild seasoning, but in the end, for 35mm I found it too grainy whichever developer I used, and while I loved the tonality, ultimately I preferred other like speed films with less obvious grain.

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