marchyman Posted May 31, 2024 Share #161 Posted May 31, 2024 Advertisement (gone after registration) 16 hours ago, jaapv said: TBH I only use the three AWBs, Sun, Cloud and Shadow My camera profile in ACR is a dual illuminant based on Sun and Shadow Subject drift. I've never tried using a dual illuminant because 1) lazy, and 2) I was only thinking Sun and Tungsten and who uses Tungsten lights these days 🙂 Have you ever compared a dual illuminant with a single illuminant profile? I suppose I should remove the Lazy factor and make my one dual illuminant profile for Sun/Shadow and see for myself. Link to post Share on other sites More sharing options...
Advertisement Posted May 31, 2024 Posted May 31, 2024 Hi marchyman, Take a look here Getting the colour right on the M11 {split-off thread}. I'm sure you'll find what you were looking for!
jaapv Posted May 31, 2024 Share #162 Posted May 31, 2024 Well, initial colour in ACR involves trying out a number of profiles. I’ve got a number of own profiles. Not as many as Adobe,though. In fact my dual illuminant ( sun/shadow) turns out to be very close to LUMIX embedded with AWB neutral. Link to post Share on other sites More sharing options...
IkarusJohn Posted May 31, 2024 Share #163 Posted May 31, 2024 I find the whole “right” colour discussion a bit odd. A colour filter array and camera processing is never going to be exactly right in all situations. I find the “Hasselblad Natural Colour Solution” the best so far (despite the pretentious branding). But isn’t the answer that any photograph is going to be a version of what we see. I recall reading somewhere when Ansel Adams reviewed some of his printing years later he was surprised to find many images very dark and brooding. Not uncommon, would be my guess. I doubt Eggleston’s tricycle was an accurate record of the colours or the temperature of the day - the cool look of that photograph will have been a processing decision. I must say, I prefer Jono’s colour balance of his landscapes and skies. I spend a lot of time looking at clouds and skies being a paraglider pilot always looking for lift, and that magenta cast is consistent with what I often see. Clouds will often have that dark, menacing look with shades of purple. 1 1 Link to post Share on other sites More sharing options...
jaapv Posted June 1, 2024 Share #164 Posted June 1, 2024 I tend to add some magenta to files with prominent cloudscapes - both Magenta saturation (+9) and Blue hue (+ 13). . Panasonic S5ii file Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/395270-getting-the-colour-right-on-the-m11-split-off-thread/?do=findComment&comment=5318663'>More sharing options...
lct Posted June 1, 2024 Share #165 Posted June 1, 2024 I wonder if some magenta cast complainers don't confuse magenta with other colors here. Aside from blue and cyan, what color do you see mainly in this snap folks, magenta or red? Just curious. (M11, Apo-Telyt 135/3.4) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/395270-getting-the-colour-right-on-the-m11-split-off-thread/?do=findComment&comment=5318694'>More sharing options...
DadDadDaddyo Posted June 1, 2024 Share #166 Posted June 1, 2024 "Wagner's music is better than it sounds..." -- paraphrased, adjusted, and attributed to Mark Twain... Link to post Share on other sites More sharing options...
SrMi Posted June 2, 2024 Share #167 Posted June 2, 2024 Advertisement (gone after registration) On 6/1/2024 at 1:20 AM, IkarusJohn said: I find the whole “right” colour discussion a bit odd. A colour filter array and camera processing is never going to be exactly right in all situations. I find the “Hasselblad Natural Colour Solution” the best so far (despite the pretentious branding). But isn’t the answer that any photograph is going to be a version of what we see. I recall reading somewhere when Ansel Adams reviewed some of his printing years later he was surprised to find many images very dark and brooding. Not uncommon, would be my guess. I doubt Eggleston’s tricycle was an accurate record of the colours or the temperature of the day - the cool look of that photograph will have been a processing decision. I must say, I prefer Jono’s colour balance of his landscapes and skies. I spend a lot of time looking at clouds and skies being a paraglider pilot always looking for lift, and that magenta cast is consistent with what I often see. Clouds will often have that dark, menacing look with shades of purple. +1 I do not think there are "right" colors. Colors can be either pleasing or accurate, and the two rarely overlap. 1 Link to post Share on other sites More sharing options...
Antonio Russell Posted June 2, 2024 Share #168 Posted June 2, 2024 On 5/28/2024 at 11:03 PM, jonoslack said: Maybe, but I still think it's a crap concept (AWB in daylight) . . . I do use it in mixed artificial lighting (where there really isn't a right answer) If shooting RAW it doesnt matter though does it? You can just change it later. Link to post Share on other sites More sharing options...
sebas_ Posted June 4, 2024 Share #169 Posted June 4, 2024 My M11-P was sent to Leica for inspection. I have just got back the PDF from Leica customer support: »The magenta cast is rectified by installing new reference values.« Seems there was something wrong and Leica has addressed something Looking forward to get my M11-P back from Wetzlar. 3 Link to post Share on other sites More sharing options...
R4p70r Posted June 4, 2024 Share #170 Posted June 4, 2024 6 minutes ago, sebas_ said: My M11-P was sent to Leica for inspection. I have just got back the PDF from Leica customer support: »The magenta cast is rectified by installing new reference values.« Seems there was something wrong and Leica has addressed something Looking forward to get my M11-P back from Wetzlar. This is going to be fun if all the M11 platform owners send in their camera to Wetzlar for the correction and this is the only way to do this. 4 Link to post Share on other sites More sharing options...
don daniel Posted June 4, 2024 Share #171 Posted June 4, 2024 (edited) vor 1 Stunde schrieb sebas_: My M11-P was sent to Leica for inspection. I have just got back the PDF from Leica customer support: »The magenta cast is rectified by installing new reference values.« Seems there was something wrong and Leica has addressed something Looking forward to get my M11-P back from Wetzlar. And are you satisfied with the new colors? Ah, sorry. You are still waiting for the return. Edited June 4, 2024 by don daniel 1 Link to post Share on other sites More sharing options...
sebas_ Posted June 4, 2024 Share #172 Posted June 4, 2024 (edited) vor 4 Stunden schrieb R4p70r: This is going to be fun if all the M11 platform owners send in their camera to Wetzlar for the correction and this is the only way to do this. Yes. There should be an easier way if it is only a software fix. Maybe I am pretty early to the game with my M11-P. Or could it be, that some M11's have a "false" reference and not all... Edited June 4, 2024 by sebas_ Link to post Share on other sites More sharing options...
lldd Posted June 4, 2024 Share #173 Posted June 4, 2024 (edited) In this video the review (who owns both M11 and SL3) shot two photos side by side on each camera (at right around the 12:45 mark). If both of these cameras share the same sensor, it seems clear that, let's just say, one of them is not like the other. It would appear that the imaging chain between the two is not identical (and that may be the norm for two Leicas with the same sensor - I have no idea). That said, the M11 clearly shows magenta, and it would be frustrating to use both cameras at an event and then have to color match them. Leica SL2, But... | Review |" width="200" data-embed-src="https://www.youtube-nocookie.com/embed/pXyeW4PrSdw?feature=oembed"> Edited June 4, 2024 by lldd 2 1 Link to post Share on other sites More sharing options...
Smogg Posted June 4, 2024 Share #174 Posted June 4, 2024 17 minutes ago, lldd said: In this video the review (who owns both M11 and SL3) shot two photos side by side on each camera (at right around the 12:45 mark). If both of these cameras share the same sensor, it seems clear that, let's just say, one of them is not like the other. It would appear that the imaging chain between the two is not identical (and that may be the norm for two Leicas with the same sensor - I have no idea). That said, the M11 clearly shows magenta, and it would be frustrating to use both cameras at an event and then have to color match them. I came to the conclusion that in Lightroom, in the menu, I simply select the standard daylight white balance if the shooting was during the day, ignoring the balance that is measured by the camera. This gives normal tint values and removes the ugly cast, returning the natural color to objects. Link to post Share on other sites More sharing options...
jonoslack Posted June 4, 2024 Share #175 Posted June 4, 2024 (edited) 5 hours ago, sebas_ said: My M11-P was sent to Leica for inspection. I have just got back the PDF from Leica customer support: »The magenta cast is rectified by installing new reference values.« Seems there was something wrong and Leica has addressed something Looking forward to get my M11-P back from Wetzlar. That's really interesting - it sounds to me as if they have agreed to change the colour balance for people who ask for it - perhaps not such a stupid idea, I certainly won't be sending mine in as I love the colour I'm getting from it. I get it that some people don't like the colour from the M11 (fine - and it looks like Leica will deal with it). But I don't think there is any question of it being wrong, and I'm quite sure that most of the M11 users wouldn't dream of having it changed. Edited June 4, 2024 by jonoslack 5 Link to post Share on other sites More sharing options...
LBJ2 Posted June 4, 2024 Share #176 Posted June 4, 2024 4 hours ago, jonoslack said: That's really interesting - it sounds to me as if they have agreed to change the colour balance for people who ask for it - perhaps not such a stupid idea, I certainly won't be sending mine in as I love the colour I'm getting from it. I get it that some people don't like the colour from the M11 (fine - and it looks like Leica will deal with it). But I don't think there is any question of it being wrong, and I'm quite sure that most of the M11 users wouldn't dream of having it changed. This is interesting. Was something broken the M11 that included a reference value change as part of the repair? Or, What are Leica M11 reference values? If these "reference values" are standard to the M11 and result in how editing apps across the industry interpret color values from the M11, there is an entire ecosystem based upon M11 standard "reference values" Changing these values or customizing those values for one particular consumer request or a few, doesn't seem practical IMO, but then again maybe I am barking up the wrong tree. Either way, I'd like to know more about these so called M11 "reference values," that might be changed upon customer request? Link to post Share on other sites More sharing options...
R4p70r Posted June 5, 2024 Share #177 Posted June 5, 2024 If it is not feasible to update every single M11 that is sent by customers who wish to update the camera to those reference values, it is probably easier to create a software tool and provide it via download to read out the values and update the camera to the reference values at home by the owner. 5 Link to post Share on other sites More sharing options...
lct Posted June 5, 2024 Share #178 Posted June 5, 2024 If "new reference values" means new instructions in DNG files, i would not mind given that i use raw converters that don't follow those instructions. Otherwise, "new reference values" could mean changes in the M11 color profile that would be applied to all M11 users including those who don't see or do like the so-called "magenta cast" and would have to change their post production work accordingly. In the latter case, i'd prefer Leica to communicate on the subject rather than let rumors spread as they currently do. 1 Link to post Share on other sites More sharing options...
hdmesa Posted June 5, 2024 Share #179 Posted June 5, 2024 ^ Sounds more like what Hasselblad does with their hardware-specific color calibration. Leica may be able to do this manually by request. Link to post Share on other sites More sharing options...
hdmesa Posted June 5, 2024 Share #180 Posted June 5, 2024 (edited) 9 hours ago, jonoslack said: That's really interesting - it sounds to me as if they have agreed to change the colour balance for people who ask for it - perhaps not such a stupid idea, I certainly won't be sending mine in as I love the colour I'm getting from it. I get it that some people don't like the colour from the M11 (fine - and it looks like Leica will deal with it). But I don't think there is any question of it being wrong, and I'm quite sure that most of the M11 users wouldn't dream of having it changed. I have a suspicion that your M11's sensor hardware is just better matched to Leica's default color reference values. Leica doesn't custom calibrate each camera like Hasselblad, so some M11 units may deviate far enough from the assumed color response to need an adjustment. I think it's pretty cool that Leica was willing and able to do that for a customer. Edited June 5, 2024 by hdmesa 2 Link to post Share on other sites More sharing options...
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