Drama & musicals photography

[LocalHero1953]

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48 minutes ago, Almizilero said:

Some barely lit scenes from Candle to the Sun by Tennessee Williams in a production by amateuer actors. It's times like these where I can't praise the SL2-S enough. It produces great images even with a relatively slow f/2 lens.

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Gorgeous, especially with that lighting.

[Almizilero]

Another dance show and the first official outing for the SL2 as a companion to my beloved SL2-S. Both did a great job, but (of course) the low light performance of the SL2-S is unmatched. I used the SL2 with the 35/1.2 and the SL2-S with a loan 70-200/2.8, so they were on somewhat equal footing. The 70-200 by Panasonic is a great lens, fastest AF I ever experienced on the L-Mount. I'm tempted ...

 

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[Almizilero]

And a couple of close ups from the same show. As much as I love my 90 APO, the reach of the 70-200 gives some new perspectives ... Have I said that I'm tempted by this lens?

 

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[LocalHero1953]

I like all these (#120), but especially the second one. Perhaps because there's uncertainty about what the emotion is, or what the next move would be.

Edited February 20 by LocalHero1953

[stuny]

The casts, directors and producers must be most happy with your photos.

[LocalHero1953]

From the dress rehearsal of Sweeney Todd, by Stephen Sondheim, a student production. Taken with the SL2-S.

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Apo-V-E 90-280

Apo-V-E 90-280

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Edited March 23 by LocalHero1953

[LocalHero1953]

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Lieutenant Daniel Kaffee from a late rehearsal for A Few Good Men, Aaron Sorkin's scorching courtroom drama (later a film, with Tom Cruise as Kaffee).

SL2-S and Summilux-SL 50 (at f/1.4). This lens is far too slow to focus for this sort of work, but I can't help using it more and more, particularly for individual characters.

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Edited March 24 by LocalHero1953