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Same series .  50:1 (E58), M6 TTL, Portra 800.

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50:1 E58, MP, Kodak Portra 

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75 Nocti/SL2

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50mm f/1.2 Noctilux re-issue

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On 2/3/2023 at 11:24 AM, trickness said:

75 Nocti

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She's a little scary 😳.

Nonetheless, an excellent image  😊.

Edited by Herr Barnack
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75 Nocti/SL2

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During the usual urban walk in Washington, DC yesterday, I stumbled luckily on a photo shoot in Union Station.  I took the permission for some shots, and this is one of them; the Noctilux f0.95 was set at full aperture.  The file is OOC.  Of course, resolution improves considerably when the shot is viewed on the light-box . Regards.

 

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Edited by ibramr
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Noctilux 0.95

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Sometimes f1.2 works...  (As ever, please click for higher res versions).

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But sometimes is not always the best choice.

50mm f1.2, M11

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50mm f/1.2 Noctilux re-issue

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Question the wisdom of (attempting) to shoot film at a live show in 2023 but hey. M11/Noctilux 75mm.

 

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56 minutes ago, Jeremy Bunting said:

Question the wisdom of (attempting) to shoot film at a live show in 2023 but hey. M11/Noctilux 75mm.

Not wide open. But almost. 😉

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15 minutes ago, evikne said:

Not wide open. But almost. 😉

I'm not sure I agree! It's possible I bumped the aperture from 1.25 to 1.4 and didn't notice, but I've gotten similar bokeh wide open. See the shot below. Also, click through for hi-res and take a look at his shutter dial. The depth of field is extremely shallow. The 8 on the dial is in focus; the 30 and 60 are already very soft, and the rest of the dial isn't legible at all. What's the distance there?

 

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1 hour ago, Jeremy Bunting said:

I'm not sure I agree! It's possible I bumped the aperture from 1.25 to 1.4 and didn't notice, but I've gotten similar bokeh wide open. See the shot below. Also, click through for hi-res and take a look at his shutter dial. The depth of field is extremely shallow. The 8 on the dial is in focus; the 30 and 60 are already very soft, and the rest of the dial isn't legible at all. What's the distance there?

I agree that the DOF is extremely shallow (but that's not really the point). I don't know the 75 Noctilux, but I assume that at f/1.25 the aperture blades are fully hidden so that the diaphragm forms a completely round shape? This shape is what appears in the "bokeh balls", and therefore you will immediately see whether the aperture is fully or only almost open.

My intention was not to complain, just to be a little pedantic. 😉

Edited by evikne
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Leica M11 + 0.95 50mm Noctilux

 

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2 hours ago, evikne said:

I agree that the DOF is extremely shallow (but that's not really the point). I don't know the 75 Noctilux, but I assume that at f/1.25 the aperture blades are fully hidden so that the diaphragm forms a completely round shape? This shape is what appears in the "bokeh balls", and therefore you will immediately see whether the aperture is fully or only almost open.

My intention was not to complain, just to be a little pedantic. 😉

No offense taken! That's a good point--I'm going to have to test this.

EDIT: Ok, yes, you are correct. I think I've been accidentally knocking the aperture to 1.4 here and there and not noticing.

Edited by Jeremy Bunting
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12 minutes ago, Jeremy Bunting said:

No offense taken! That's a good point--I'm going to have to test this.

It's very easy to test, you don't even have to take a picture. Just look into the front of the lens and see how the aperture blades move as you turn the aperture ring. When turned fully open, the aperture blades should disappear completely and the diaphragm (opening) becomes completely round.

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29 minutes ago, evikne said:

It's very easy to test, you don't even have to take a picture. Just look into the front of the lens and see how the aperture blades move as you turn the aperture ring. When turned fully open, the aperture blades should disappear completely and the diaphragm (opening) becomes completely round.

I confirm, Ernst, that the diaphragm on my 75 Noctilux is perfectly circular at full aperture and the blades are completely hidden.  Actually, by eyesight and without testing optically it looks circular at f/1.4 as well.

Pete.

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