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Leica M Film Photos -- Feel Free to Share Yours

RayD28

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in Leica M-A / M7 / MP and Film M

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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Vlad Soare

Vlad Soare

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Wide vs. long 
Summilux-M 35mm ASPH vs. APO Summicron-M 75mm ASPH.

I find each one special in its own right, but the 75mm really amazes me.

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Edited by Vlad Soare
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jakontil
jakontil

M2-R + 50 apo Kentmere 400  ILfotec HC 

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Steven
Steven

Location: Giza, Egypt  Lens: Summaron 28 / Portra 400 Camera: Leica MP

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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Vlad Soare

Vlad Soare

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Summilux-M 35mm ASPH
Portra 400 developed in CineStill CS41

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Vlad Soare

Vlad Soare

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I was shooting straight into the sun. I could barely keep my eyes open. And yet there's absolutely no flare, not even the slightest trace of it. I'm amazed. This lens is really stunning.  
Summilux-M 35mm ASPH

Portra 400 developed in CineStill CS41

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EddieJ

EddieJ

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10 hours ago, Vlad Soare said:

Wide vs. long 
Summilux-M 35mm ASPH vs. APO Summicron-M 75mm ASPH.

I find each one special in its own right, but the 75mm really amazes me.

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That 75 APO.

Lovely isolation of the subject.

Creamy OOF area behind :) 

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a.noctilux

a.noctilux

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Old Kodachrome ...with a bit of nostalgia 🥰

 

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..

 

...

 

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grahamc

grahamc

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Tri X & 35:1.4 v2 

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grahamc

grahamc

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Also Tri-X, 35:1.4 v2 

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Guest JMF

Guest JMF

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On 9/9/2021 at 5:58 PM, Steven said:

Makes me think of this incredibly inspiring video 

 

 

Brilliant ! Thanks a lot for sharing this  Steven !

Cheers, JM.

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Guest

Guest

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On 9/2/2021 at 6:26 PM, Helge said:

So, Silbersalz corrected the wrong color temperature probably?

Otherwise all pictures would be pitch-blue since the 200T is a Tungsten film for 3400K instead of 5600K Daylight you used it for.

You never received prints and negatives?

Well of course they had to have colour-corrected Steven's daylight shots made with Tungsten balanced film. When shooting this cine-filmstock we always use a flavour of 85 Wratten filter, sometimes a LLD filter if you didn't want to lose a stop or so.......T stocks were always the favoured choice to use overall because the colour correction T to D worked better colour wise than D to T, don't know why. You'd see the filter effect in the viewfinder whilst filming as pretty much all cine cameras viewed / view through the lens like a SLR, but if you mess up and shoot without a 85 filter with T stock in daylight then post' Colour Correction in the kind of set-up that they have at Silbersalz will correct that, mostly.......But it's better, in my opinion, to use a 85 filter when shooting a T stock in daylight, or just use a D stock and be done with it.

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Helge

Helge

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Might make sense to always with a Tungsten film if you face situations with artificial light on a regular basis.

You‘ll get the higher ISO there, where the brightness is low (no filter required) and you loose 2/3 of a stop using a Wratten 85 or 85B to convert daylight (5500K) to the 3400K the T film is expecting where’s usually a lot more light. This is the way Super8 did work in the old days, the Kodachrome 40 was a T film and every Super8 camera had a built-in Wratten 85B to use it in daylight.

Why you loose more stops converting T light for a D film: there is so low blue in artificial light of 3400K that you have to cut-off almost all red in order to get a balanced neutral white which makes you loose about 2 full stops.

The opposite requires only to reduce the existing blue to create the 3400K light and you loose only 2/3 of a stop.

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dimm

dimm

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M2-R, Lux' 35mm f/1.4 v1, Agfa APX 100, Rodinal 1:100 semi-stand

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moghul

moghul

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Leica MP, 35mm f/1.4 Summilux, Portra 400

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Aryel

Aryel

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“One, two, three, smile!!!”

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m2, summilux 35 pre-asph v2, delta3200 (dd-x 1+4), printed on mgfb classic and scanned

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Guest JMF

Guest JMF

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Velvia 50 - M2-R - 35 Summicron 8e

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Guest JMF

Guest JMF

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Velvia 50 - M2-R - 35 Summicron 8e

 

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Guest JMF

Guest JMF

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M6 Millenium - 35 W-Nikkor f1.8 2005 LTM - Ektar 100

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Guest JMF

Guest JMF

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M6 Millenium - 35 W-Nikkor f1.8 2005 LTM - Ektar 100

 

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Guest JMF

Guest JMF

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M2 0,58 - Acros 100 - 28 Summaron LTM

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peepingpok

peepingpok

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Leica M6 classic + Voigtlander Ultron VM 28mm f2 aspherical + Kodak XX (5222)

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