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I  purchased an M10 and set out with the idea of owning a single lens, fully knowing that wasn't going to last. I did a lot of research and realized the Leica lenses are not "budget", "intermediate", and "the good ones"… via price points. But each line of different specifications and characteristics. My strategy was to choose the most expensive lens to give me paper thin DOF when needed and then lighter and less expensive lenses follow for the wider lenses where physics works against thin DOF. This strategy has worked for me. 


 


 


Primary lenses 


 


Summilux 50mm f 1.4 - when really thin DOF is desired or will be shooting in very low light at a distance. Put the money here because the DOF is already narrow.


 


Summicron 35mm f 2.0 - my normal lens, use 70% of time. Perfect for street, landscape and cityscape unless really boxed in. Usually shoot at f8 for street, and take advantage of it's  normally large DOF for dark forest… don't need f1.4 or wider.


 


Elmarit 28mm f 2.8 When I want to go wide, really nice DOF and usually try and enhance this by shooting at f4 and above when in forest / city. Fantastically light and sharp. Love it's rendering… this sure is no budget lens, but nicely priced.


 


For extraordinary circumstances:


 


75mm Summarit f2.4 - when a tele is needed, nice an light, budget friendly.


21mm Zeiss f 2.8 - for real wide angle, really heavy. This was and experiment. I have to admit for no particular reason I can put my finger on, wish I had purchased a Leica 21mm. Maybe I will sell and replace.


 


I use the first three lenses 92% of the time. For me, this group of lenses feel like the best set.


 


Will obviously be different for different people. But the line up of having the 50mm for paper thin DOF and working away from that wider was the right strategy. 


 


JD


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My journey is not important. It was of over fifty years and ended with a lens I could not have imagined at the beginning, CV 10mm, and settled forty years ago with 35mm V2 Summilux. As the typical Leica owner I have more lenses that found their home in deep storage. Far away.

Edited by pico
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Some people see the world in 35mm and others in 50mm. Only the latters are true Leica men obviously :D. Just kidding. My Leica M journey is 30+ years with a little ton of lenses but always one 50mm at least. 50/1.4 or 50/1.5 for low light or portraits, 50/2.8 in good light, 50/2 for travels. Or the same in 35mm on APS cameras. Nothing new i'm afraid...

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My 35mm journey started with the Zeiss 35/2 Biogon then 35mm Summicron then CV 35mm 1.2

Apart from the weight I am happy with the CV. If I change again it will be back to the Biogon.

 

My 50mm journey started with a Summicron v then APO then added a 50 lux pre ASPH then sold the APO for a Summarit (to fund an M-A). My 50 lux pre ASPH is a keeper.

 

My 90mm journey started with APO then swapped for previous version which I prefer for portraits

 

 

 

Sent from my iPhone using Tapatalk

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50mm :wub:

long journey and no stop

Begin with Summicron, then Summilux, Noctilux 1.0, modern Summicron, older Summicron, some Elmar, Summar, Summarit 1.5, M-Hexanon, Nokton 1.1, Set of Canon 1.8/1.4/1.2, MATE :p, Anastigmat, etc.

now Summarit-M 2.5 :rolleyes:

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I  purchased an M10 and set out with the idea of owning a single lens, fully knowing that wasn't going to last. I did a lot of research and realized the Leica lenses are not "budget", "intermediate", and "the good ones"… via price points. But each line of different specifications and characteristics. My strategy was to choose the most expensive lens to give me paper thin DOF when needed and then lighter and less expensive lenses follow for the wider lenses where physics works against thin DOF. This strategy has worked for me. 

 

 

Primary lenses 

 

Summilux 50mm f 1.4 - when really thin DOF is desired or will be shooting in very low light at a distance. Put the money here because the DOF is already narrow.

 

Summicron 35mm f 2.0 - my normal lens, use 70% of time. Perfect for street, landscape and cityscape unless really boxed in. Usually shoot at f8 for street, and take advantage of it's  normally large DOF for dark forest… don't need f1.4 or wider.

 

Elmarit 28mm f 2.8 When I want to go wide, really nice DOF and usually try and enhance this by shooting at f4 and above when in forest / city. Fantastically light and sharp. Love it's rendering… this sure is no budget lens, but nicely priced.

 

For extraordinary circumstances:

 

75mm Summarit f2.4 - when a tele is needed, nice an light, budget friendly.

21mm Zeiss f 2.8 - for real wide angle, really heavy. This was and experiment. I have to admit for no particular reason I can put my finger on, wish I had purchased a Leica 21mm. Maybe I will sell and replace.

 

I use the first three lenses 92% of the time. For me, this group of lenses feel like the best set.

 

Will obviously be different for different people. But the line up of having the 50mm for paper thin DOF and working away from that wider was the right strategy. 

 

JD

 

Very, very similar journey. I originally started with a mandler elmar 50mm collapsible, but then gave it away. After a 10 year hiatus, I came back to photography finding myself with a 50mm Summilux ASPH (absolute magic at night), 35mm Summicron (most used), and 28mm Summaron (for the sheer hell of it). Next on the list is a 21mm Super Elmar and then I'm done for life. 

 

Unless I can find another 50mm elmar collapsible for old times' sake...

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Leica gear:

35/2 Summicron V1

50/2 Rigid Summicron

50/2 Summicron DR

50/2.8 Elmar

50/3.5 Elmar

75/1.4 Summilux

90/2 Summicron

90/2.8 Elmarit

90/4 Elmar

90/4 Elmar-M

135/2.8 Elmarit.

 

I also use lenses that were not made by Leitz.

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No Leica lens wider than 35mm. I use a Rokkor-M 28/2.8 and I use SLR lenses with adapters such as the Canon 17/4 FD and Rokkor 21/4 with adapter and Canon 19/3.5 ltm. My latest acquisition is a Zeiss Hologon 16/8 that DAG is converting to M.

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Even more than 40 years ago at the age of 15 I was an ¨oddball¨ buying my brand new Canon Ftb with a 35mm... not the more or less required 50 as included in all kits at a good price. When buying my first Leica 17 years ago I again choose the 35 cron IV as my normal/only lens. GAS... and possibly the economic situation, however, now show a Pelicase with a 21, 24, 2x28, 2x35, 2x50, 75 and 90...

 

However, having access to these lenses have in a strange way ¨proven¨ to me that a 35 only after all would do very nicely.

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First Leica Lens was a V4 50/2.0.  I enjoy 50's so I've gotten a few now, (Noctilux 50/0.95, Summicron SL-50/1.4, Summarit 50/1.5, APO Summicron 50/2.0, Elmar-M 50/2.8).  

Second Leica Lens was Summicron ASPH 35/2.0  lovely lens

Bought a pre ASPH Summicron 90/2.0 that rarely gets used, but is really nice when it does.  Also have 90/2.8 TEM which is a great great lens.

Summilux 75/1.4

 

25/2.8 and 28/2.8 are both Zeiss Biogon, get used occaisionally.

18/4.0 Zeiss, very rarely

 

All fun!

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24 (5%), 28 (50%), 35 (10%), 50 (30%), 90 (5%)

 

does that add up to 100% - yes it does ;)

 

I do have a desire to get a 10mm and a 135mm, but not for any reason then desire and inquisitiveness

 

In terms of journey, I always start with the dull lenses and end up with the brightest lens in each group. So my advice is to cut out the middle man and get the brightest lens for each FL you are interested in

Edited by colonel
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