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I like film...(open thread)

Doc Henry

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Eglise Saint Sulpice de Paris by JM__, on Flickr

Eglise Saint Sulpice de Paris by JM__, on Flickr

Eglise Saint Sulpice de Paris by JM__, on Flickr

 

Portra 800 - M3 - 50 Voigtlander Prominent 1.5 M

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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SWC/M by JM__, on Flickr

SWC/M by JM__, on Flickr

Provia 100 on SWC/M

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Ménilmontant, Paris by JM__, on Flickr

Acros 100 - Agfa Isolette

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AntonioF

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Man! My nephew is fast! - Nikon N80, Nikkor 35/2 AF-D, HP5

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20200921-DSC05758 by antoniofedele, on Flickr

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Bobitybob

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Fuji GA645Zi, Lomography 400

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Guest JMF

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Untitled by JM__, on Flickr

Portra 800 - M3 DS - 50mm Futura Frilon f/1.5 

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Stefan2010

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III/Summicron 35/Portra 160

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Stefan2010

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philipus

philipus

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I like it a lot. It gives a very dramatic touch. Another emulsion to try! 

On 9/21/2020 at 3:27 PM, AntonioF said:

I think so. It's contrasty and shadows get crushed very easily. In this case I exposed for the highlights, though, so I expected such a constrast. 

Thanks Klaus. I wasn't familiar with that company. 

On 9/21/2020 at 3:21 PM, Kl@usW. said:

Thank you Philip, on my screen I don't see much of a tint--maybe a hue of green in shadows. Otherwise the colors are as I remember them, apart from the apples, they might be a touch more yellow. But  hues of colors in shady parts are always tricky, maybe we should ask a physicist ( Or Rog ? ) to explain that. Something with the addition ( or was it subtraction ?) of the reflected and the shine -through light... Furthermore it might be that I used an ND filter.... which gives a slight greenish tint. I don't remember-I take the ND on and off with my NLX and the SLXes.  I didn't scan that myself; I have the color negatives developed and scanned at https://www.meinfilmlab.de-- they are really good. 

This is positively psychedelic. It looks superimposed. Very cool effect.

19 hours ago, bags27 said:

M4-P 50 Lux ASPH Portra 160. A torn child's climber

 

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Hahaha very funny Jean-Marc. With rubber gloves even. Reminds me of that scene from the Naked Gun.

On 9/21/2020 at 5:40 PM, JMF said:

Aux Jardins du Luxembourg by JM__, on Flickr

Portra 800 (expired) on M3 with 50 Voigtlander Prominent 1.5 (Leica M converted)

*Groan* :) What's the first one?

23 hours ago, gbealnz said:

A couple of heavy metal shots.

503CXi with CF100

Dated APX400

This is a wonderful photo Steve. Such serene simplicity. Less really is more. In fact, the more less there is the more more there will be.

23 hours ago, Ouroboros said:

Heacham at high tide.

Fuji GX617

SWD 90mm

Velvia 50

 

You timed it perfectly to get the blades at just the right place for a dramatic shot. Is Gary flying? :D 

22 hours ago, Suede said:

Lift off.   [Silvermax]

Haha love this one Antonio. My daughter and her friend are now at the age when they're trying to cycle without hands and do other tricks. Chills the blood sometimes.

2 hours ago, AntonioF said:

Man! My nephew is fast! - Nikon N80, Nikkor 35/2 AF-D, HP5

20200921-DSC05758 by antoniofedele, on Flickr

 

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gbealnz

gbealnz

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1 hour ago, philipus said:

*Groan* :) What's the first one?

 

You timed it perfectly to get the blades at just the right place for a dramatic shot. Is Gary flying? :D 

 

 

It's a rough steel "sculpture" in a nearby park, not sure of the significance.

And no, not me, poor "suede" may not understand the reason you asked.

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Kl@usW.

Kl@usW.

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Looking from the island Rügen to the mainland-over the sound

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MP, SLX 35; Portra 160@100

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bags27

bags27

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M4-P  50 Lux ASPH. Portra 160

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Ernest

Ernest

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Lagoon Backwater 
M-A APO 50 ADOX Color Implosion & Fuji Natura

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Xícara de Café

Xícara de Café

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Tempio di Esculapio, Villa Borghese. Scan of 17.8x24cm Ilford MG FB print. Leica IIIf, Summicron 5cm 1:2 collapsible (or Summaron 3.5cm/3.5?), Ilford Delta 100 @ 80, PMK 1:2:100 10' 24ºC. Leitz Focomat 1c, Schneider Componon-S 2.8/50, Ilford Multigrade.

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benqui

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vor 15 Stunden schrieb AntonioF:

Man! My nephew is fast! - Nikon N80, Nikkor 35/2 AF-D, HP5

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20200921-DSC05758 by antoniofedele, on Flickr

Really a great shot Antonio!!

Am ‎21‎.‎09‎.‎2020 um 16:46 schrieb JMF:

Ilha Grande by JM__, on Flickr

Ilha Grande by JM__, on Flickr

Acros 100 double exposure on Leica M3 with 50mm Futura Frilon f/1.5 and 35mm LL 8 elements f/2

Sometimes the unexpected results are the best!

vor 23 Stunden schrieb Stefan2010:

Campofelice

III/Summicron 35/Portra 160

 

aaaah, would love to be there right now!

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Stefan2010

Stefan2010

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vor 49 Minuten schrieb benqui:

aaaah, would love to be there right now!

Yep! I really miss the sea after a day in home office

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Stefan2010

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vor einer Stunde schrieb Xícara de Café:

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Tempio di Esculapio, Villa Borghese. Scan of 17.8x24cm Ilford MG FB print. Leica IIIf, Summicron 5cm 1:2 collapsible (or Summaron 3.5cm/3.5?), Ilford Delta 100 @ 80, PMK 1:2:100 10' 24ºC. Leitz Focomat 1c, Schneider Componon-S 2.8/50, Ilford Multigrade.

Wonderful photo, looks like being in the 20th ;)

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verwackelt

verwackelt

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And it is a good example, that scanning a good print from a b&w negativ is often better (in terms of gradation, greyscale and "Anmutung" sorry do not know the english term) than scanning the negativ and making a digital conversion.
I find t looks more than a "classic" b&w than a scan from a negativ...

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philipus

philipus

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Here are some people enjoying the Booster Maxx, which is the spinning thing that created the big disc I showed before.

I had a hilarious time catching people spinning around in this and they all cheered when they saw me taking pictures :D 

This is on Fuji Superia 1600, seriously outdated and badly stored. I shot it at box speed which I normally wouldn't do with such an old film but it worked out. I shot the 50 Summilux wide open to have any chance at all at some sharpness. Seems it paid off.

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50/1.4A Superia 1600 CS9000
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