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I like film...(open thread)

Doc Henry

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A miller

A miller

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9 hours ago, Ernest said:

Digital Disconnect
M-A APO 50 Portra 400

 

more like a digital crime scene - I like!

23 minutes ago, sblitz said:

I would expose at 1/15 f/2 for extar.   The offices would come in perfect exposure and the outside would come dark, close to if not back, creating a lattice effect overlaid on the office. Try one like that, I think you would like the result.

 

 Thanks for the tip, Steve.  My lens only opens up to f5.6.  And in any event even that would be too open as I would get soft edges.  I really need to stop down to at least f16 to get good sharpness from edge to edge.  I think the use of the Provia would, with its compressed latitude, darken the shadows almost completely while allowing for a bit more shutter speed.  I will keep trying...

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Matisse

Matisse

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Parc, Chateau de Versailles

 

Leica M3, Elmar 50, TRI-X

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mdp

mdp

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Lichen on slate...

MP Nokton 50/1.2 Delta 100

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sblitz

sblitz

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2 hours ago, A miller said:

more like a digital crime scene - I like!

 Thanks for the tip, Steve.  My lens only opens up to f5.6.  And in any event even that would be too open as I would get soft edges.  I really need to stop down to at least f16 to get good sharpness from edge to edge.  I think the use of the Provia would, with its compressed latitude, darken the shadows almost completely while allowing for a bit more shutter speed.  I will keep trying...

I know the 400 iso speeds in my head and adjust from there .... indoors bright light is generally 1/60 f/2 so going to 100 ISO with f/16 for sharpness is just a matter of math ... you will obviously still need a tripod and to be concerned about reciprocity ... in the end the point is that what's interesting is what's in the building not the architecture so expose for what's inside ..... BTW I read that Kodak begins beta testing 120 Ektachrome in July, perhaps by year end??????????????  :-)!!!!!! 

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Sparkassenkunde

Sparkassenkunde

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This reminds me of an old postcard :) Istanbul 1996

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Fuji DL 1000 (probably) - Kodak Gold 100

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Sparkassenkunde

Sparkassenkunde

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And one more from this roll:

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Fuji DL 1000 (probably) - Kodak Gold 100

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benqui

benqui

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Hope I did not already show this photo.

Tmax 400, pushed up to 800, M4, Apo 50

 

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sblitz

sblitz

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29 minutes ago, benqui said:

Hope I did not already show this photo.

Tmax 400, pushed up to 800, M4, Apo 50

 

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you showed some in the series, but does it matter anyway?????????????????  🙂

 

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benqui

benqui

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Thanks for your help and sorry Steve! Got a new one:

Cinestill b/w XX, M4, Apo 50

 

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Kl@usW.

Kl@usW.

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Am 23.5.2019 um 06:28 schrieb Ernest:

I think you have a marketing opportunity, Klaus: black T-shirt with yellow letters--FILM IS OUR CANVAS!

Thank you Rog; if I hit it lucky, remind me of transferring the cash-back. And a free T-shirt !  Yellow on black seems the only possible combination --it sprang to my imagination immediately. Why is that? 

Was offline a couple of days due to a seminar I had to attend-and  a minor problem some Jaguar-driver had with my car on the autobahn on my way home... So I had to catch up with the thread and just went through the last 10 days --you produced outstanding works again. It´s really amazing. The blue box (es) and the moments hinges  unhinges are just from my favorite color palette.. 

K. 

Edited by Kl@usW.
typo
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Ernest

Ernest

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2 hours ago, benqui said:

Hope I did not already show this photo.

Tmax 400, pushed up to 800, M4, Apo 50

 

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 Certainly a flair for the cinematic, and I just love what you do with the background. 

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Ernest

Ernest

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21 hours ago, hillavoider said:

I can only envisage a constant high pitched tinnitus like electrical hum, pretty grim eh :) 

EeeeeeeeeeeeeeeeeeeeeeUHeeeeeeeeeeeeeeeeeee!

The tinnitus theme song of the circus in my head. Maybe this is a marketing opportunity if you think about bundling an MP3 with your photographs.  Very artistic.  Come to think about it, Katrien De Blauwer released her Stills book bundled with a soundtrack on vinyl by Danny Clay.  She is a collage artist but the critics call her a photographer without a camera  and compare her minimal style to Antonioni. 

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Ernest

Ernest

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trans-parent
M-A APO 50 E100

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Ernest

Ernest

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No Go
M-A APO 50 Portra 400

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hillavoider

hillavoider

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at the in-laws  

tri-x

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Ernest

Ernest

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No Go Box
M-A APO 50 & Summilux-M 50   Portra 400

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Ernest

Ernest

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No Go Mountain
M-A APO 50 & Summilux-M 50  Portra 400

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Suede

Suede

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Big boat in Hamburg on a foggy new year's day.    [Tri-X]

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philipus

philipus

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Flickr
50/1.8AI Portra 400 (EI800) X1
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stray cat

stray cat

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1 hour ago, philipus said:

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Flickr
50/1.8AI Portra 400 (EI800) X1

This is fantastic, Philip. Took me a moment to work out what was going on... a sense of mystery pervades... striking and compelling.

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