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I like film...(open thread)

Doc Henry

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FHPdoc

FHPdoc

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5 hours ago, philipus said:

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50/1.8 AIS Portra 400(EI800) X1

I love the irony of capturing digital with film...

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Sharif

Sharif

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“Street fight“     Zeiss Ikon ZM, Summicron 50, Agfa APX 100 new

Sharif

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Steve Ricoh

Steve Ricoh

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Think I definitely made eye contact here...

UltraMax EI400, Pentax MX 50mm f/1.4

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Kl@usW.

Kl@usW.

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Am 4.6.2019 um 21:43 schrieb Suede:

Balanced   [Tri-X]

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Nice, where do these guys hang out ? Hamburg too ? 

Am 4.6.2019 um 23:32 schrieb Ernest:

No Go Back Way
M-A APO 50 Portra 400

Now that I understand the "caution zone stripes" better,  the picture is even more intriguing- particularly the torn bucket handle. It seems undicided wether it belongs to the right or to the left. Caution zone ! Deception !

Am 5.6.2019 um 01:16 schrieb Martin B:

Leica M6, Leica 35/2 vers. IV, Ilford PanF+ 50 film @ ISO 50, developed with Xtol (1:2).

very nice tonality-and a lovely mermaid. 

 

Am 5.6.2019 um 05:52 schrieb Ernest:

Moment Unhinge XVIII
M-A APO 50 E100

Fantastic Rog. I don´t have an inclination to Prussia as a concept, but the color --if it is prussian blue-- is great. 

Am 5.6.2019 um 12:35 schrieb joergel:

Leica M6 - Canon-LTM 1,4/50 - APX100 (new) - Rodinal

hmm, I smell the tideland... nice and moody as always

Am 5.6.2019 um 12:36 schrieb Steve Ricoh:

More from the 'Red Planet': Lomo 800CN redscaled at EI200; M6 35 f/2

very good and very weird. You achieve this by reversing the film so that the antihalo-layer faces the lens ? 

vor 19 Stunden schrieb AntonioF:

M3, Summicron 50 and Astrum 400

20190603-DSC03026 by antoniofedele, on Flickr

20190603-DSC03023 by antoniofedele, on Flickr

Antonio, very nice shots. For me they transport the mood of the early Pasolini-films. In the background I hear a tune of Morricone... 

vor 17 Stunden schrieb sblitz:

Saturday in Central Park.... portra 400 with the Fuji645s 60mm lens 

didn´t know, that NY is actually a summer resort... very nice, sblitz. Your series of pictures is like a little film on the pleasures of summertime.. 

vor 15 Stunden schrieb A miller:

Here's another from the "Vessel" structure in NYC. (I have a connection through my company and was able to get up there about a half hour before it opened 😉)

Hassy SWC, Tmax 100

 

 

 

Fascinating.. great architecture photography. Both of the photos. The architect sure has seen all the about starwars and starships... 

vor 7 Stunden schrieb Xícara de Café:

IIIf, Summaron 3.5cm 1:3.5, Ilford Delta 100, Kodak D-76 1+1.

simple and good. 

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SunnySixteen

SunnySixteen

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Venice California

TRI-X - M6 - Summicron 35

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Steve Ricoh

Steve Ricoh

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15 minutes ago, Kl@usW. said:

...very good and very weird. You achieve this by reversing the film so that the antihalo-layer faces the lens ? 

Yes, that's correct. The technique is referred to as 'Redscale', or Redscalling. 

Redscaled films can be purchased, eg Rollei Redbird, but DIY is easy using a darkbag, a pair of scissors and some sticky tape.

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Suede

Suede

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A good time was had...   [Tri-X]

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Michael Geschlecht

Michael Geschlecht

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49 minutes ago, Suede said:

A good time was had...   [Tri-X]

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Hello Suede,

Nice photo.

It could not have been that good of a time. Nobody cleaned up. Sad

Best Regards,

Michael

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Suede

Suede

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21 minutes ago, Michael Geschlecht said:

Hello Suede,

Nice photo.

It could not have been that good of a time. Nobody cleaned up. Sad

Best Regards,

Michael

So right, Michael; utterly reprehensible, the lack of civic sense!

This was taken on the morning of New Year's day 2019 on the banks of the Elbe River in Hamburg. 

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AntonioF

AntonioF

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Carmine, ti amo!

A few classics in the first shot: a old Fiat Panda, a Saracen tower integrated in a more modern building and a little WWII bunker.

Leica M3, Summicron 50, Astrum 400

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20190603-DSC03018 by antoniofedele, on Flickr

20190603-DSC03021 by antoniofedele, on Flickr

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Kl@usW.

Kl@usW.

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vor 3 Stunden schrieb Steve Ricoh:

Yes, that's correct. The technique is referred to as 'Redscale', or Redscalling. 

Redscaled films can be purchased, eg Rollei Redbird, but DIY is easy using a darkbag, a pair of scissors and some sticky tape.

Thank you, I didn´t know that. 

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Kl@usW.

Kl@usW.

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If you travel in Patagonia, you´ll see a lot of ice. This iceberg floats on Lago Grey, two days  walking from the Torres del Paine. On the day we arrived there, it was drizzling, windy and--near a huge glacier, cold. We were glad when the boat arrived.

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HB, 2/110, Portra 800 @400 

 

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benqui

benqui

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vor 10 Minuten schrieb Kl@usW.:

If you travel in Patagonia, you´ll see a lot of ice. This iceberg floats on Lago Grey, two days  walking from the Torres del Paine. On the day we arrived there, it was drizzling, windy and--near a huge glacier, cold. We were glad when the boat arrived.

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HB, 2/110, Portra 800 @400 

 

The color of the ice is really incredible!

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benqui

benqui

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Am 5.6.2019 um 12:44 schrieb stray cat:

Yes, Klaus, I am a big fan of Raymond Chandler and the whole noir ethos, so I really like this train of thought. Sadly, though, I'm not too sure how much cloak and dagger intrigue was going on inside the bowling club at the time, and I'm pretty sure the women asking for "favours" would be more likely to be asking you to help them up the stairs to the social club rather than anything more tantalizing, but still - if I can be Philip Marlowe for just a short time, I'll take that! And even Marc Benqui, photographic magician that he is, might find himself a little challenged by bringing out the sassiness of those bowls club ladies...

Phil this one is for you: I think our friend Philip Marlowe would be happy to work for such a client..........

M6, Ilford Delta 400, Apo 50

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Steve Ricoh

Steve Ricoh

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2 hours ago, Kl@usW. said:

Thank you, I didn´t know that. 

This discussion has me wondering how B&W film would behave if exposed through the antihalation layer. Something I'll try in due course, no doubt, since I like experimenting with film. (Options: using ISO 400 film expose at 100 and develop at 400, or expose at 400 and push 2 stops.)

Anyone tried reverse exposure as described?

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Ernest

Ernest

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8 hours ago, Kl@usW. said:

Now that I understand the "caution zone stripes" better,  the picture is even more intriguing- particularly the torn bucket handle. It seems undicided wether it belongs to the right or to the left. Caution zone ! Deception !

Notice here what happens with editing out the readily recognizable elements--the bucket handle, the electrical outlet--and moving the composition from a 3D perspective view to 2D flat color field abstraction. Still, the caution zone stripes intrude and create a dimensional 3D aspect, but it's artificial--or is it?--and catches the sensibility off guard, calling attention to the fact that this is manipulated space, albeit with pronounced textures that evidence photo-realism. In the color field abstractions I've been studying, I have tried to underplay textures to privilege colors themselves. I am intrigued by the notion of "transparency" and its implications and how this notion might be metaphorically visualized in art and photography. This is not something that Albers entertained beyond his teachings in color interaction. In critical circles, today, transparency envelops concerns that have to do with individuals' transparency in public and the rights to privacy eroded by data mining. Granted, it's an abstract arena, but there are very real issues being staked out with concerns over transparency protocols, Googlization, merchandising of personal data, preferences, and history.

Yes, blue is an alluring linchpin in our palette; Prussian blue, Cerulean blue, cobalt blue, manganese blue, French ultramarine, and then there's Prussian green, thank you Winsor and Newton.

No Go Back Way Editing
Maui
M-A Portra 400 & E100

 

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Edited by Ernest
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Ernest

Ernest

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Book It Zone
M-A Summilux-M 50 & APO 50  Rollei Redbird & E100

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blueskyoveraquatic

blueskyoveraquatic

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Tri-x 400TX - D76 (1+1) 6 mins - Leica M5 + Jupiter-3

 

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