I like film...(open thread)

[christoph_d]

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The most friendly shop assistant in all of NYC

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M5, 35, Portra800

[philipus]

I really like this new direction of your artistry, Rog. Your choice of Redbird for this frame is perfect.

3 hours ago, Ernest said:

Book It Zone
M-A Summilux-M 50 & APO 50  Rollei Redbird & E100

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The Leica Q3 is available for pre-order at B&H Photo Video and Adorama

[philipus]

More photokina 18. There was an enormous focus on instant photography.

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50/1.8 AIS Portra 400(EI800) X1

[Steve Ricoh]

Kodak Ultramax 400, Pentax MX 50mm f/1.4

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[A miller]

On 6/6/2019 at 1:33 AM, benqui said:

Both are fantastic Adam!

Love the dynamic of this scene. One can hear the sea...

 

Thanks, Marc.  I was thinking about another trip with a long lens and infrared film - we shall see whether that will work out!

On 6/6/2019 at 7:06 AM, AntonioF said:

Thanks, Adam. Astrum is basically Svema. I think Svema old equipment was bought by Astrum to produce fresh film. I had some quality problems with the last rolls but I like the look. 

I learned about this film from Wayne!

Very interesting, thanks for the explanation.

17 hours ago, Kl@usW. said:

If you travel in Patagonia, you´ll see a lot of ice. This iceberg floats on Lago Grey, two days  walking from the Torres del Paine. On the day we arrived there, it was drizzling, windy and--near a huge glacier, cold. We were glad when the boat arrived.

HB, 2/110, Portra 800 @400 

 

Wow, that blue is stunning.  Really excellent photo, Klaus.  Inspiring as well!

16 hours ago, benqui said:

Phil this one is for you: I think our friend Philip Marlowe would be happy to work for such a client..........

M6, Ilford Delta 400, Apo 50

 

Beyond stunning, Marc.  This shows how well you direct your subjects.

13 hours ago, Ernest said:

Notice here what happens with editing out the readily recognizable elements--the bucket handle, the electrical outlet--and moving the composition from a 3D perspective view to 2D flat color field abstraction. Still, the caution zone stripes intrude and create a dimensional 3D aspect, but it's artificial--or is it?--and catches the sensibility off guard, calling attention to the fact that this is manipulated space, albeit with pronounced textures that evidence photo-realism. In the color field abstractions I've been studying, I have tried to underplay textures to privilege colors themselves. I am intrigued by the notion of "transparency" and its implications and how this notion might be metaphorically visualized in art and photography. This is not something that Albers entertained beyond his teachings in color interaction. In critical circles, today, transparency envelops concerns that have to do with individuals' transparency in public and the rights to privacy eroded by data mining. Granted, it's an abstract arena, but there are very real issues being staked out with concerns over transparency protocols, Googlization, merchandising of personal data, preferences, and history.

Yes, blue is an alluring linchpin in our palette; Prussian blue, Cerulean blue, cobalt blue, manganese blue, French ultramarine, and then there's Prussian green, thank you Winsor and Newton.

No Go Back Way Editing
Maui
M-A Portra 400 & E100

 

 

Love it, Rog.  On the very top of your best IMHO

3 hours ago, Steve Ricoh said:

Kodak Ultramax 400, Pentax MX 50mm f/1.4

 

Really excellent, Steve.    Love that contrast and color scheme.

On 6/6/2019 at 3:51 AM, Steve Ricoh said:

No, Adam, no tweaking apart from a shallow S applied. The false colours are attributed to the redscalling of the film (in a dark bag I reversed the film in the cassette), so the reverse side of the film faces the lens and the red layer gets exposed first.

Gotcha, and very impressive, indeed!

[A miller]

Another abstract from the Vessel.  

Tri-X @800 + orange filter

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[christoph_d]

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7 minutes ago, A miller said:

Another abstract from the Vessel.  

Tri-X @800 + orange filter

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Impressive metallic sheen. Ridley Scott may like it as setting for his next Alien movie.

[A miller]

34 minutes ago, christoph_d said:

Impressive metallic sheen. Ridley Scott may like it as setting for his next Alien movie.

thanks, Christoph.  And very funny

[mdp]

St. Michaels, Wadenhoe, c1200. MP Nokton 50/1.2 Velvia 50

 

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[Kl@usW.]

vor 18 Stunden schrieb Ernest:

Notice here what happens with editing out the readily recognizable elements--the bucket handle, the electrical outlet--and moving the composition from a 3D perspective view to 2D flat color field abstraction. Still, the caution zone stripes intrude and create a dimensional 3D aspect, but it's artificial--or is it?--and catches the sensibility off guard, calling attention to the fact that this is manipulated space, albeit with pronounced textures that evidence photo-realism. In the color field abstractions I've been studying, I have tried to underplay textures to privilege colors themselves. I am intrigued by the notion of "transparency" and its implications and how this notion might be metaphorically visualized in art and photography. This is not something that Albers entertained beyond his teachings in color interaction. In critical circles, today, transparency envelops concerns that have to do with individuals' transparency in public and the rights to privacy eroded by data mining. Granted, it's an abstract arena, but there are very real issues being staked out with concerns over transparency protocols, Googlization, merchandising of personal data, preferences, and history.

Yes, blue is an alluring linchpin in our palette; Prussian blue, Cerulean blue, cobalt blue, manganese blue, French ultramarine, and then there's Prussian green, thank you Winsor and Newton.

No Go Back Way Editing
Maui
M-A Portra 400 & E100

 

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Oh Rog, you send me to the dictionary  more often than anyone else in this forum--thank you, food for thought and opening horizons.   

K. 

[Kl@usW.]

 

 

Last of the  glacier-pics ; promised 😐: 

Glacier Grey, or part of it, seen from a boat.  The clouds opened for a few seconds and a shaft of light illuminated the front of the glacier. Seconds later the light was gone, the ship turned around and the show was over....

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HB, 2.0/110, Ext 2x, Portra 800@400

[Xícara de Café]

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IIIf, Summicron 5cm 1:2, Ilford Delta 100, Kodak D-76 1+1.

[Kacper111]

Leica M2 | Summicron rigid | 40 years old expired orwo np7

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And print

[Xícara de Café]

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IIIf, Summaron 3.5cm 1:3.5, Ilford Delta 100, Kodak D-76 1+1.

[A miller]

1 hour ago, Kl@usW. said:

 

 

Last of the  glacier-pics ; promised 😐: 

Glacier Grey, or part of it, seen from a boat.  The clouds opened for a few seconds and a shaft of light illuminated the front of the glacier. Seconds later the light was gone, the ship turned around and the show was over....

 

HB, 2.0/110, Ext 2x, Portra 800@400

wow, perfect in every way!  Wish I were there with you!

5 minutes ago, Kacper111 said:

Leica M2 | Summicron rigid | 40 years old expired orwo np7

And print
 

Beautiful portrait and impressive result with the expired film (wow)  Good job on the print, too!

[Ernest]

14 hours ago, philipus said:

More photokina 18. There was an enormous focus on instant photography.

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Flickr
50/1.8 AIS Portra 400(EI800) X1

Why am I getting a Warhol rush?

[Ernest]

No Go Pano Oz
M-A APO 50  ADOX Color Implosion & E100

A caution zone study of hide in plain sight and the paranoia of transparency.

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[Ernest]

2 hours ago, Kl@usW. said:

 

 

Last of the  glacier-pics ; promised 😐: 

Glacier Grey, or part of it, seen from a boat.  The clouds opened for a few seconds and a shaft of light illuminated the front of the glacier. Seconds later the light was gone, the ship turned around and the show was over....

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HB, 2.0/110, Ext 2x, Portra 800@400

Well, Klaus, I have been Googling, Binging, and Wiki-whatever-ing--swearing off all of them merchandising consumer footprints--and still wading through the favored Oxford English Dictionary, I can't get past the A's for the one word to describe your work here--AWESOME!

[A miller]

I am not sure that this makes the cut, and think that a longer lens (e.g., my 180mm sonar and 6x9) might be more effective at what i was after....

Tri-X @ 800 + orange

SWC

 

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Hallo,

Look here: Interesting Leica gear

[A miller]

❤️

NYC

Portra 400

M-A, 28mm

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