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Theater Director


fotografr

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Brent, the great care you take in composing in your viewfinder is obvious in this shot. There is nothing haphazard or accidentally lucky in the way you've arranged the elements. To my eye an essentially perfect composition. Can I ask how you handled the lighting? You really nailed it.

DD

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Brent; This is a very nice one, right on the money. I noticed it earlier and this is another evidence; the way how you 'treat' light is astonishing. I don't know if you accept compliments from back seat drivers, though.

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Thanks very much. I appreciate the comments a lot.

 

William--It's the "old" 28, if you can call a lens "old" that was purchased new in 1992.

 

DD--I set up studio strobes for the shot (Balcars with softboxes), but did the photo just utilizing the modeling lights rather than the strobes in order to balance the forground with the background. I had the camera on a tripod because the exposure was something like 1/2 second.

 

Bill--Been a long time, but it's always good to hear from you here. I think you must be spending a lot of time at the ivory keyboard.

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  • 2 weeks later...

So right, Brent. The surround tells of this man without an ounce of waste or pretention, without need of title. I imagine him simply turning back toward the stage, players taking their places, the beat going on. Most so-called portraits are too close, untelling. This is just ... right!

 

Bruce

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Sensational shot, Brent. Composition, contrast, tones, everything just spot on.

 

Can you share with me some technical expertise? How much in the way of lighting do you normally take with you on a shoot like this? I know you've mentioned the strobes before, but what do you mean by "modeling lights"?

 

Thanks.

 

Allan

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