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On 1/22/2022 at 8:15 PM, Al Brown said:

Petzval brass lenses (and re-release from 2016) use a knob, genious Kilfitt used knobs on his tele lenses, Zenit/Krasnogorsk Photosniper used it on a 300mm lens (see pic)...

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Fine ad with a "rude-but-nice" young Soviet !!!  What's the camera ? Zenit E by logic but don't know it so well to be sure (as a teenager, was one of the few young photo enthusiasts who didn't get one ... to distinguish myself, got at Zorky 4K which paved my destiny towards RF... 😄)

 

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I came across this on the web.  Does anyone have any additional information, it does note it’s British manufacture.  It appears 4 images are made with a rise/fall lens and a shifting  Plateholder.  The sliding ground glass displays the image.  There’s no mention of what kind of lens is used, possibly a reversed single achromat with a front washer stop. The lens barrel must be very small, possibly modified from a miscroscope body(?).  The overall small size is really appealing to me.  It mentions “tropical wood”, this appears to be Cuban Mahogany.  ••••. This is absolutely something I can recreate, and can use for Wet Plate.  A great use for a beautiful piece of Cuban Mahogany I’ve had for a few years.  ••••so, should I build one? 🙂

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I would normally check here: http://www.earlyphotography.co.uk/site/a_chap.html and there is nothing similar. I'm a bit puzzled because ~1860 photographers would have contact prnted prints and these would hve been small. Could it have had some sort of stereo application? The lens is just in a focus mount (as were available for Petzval lenses) and is probably quite a simple one.

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Glad you identified it. So the date was well out! My expertise on tintypes is limited but it really didn't sit well as an 1860s tintype camera for some reason. It make much better sense as being circa ~1900. I often see old wooden cameras assigned dates which clearly pre-date them unfortunately. If I was buying an 1860s camera I would want to be very sure of what exactly it was for sure. William and I live in hopes of finding a Grubb camera - one or two were built (innovative design of course!) but who knows whether they still survive?

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Couple of chrome Nikons:

 

 

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Baby Ikonta, takes 127 film.

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There is a German seller selling an unused 534/16 Series IV Super Ikonta on eBay. Not cheap as you might expect but I would think a "must have" for Ikonta enthusiasts. My father used a Super Ikonta IV for all his black and white photography during the 1950's and early 60's but I am afraid, it was never a camera that I hankered for. 

Wilson

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2 hours ago, Al Brown said:

So many to choose from.

I think Zeiss Ikon set the world record for the most variants of a single camera name with the Ikonta.  So many film sizes, so many minor variations to the features, over so many years.

 

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Ikonta using 35mm film.

 

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5 minutes ago, wlaidlaw said:

Did they ever make a rangefinder version of that or would that have competed with the Contax RF cameras? 

I don't know if there was rangefinder version of the Ikonta 35.  The Ikonta 35 lens is not interchangeable.  Perhaps the camera that a rangefinder Ikonta 35 would have competed with is the Contessa 35mm which did have a rangefinder and a fixed lens.  Zeiss Ikon seemed to like to have a camera for every price point.  Note that the Ikonta 35 does not have a Zeiss Jena lens.  Novar was Zeiss' range of lower priced lenses.  (You may recall that I have the Gubas book.  But the biggest problem with his book is that there is no index.  So finding any specific details can be a chore.)

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Maybe Zeiss' Tenax II would be the nearest thing to an RF 35mm Ikonta, taking Berning Robot sized 24mm square images on 35mm film. There were I think four lenses for it, a wide, two different standard lenses (Tessar and Sonnar) plus a short tele lens. 

Wilson

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12 minutes ago, wlaidlaw said:

Maybe Zeiss' Tenax II would be the nearest thing to an RF 35mm Ikonta

Then there was the Tenax I with no rangefinder and fixed lens.  Kind of an Ikonta 35, but with square images.

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Praktiflex FX, the export-version of the Praktica FX, with some Berlin-made accessories: prism-finder that had to be mounted on top of the waist level finder mande by Hans Sperling Berlin and two lenses made by Paul Piesker & Co Berlin, scales in feet and labled VOSS, 2.8/35 and 5.5/200 mm.

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1 hour ago, romanus53 said:

two lenses made by Paul Piesker & Co Berlin, scales in feet and labled VOSS

I believe that Walter Voss bought both Piesker and Tewe at some point (late 50's or early 60's?).  I also believe Votar was a more common trademark after the merger than Voss.  Some "Tewe" lenses are marked Votar or TV, which I assumed meant Tewe Voss.  Our German members may remember more about just events, or can just correct me as being totally wrong.

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On 3/11/2021 at 11:20 PM, nitroplait said:

Contaflex IV w Tessar 50mm F2.8

A common camera in its day I think, and still not unusual to find, but totally weird with modern eyes. It seems unnecessary complex when you contemplate on how it works inside. I doubt I could justify the cost of having it serviced, but luckily it works great and besides my love for the Tessar, the viewfinder is also extremely pleasant to use.

I hope to find out if I can remove the lens to access the mirrorbox. lots of small pieces of deteriorated foam (i guess) is pollution the mirror and focusing screen - and it would be cool to blow them out.

I'm very late to this, sorry, but, it is possible to clean the underneath of a Contaflex IV focus screen, without removing the lens first (although that is not particularly hard with the appropriate flexi clamp). 

If you examine the film cassette chamber of the camera you will find a slotted cover the size of a small coin on the side closest the mirror. Removing this with an appropriate screwdriver exposes an access port to the mirror box. With some patience and care, it is possible to gently wipe the underside of the focusing screen clean.

I would not recommend trying to blow foreign objects out. There isn't any way for dust to readily leave the mirror chamber except through the same port you would blow into—unlikely. Also—there's a fair chance forcing air inside may send dust past the screen edges and deposit it onto the top surface of the screen—making it then, impossible to remove, without first taking off the top cover of the body and the pentaprism. Best to simply wipe off contaminants. This, indeed, is what Zeiss themselves recommended in the first instance. See page 12 of the service manual linked below for more details.
Regards,
Brett

https://learncamerarepair.com/downloads/pdf/Contaflex-Service-Manual.pdf

Edited by B Rogers
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On 3/12/2021 at 10:12 PM, nitroplait said:

I suspected that much ;)  Even without repair experience, you get the distinct sense that this camera (IV) is much more complex than it has to be. Just grateful that it works - and will enjoy it as I can.

There are occasional exceptions, but the main problem the Contaflexes usually suffer from is a sticking leaf shutter in need of service. Given this, they'll then usually work well. Contrary to some other opinions expressed, these were well made and high quality SLRs, fitted with sharp Tessar lenses.

From 1953 to circa 1971, Zeiss Ikon produced very nearly one million Contaflexes of all models. They would not have sold so many at their price point in the market if they had proved unreliable. When found today they will typically need some servicing to function correctly, but this is no fault of the design, it merely reflects the effects of time on the lubricants used. Given that any Leica, Contax, Voigtländer or Rollei from the same period is also unlikely to function perfectly, if never serviced since manufacture—it's unreasonable to condemn the well made Contaflex line for age related faults (as some observers have been inclined to do in recent years). Personally, I have always preferred to make Contaflexes work, again—not bin them—and I have been able to do this on a number of occasions.

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