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Paris 1989-1990, Japan exhibition

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Leica M5, Summicron 50mm "III", Kodachrome 64

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my first and second Yabusame

(I didn't know what it was about, discovered the traditional Japan in this occasion)

some said that M5 is not the best for such pics, but not so bad in use

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My first roll of HP5+ and 7Artisans 75mm f1.25 lens.  Film exposed at box speed of ISO 400 and souped in HC110B for 5 minutes at 20C then scanned on Epson V500.

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HP5+ souped in HC110B for 5 min at 20C then scanned on Epson V500.

Leica MP with 75mm 7Artisans lens

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Farah in the garden.

HP5+ souped in HC110B for 5 minutes at 20C and scanned on Epson V500

Leica MP with 7Artisans 75mm.  This is from the first roll with that combination and I'm not totally loving it so far... I don't mind the lens being a bit soft for portraits but the film/dev combination is resulting in very blocked highlights.

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Edited by Sailronin
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Cinestill 800T 

M6 TTL, Color Skopar 35mm

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Cinestill 800T 

M6 TTL, Color Skopar 35mm

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Pears and bananas.

Leica MP w/90mm Summicron on Ilford HP5+ stand developed in Rodinal 1:100 for 60 minutes.

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4 hours ago, Sailronin said:

Pears and bananas.

Very nice example of how 35mm B&W  film photography has its own image language. This atmosphere here is difficult to attain in digital, probably most caused by Rodinal. 

Edited by otto.f
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Leica M3, summicron 50 v1, trix (rodinal 1+50), printed on mgfb and scanned

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Reading in daybed.

Leica MP with 40mm Voigtlander on Ilford HP5+ stand developed in Rodinal 1:100 for 60 minutes.

This combination seems to have solved the highlight blocking issue as expected and carries a good tonal range but it does make a "soft" image as Otto.f noted on my previous post due to the grain structure.

Thanks for looking,

Dave

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Edited by Sailronin
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Portra 800 @ 800 pushed 1 stop

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500T shot @ 800 pushed 1 stop

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Man checking phone.

Scanning old negatives trying to learn Vuescan software.

(Shot in 2015) M7 with50mm Summicron on Tri-X souped in HC110B scanned on Epson V500

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Not conventional use of Summilux 75mm, here

(we were driving a moped when the scene was there, in front of us, in Creta )

 

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M6, Summilux 75mm, Kodachrome

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Some Kodachrome are scanned with Monochrom,

to see what they look like

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original M5, 50mm Summicron III,

slide converted cropped after scanned with Monochrom+Beoon+Focotar

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Yosemite Valley Photographers, 2015

Scanning some old film and found this one.

M7 with 50mm Summicron on FP4+ in HC110B scanned on Epson V500 with Vuescan.

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